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| Display title | Melanie Pappenheim |
| Default sort key | Pappen, Melanie |
| Page length (in bytes) | 1,705 |
| Page ID | 59414 |
| Page content language | en - English |
| Page content model | wikitext |
| Indexing by robots | Allowed |
| Number of redirects to this page | 0 |
| Counted as a content page | Yes |
| Number of subpages of this page | 0 (0 redirects; 0 non-redirects) |
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| Edit | Allow all users (infinite) |
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| Page creator | CzechOut (talk | contribs) |
| Date of page creation | 04:17, 29 December 2010 |
| Latest editor | Botgo50 (talk | contribs) |
| Date of latest edit | 19:04, 25 April 2024 |
| Total number of edits | 32 |
| Total number of distinct authors | 9 |
| Recent number of edits (within past 90 days) | 0 |
| Recent number of distinct authors | 0 |
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Description | Content |
Article description: (description)This attribute controls the content of the description and og:description elements. | Melanie Pappenheim is a vocalist who worked with Murray Gold on some of the signature cues of the first Russell T Davies era of Doctor Who. Her voice was the major instrument in the version of the "The Doctor's Theme" heard in series 1 and 2. It was also used to underscore the "Doomsday" cue heard at Rose Tyler's initial separation from the Tenth Doctor in the episode of the same name. Her voice was also heavily used on "Martha's Theme", "Astrid's Theme", "Seeking the Doctor", "The Doctor Forever" and "YANA (Excerpt)". |