The Light that Never Dies (short story): Difference between revisions
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|setting=[[Braxiatel Collection]], [[2600]] | |setting=[[Braxiatel Collection]], [[2600]] | ||
|writer=[[Eddie Robson]] | |writer=[[Eddie Robson]] | ||
|publication=''[[The Dead Men Diaries]]'' | |publication=''[[The Dead Men Diaries (anthology)|The Dead Men Diaries]]'' | ||
|prev=Steal from the World (short story) | |prev=Steal from the World (short story) | ||
|next=Heart of Glass (short story) | |next=Heart of Glass (short story) | ||
}}'''''The Light that Never Dies''''' was the third story in the [[Bernice Summerfield]] anthology ''[[The Dead Men Diaries]]''. It was written by [[Eddie Robson]]. | }}'''''The Light that Never Dies''''' was the third story in the [[Bernice Summerfield]] anthology ''[[The Dead Men Diaries (anthology)|The Dead Men Diaries]]''. It was written by [[Eddie Robson]]. | ||
== Summary == | == Summary == | ||
A quiet afternoon spent cataloguing old film clips for the [[Braxiatel Collection]] turns decidedly creepy when one of the subjects in a [[22nd century]] film turns to the camera and addresses [[Bernice Summerfield|Benny]] and [[Irving Braxiatel|Brax]]. | A quiet afternoon spent cataloguing old film clips for the [[Braxiatel Collection]] turns decidedly creepy when one of the subjects in a [[22nd century]] film turns to the camera and addresses [[Bernice Summerfield|Benny]] and [[Irving Braxiatel|Brax]]. | ||
Revision as of 02:29, 17 December 2013
The Light that Never Dies was the third story in the Bernice Summerfield anthology The Dead Men Diaries. It was written by Eddie Robson.
Summary
A quiet afternoon spent cataloguing old film clips for the Braxiatel Collection turns decidedly creepy when one of the subjects in a 22nd century film turns to the camera and addresses Benny and Brax.
Characters
References
to be added
Notes
to be added
Continuity
- Benny still has the original of The Hay Wain. It was a gift from the Martian invaders in PROSE: The Dying Days.
- TV: From Out of the Rain also had living beings trapped in celluloid--albeit more sinister ones.
