ERS: Difference between revisions
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'''ERS''' have worked on [[sound design]] and [[incidental music|music]] for [[Big Finish Productions]]. | '''ERS''' have worked on [[sound design]] and [[incidental music|music]] for [[Big Finish Productions]]. | ||
Revision as of 01:37, 4 June 2017
ERS have worked on sound design and music for Big Finish Productions. They are comprised of Andy Hardwick and Gareth Jenkins.
Post Production
Big Finish Monthly Doctor Who audio stories
- The Dark Flame - music & sound design
- Project: Lazarus - music & sound design
- Zagreus - music
- The Axis of Insanity - music & sound design
- The Next Life - music & sound design
- The Game - music & sound design
- Catch-1782 - music & sound design
- Scaredy Cat - music & sound design
- Pier Pressure - music & sound design
- Night Thoughts - music & sound design
- Time Works - music & sound design
- The Kingmaker - music & sound design
- Red - music & sound design
- Year of the Pig - music & sound design
- Renaissance of the Daleks - music & sound design
- Exotron - music & sound design
- Urban Myths - music & sound design
- The Wishing Beast - music & sound design
- The Vanity Box - music & sound design
- Son of the Dragon - music & sound design
- 100 (audio anthology) - music & sound design
- The Girl Who Never Was - music & sound design
- The Bride of Peladon - music & sound design
Notes
- The Big Finish website (last accessed 13th February 2012) wrongly credits ERS as contributing the music & sound design for The Twilight Kingdom & The Council of Nicaea. The booklet included with both CD releases credits Russell Stone as providing the music.
