Giuseppe di Cattivo: Difference between revisions

From Tardis Wiki, the free Doctor Who reference
No edit summary
No edit summary
 
(35 intermediate revisions by 11 users not shown)
Line 1: Line 1:
{{Infobox Individual
{{Infobox Individual
| individual name = Guiseppe di Cattivo
| image = Giuseppe di Cattivo 1.jpg
| image          = [[File:Giuseppe_di_Cattivo_1.jpg|250px]]
| alias =  
| alias           = The Artist of Nightmares
| species = Human
| race            = [[Human]]
| origin = [[Earth]]
| home planet    = [[Earth]]
| actor =  
| home era        = [[16th century]]
| first mention = Mona Lisa's Revenge (TV story)
| appearances    = [[SJA]]: [[Mona Lisa's Revenge]]
}}'''Giuseppe di Cattivo''' ([[1450]]-[[1518]]) was a contemporary of [[Leonardo da Vinci]] and a fellow [[artist]], as well as his neighbour.
| actor          =
}}
'''Giuseppe di Cattivo''' was a contemporary of [[Leonardo da Vinci]] and a fellow artist, as well as his neighbour. He was renowned for the disturbing nature and morbosity of his paintings, for which he became known as "The Artist of Nightmares". At one point in his life he found a sentient metiorite and used its minerals as a material for his pigments. Using this paint he created his masterpiece, called [[The Abomination]], and lent some of it to da Vinci for one copy of the [[Mona Lisa]] (the copy that would eventually be found in the Louvre, Paris). The Abomination however was too terrible to lay eyes on without going mad. Gripped by fear, di Cattivo locked the painting in a vault made of wood from the hangman's gallows with a puzzle box. The following morning, he was found in his Florence apartment, completely insane.


The International Gallery of London took possession of a collection of his works in Victorian times, and stored them in the vaults in the basement.
Giuseppe di Cattivo was renowned for the disturbing nature of his [[painting]]s, for which he became known as "the Artist of Nightmares". At one point in his life, he found a sentient [[meteorite]] and used its minerals as a material for his [[pigment]]s. Using this [[paint]], he created his masterpiece, called ''[[The Abomination (Mona Lisa's Revenge)|The Abomination]]'', and lent some of it to Leonardo for one copy of the ''[[Mona Lisa]]'' (the copy that was eventually put on display in the [[Louvre]], [[Paris]]).
[[Category:Human artists|Cattivo]]
 
''The Abomination'', however, was too terrible to lay eyes on without going [[insane|mad]]. Gripped by fear, di Cattivo locked the painting in a vault made of [[wood]] from the [[hangman]]'s [[gallows]], with a [[Mystery Chinese Puzzle]] acting as the lock. The following morning, he was found in his [[Florence]] apartment, completely insane. He ultimately [[died]] in a [[lunatic asylum]].
 
The [[International Gallery]] of [[London]] took possession of a collection of his works in [[Victorian era|Victorian times]], and stored them in the vaults in the [[basement]]. ([[TV]]: ''[[Mona Lisa's Revenge (TV story)|Mona Lisa's Revenge]]'')
{{NameSort}}
 
[[Category:Human artists]]
[[Category:15th century individuals]]
[[Category:15th century individuals]]
[[Category:16th century individuals]]
[[Category:16th century individuals]]

Latest revision as of 14:05, 12 January 2024

Giuseppe di Cattivo (1450-1518) was a contemporary of Leonardo da Vinci and a fellow artist, as well as his neighbour.

Giuseppe di Cattivo was renowned for the disturbing nature of his paintings, for which he became known as "the Artist of Nightmares". At one point in his life, he found a sentient meteorite and used its minerals as a material for his pigments. Using this paint, he created his masterpiece, called The Abomination, and lent some of it to Leonardo for one copy of the Mona Lisa (the copy that was eventually put on display in the Louvre, Paris).

The Abomination, however, was too terrible to lay eyes on without going mad. Gripped by fear, di Cattivo locked the painting in a vault made of wood from the hangman's gallows, with a Mystery Chinese Puzzle acting as the lock. The following morning, he was found in his Florence apartment, completely insane. He ultimately died in a lunatic asylum.

The International Gallery of London took possession of a collection of his works in Victorian times, and stored them in the vaults in the basement. (TV: Mona Lisa's Revenge)