Stephen Regelous: Difference between revisions

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'''Stephen Regelous''' was credited as a [[3D artist]] for the ''[[Doctor Who]]'' television story ''[[Partners in Crime]]'', but he was actually an expert called in by [[the Mill]] to handle a particular problem for which he was a recognised global expert. Regelous was the key developer of {{w|MASSIVE (software)|MASSIVE}}, a kind of [[CGI]] software that allowed for the depiction of huge battle scenes containing thousands of independently-acting characters. The software, and Regelous' own artistry, were honoured with an [[Academy Award]] for {{wi|The Lord of the Rings film trilogy|The Lord of the Rings}}. Given that background, Regelous' specific task on ''[[Doctor Who]]'' was the creation of the crowd [[Adipose]] scenes in ''Partners'', for the "[[March of the Adipose]]" scene.
'''Stephen Regelous''' was credited as a [[3D artist]] for the ''[[Doctor Who]]'' television story ''[[Partners in Crime (TV story)|Partners in Crime]]'', but he was actually an expert called in by [[the Mill]] to handle a particular problem for which he was a recognised global expert. Regelous was the key developer of {{w|MASSIVE (software)|MASSIVE}}, a kind of [[CGI]] software that allowed for the depiction of huge battle scenes containing thousands of independently-acting characters. The software, and Regelous' own artistry, were honoured with an [[Academy Award]] for {{wi|The Lord of the Rings film trilogy|The Lord of the Rings}}. Given that background, Regelous' specific task on ''[[Doctor Who]]'' was the creation of the crowd [[Adipose]] scenes in ''Partners'', for the "[[March of the Adipose]]" scene.


Regelous flew to [[Wales]] from [[New Zealand]] just to work on the Adipose scenes. He once said of his experience on ''Doctor Who'':
Regelous flew to [[Wales]] from [[New Zealand]] just to work on the Adipose scenes. He once said of his experience on ''Doctor Who'':
{{quote|...I was quietly hoping that MASSIVE might be used to create hordes of [[Dalek]]s or [[Cybermen]], and with [[Series 4 (Doctor Who)|series four]], I jumped at the opportunity to be involved.  It's been very fulfilling to be a fan from about three or four years old and finally be able to contribute to the [[Doctor Who universe|''Doctor Who'' universe]].|Regelous, as quoted by ''[[The Guardian]]'' and reused in [[DWMSE 20|''Doctor Who Magazine Special Edition'' 20]]}}
{{quote|...I was quietly hoping that MASSIVE might be used to create hordes of [[Dalek]]s or [[Cybermen]], and with [[Series 4 (Doctor Who 2005)|series four]], I jumped at the opportunity to be involved.  It's been very fulfilling to be a fan from about three or four years old and finally be able to contribute to the [[Doctor Who universe|''Doctor Who'' universe]].|Regelous, as quoted by ''[[The Guardian]]'' and reused in [[DWMSE 20|''Doctor Who Magazine Special Edition'' 20]]}}


== External links ==
== External links ==

Latest revision as of 19:31, 25 April 2024

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Stephen Regelous was credited as a 3D artist for the Doctor Who television story Partners in Crime, but he was actually an expert called in by the Mill to handle a particular problem for which he was a recognised global expert. Regelous was the key developer of MASSIVE, a kind of CGI software that allowed for the depiction of huge battle scenes containing thousands of independently-acting characters. The software, and Regelous' own artistry, were honoured with an Academy Award for The Lord of the Rings. Given that background, Regelous' specific task on Doctor Who was the creation of the crowd Adipose scenes in Partners, for the "March of the Adipose" scene.

Regelous flew to Wales from New Zealand just to work on the Adipose scenes. He once said of his experience on Doctor Who:

...I was quietly hoping that MASSIVE might be used to create hordes of Daleks or Cybermen, and with series four, I jumped at the opportunity to be involved. It's been very fulfilling to be a fan from about three or four years old and finally be able to contribute to the Doctor Who universe.Regelous, as quoted by The Guardian and reused in Doctor Who Magazine Special Edition 20

External links[[edit] | [edit source]]