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|format          = 84 pages bound
|format          = 84 pages bound
|editor          = [[Paul Dove]]
|editor          = [[Paul Dove]]
|publisher        =[[Daily Mirror|Trinity Mirror]]  
|publisher        =[[Daily Mirror|Trinity Mirror]]
|prev issue       = ''[[The Mirror Official Comic Relief Nosepaper]]''
|series          = ''[[Daily Mirror]]'' special issues
|previous issue   = ''[[The Mirror Official Comic Relief Nosepaper]]''
|next issue      = ''[[Doctor Who: Bigger on the inside for 60 years]]''
|next issue      = ''[[Doctor Who: Bigger on the inside for 60 years]]''
}}'''''The Doctors: The Archive''''' was a ''[[Doctor Who]]''-themed issue of the ''[[Daily Mirror]]'' newspaper's so-called "[[bookazine]] collection". It presented a number of different ''Who''-related photographs from the ''Mirror'''s archive of images.
}}'''''The Doctors: The Archive''''' was a ''[[Doctor Who]]''-themed issue of the ''[[Daily Mirror]]'' newspaper's so-called "[[bookazine]] collection". It presented a number of different ''Who''-related photographs from the ''Mirror'''s archive of images.
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* '' [[The Time Warrior (TV story)|The Time Warrior]] ''
* '' [[The Time Warrior (TV story)|The Time Warrior]] ''


* '' [[Doctor Who and the Daleks in Seven Keys to Doomsday]] ''
* '' [[Doctor Who and the Daleks in Seven Keys to Doomsday (stage play)|Doctor Who and the Daleks in Seven Keys to Doomsday]] ''


==== [[Tom Baker]] ====
==== [[Tom Baker]] ====

Latest revision as of 12:19, 4 July 2024

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The Doctors: The Archive was a Doctor Who-themed issue of the Daily Mirror newspaper's so-called "bookazine collection". It presented a number of different Who-related photographs from the Mirror's archive of images.

Publisher summary[[edit] | [edit source]]

When Doctor Who first hit our TV screens in 1963 it was an instant hit. But nobody could have predicted at the time that it would go on to become a television phenomenon that is still commanding millions of viewers 50 years on. Featuring rare and exclusive pictures from the Mirror archives, this celebratory special edition looks back at five decades of time-travel and the 11 Doctors and numerous companions that have shaped one of Britain's best loved programmes. It's a souvenir any Doctor Who devotee will treasure.

Features[[edit] | [edit source]]

William Hartnell[[edit] | [edit source]]

  • The Dalek Movies

Patrick Troughton[[edit] | [edit source]]

Jon Pertwee[[edit] | [edit source]]

Tom Baker[[edit] | [edit source]]

Peter Davison[[edit] | [edit source]]

Colin Baker[[edit] | [edit source]]

Sylvester McCoy[[edit] | [edit source]]

Paul McGann[[edit] | [edit source]]

Christopher Eccleston[[edit] | [edit source]]

David Tennant[[edit] | [edit source]]

Matt Smith[[edit] | [edit source]]

Credits[[edit] | [edit source]]

Notable information[[edit] | [edit source]]

  • Dalek designer Raymond Cusick received an ex-gratia payment of £100, which, after income tax, came to £80, 10 shillings and sixpence when he left the BBC.
  • The first four Daleks made from fibreglass were built on a total budget of £250.
  • During episode six of The Keys of Marinus, one of the Voord very visibly trips over its own flipper. A retake would have been to costly so the scene remained in the finished programme.
  • Terry Nation's submitted script for a six episode Dalek story that became The Daleks' Master Plan was just 24 pages of camera direction and a rough storyline.
  • The Gunfighters featured the vocal talents of Lynda Baron (later to play Captain Wrack in Enlightenment) and Peter Purves (travelling companion Steven Taylor).
  • Publicity for The War Machines included the First Doctor facing a War Machine with actor William Mervyn — the father of Michael Pickwoad, who designed Matt Smith's second TARDIS control room.
  • The Cybermen were designed by 25 year old Alexandra Tynan (using her maiden name Sandra Reid) in about an hour after discussion with Kit Pedler.
  • The 1967 Blue Peter design-a-monster-competition attracted some 250,000 entries. The winning designs were the Steel Octopus (created by Karen Dag), the Hypnotron (created by Paul Worrall) and the Aqua Man (created by Steven Thompson). Unlike the Abzorbaloff, none of the winners designs appeared in the TV series.
  • Officially known as the Alien, the Whomobile was privately commissioned by Jon Pertwee from car customiser Peter Farries. The vehicle was capable of speeds in excess of 100mph and was equipped with a computer, TV, telephone and stereo.
  • When filming City of Death, Tom Baker rattled the doors of the Louvre so hard when it was closed because of a public holiday that he set off the burglar alarm.
  • A miscalculation of £250,000 in the accounting meant that The Dark Dimension project would have been lucky to make a break-even figure rather than any profit (even after figuring in merchandise and video sales).

Ratings for the Doctor Who movie were an impressive 9.1 million in the UK but against opposition from the final Roseanne in America gained only 5.6 million and was not deemed successful enough at the time to take up the option of a series.

Additonal details[[edit] | [edit source]]

  • This volume included references as recent as the drama An Adventure in Space and Time but no reference to Matt Smith's imminent departure from the TARDIS.
  • Copies of the photographs contained in this volume were available for purchase from the mirror-photos.co.uk website with prices from £9 (UK).
  • This "bookazine" (ISBN 978-1-907324-32-1) had a cover price of £4.99 (UK).