@@ Line 1: / Line 1: @@
+{{you may|Time Lord naming|n1=the various naming schemes utilised by ''individual'' Time Lords}}{{first pic|Chronarchs.png|Early in [[Gallifreyan]] history, [[Lord]] [[Griffen]] addresses his newly-minted fellow [[Time Lord]]s as "fellow Chronarchs". ([[COMIC]]: {{cs|4-D War (comic story)}})}}
+Although primarily known as the '''[[Time Lord]]s''', ([[TV]]: {{cs|[[The War Games (TV story)]]}}) the civilisation which held dominion over time and resided on [[Gallifrey]] were also known by '''various alternative titles'''. ([[TV]]: {{cs|State of Decay (TV story)}}, [[PROSE]]: {{cs|The Book of the War (novel)}}, etc.)
+== History ==
+According to the [[Spy Master]], the [[ancient Gallifreyan]]s called themselves the [[Shobogan (species)|Shobogans]], ([[TV]]: {{cs|The Timeless Children (TV story)}}) the name later embraced by "new-age Academy dropouts" who protested against the Time Lords' way of life and rejected their heritage as Time Lords. ([[TV]]: {{cs|The Deadly Assassin (TV story)}}, [[PROSE]]: {{cs|The Eight Doctors (novel)}}) Still according to the Master, they adopted the names of Time Lords after mastering [[time travel]], "renam[ing] themselves with characteristic pomposity". ([[TV]]: {{cs|The Timeless Children (TV story)}}) One account dealing with the [[Kotturuh crisis]] suggested an intermediate stage where the Gallifreyans called themselves the "[[Space Lord of Gallifrey|Space Lords of Gallifrey]]" during the [[Eternal War]]; ([[COMIC]]: {{cs|Monstrous Beauty (comic story)}}) the name of [[Space Lord]]s would be more lastingly adopted by a different species, slightly younger than their time-based counterparts and based on the planet [[Fractallax]]. ([[PROSE]]: {{cs|Out of the Box (short story)}}, [[COMIC]]: {{cs|Monstrous Beauty (comic story)}}) Very early in Time Lord history, shortly after they became such, [[Lord]] [[Griffen]] addressed an assembly of the [[Prydonian Chapter]] as "fellow Chronarchs". ([[COMIC]]: {{cs|4-D War (comic story)}})
+Until the [[War in Heaven]], it was traditional for a new [[Head of the Presidency]] to cite a few titles to the [[High Council|council of the Ruling Houses]] as part of their inaugurational speech, "reminding [their] audience that [they] are Engineers of History, Lords of the Continua, Overseers to Causality itself, ''ad nauseam''". [[The War King]] broke with this tradition in his speech, which aimed to snap the [[Great House]]s out of their complacency. ([[PROSE]]: {{cs|The Book of the War (novel)|namedep=The War King}})
+The [[Monochrome Auteur]] was familiar with many names, and was unsure what name the [[Plume Coteries]] would be familiar with, citing a number to [[Maritsa]]. He claimed to have "heard them all" and actually "coined a few" himself. ([[PROSE]]: {{cs|The Cactus and the Corpse (short story)}})
+[[Abraytha Janus Colefia]] was familiar with "[[Lightbringer]]" but not "[[Archon]]s" and "[[Celestial]]s", and thus did not initially recognise the ''[[Zadellin]]'' crew as such when they introduced themselves with the latter aliases. Once the misunderstanding was cleared up, Abraytha complained: "You things have ''entirely'' too many names". ([[PROSE]]: {{cs|A Collision of Ships (short story)}})
+== Known aliases ==
 {| class="wikitable sortable"
 ! Alias
@@ Line 10: / Line 21: @@
 |rowspan=3|"[[Angel]]s"
 |[[PROSE]]: {{cs|Head of State (novel)}}
-|Used in narration within "''[[The Thousand And Second Night]]'' as translated by [[Sir]] [[Richard Burton]]".
+|Used in narration within "''[[The Thousand And Second Night]]'' as translated by [[Sir]] [[Richard Francis Burton|Richard Burton]]".
 |[[29 June (releases)|29 June]] [[2015 (releases)|2015]]
 |rowspan=3|[[Angel]]s are immortal celestial beings in Abrahamic religious and mythological traditions, with the name originating from the Ancient Greek "''angelos''", meaning "messenger". Used in the three cited sources as part of a willful effort on the part of speakers to equate the Houses' members with the religious figures, with [[Urizen]] being referenced as "[[God (mythology)|God]]" or "[[Allah]]".
@@ Line 32: / Line 43: @@
 |Used in dialogue by misc. characters.
 |[[29 November (releases)|29 November]] [[2020 (releases)|2020]]
-|rowspan=8|From the Greek ''arkhitektōn'', "lead craftsman", etymologically related to "archon". Refers within [[PROSE]]: {{cs|Golden Age (novel)}} to their roles as builders of many structures and artefacts recovered in the [[post-War universe]] by the [[lesser species]]. Within other sources such as ''[[Faction Paradox (series)|Faction Paradox]]'', implicitly references their role as creators and designers of the [[Linear Universe]]; evokes [[Urizen]]'s epithet as "Urizen the Architect" and [[Rassilon]]'s stated origins as a "great architect and engineer" within [[TV]]: {{cs|The Deadly Assassin (TV story)}}.
+|rowspan=9|From the Greek ''arkhitektōn'', "lead craftsman", etymologically related to "archon". Refers within [[PROSE]]: {{cs|Golden Age (novel)}} to their roles as builders of many structures and artefacts recovered in the [[post-War universe]] by the [[lesser species]]. Within other sources such as ''[[Faction Paradox (series)|Faction Paradox]]'', implicitly references their role as creators and designers of the [[Linear Universe]]; evokes [[Urizen]]'s epithet as "Urizen the Architect" and [[Rassilon]]'s stated origins as being "regarded [in his own time] mainly as an engineer and an architect" within [[TV]]: {{cs|The Deadly Assassin (TV story)}}.
 |-
 |[[PROSE]]: {{cs|Cousin Eliza (feature)}}
@@ Line 49: / Line 60: @@
 |-
 |[[PROSE]]: {{cs|Love & War (short story)}}
-|Used by [[Olivia Kagg Waldermain]] in narration within a footnote.
+|Used by [[Olivia Kagg Waldermein]] in narration within a footnote.
 |[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|-
+|"architects of Reason"
+|[[PROSE]]: {{cs|Christmas on a Rational Planet (novel)}}
+|Used by the non-diegetic third-person narrator.
+|[[18 July (releases)|18 July]] [[1996 (releases)|1996]]
 |-
 |"archons"
@@ Line 63: / Line 79: @@
 |[[29 October (releases)|29 October]] [[2023 (releases)|2023]]
 |-
-|[[PROSE]]: {{cs|Previously On… The Multiverse (short story)}}
+|[[PROSE]]: {{cs|Previously On... The Multiverse (short story)}}
 |Used by [[the Bookwyrm]] in narration.
 |rowspan=8|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
@@ Line 107: / Line 123: @@
 |-
 |rowspan=3|"Archons of the Morning Star"
-|[[PROSE]]: {{cs|Previously On… The Multiverse (short story)}}
+|[[PROSE]]: {{cs|Previously On... The Multiverse (short story)}}
 |Used by [[the Bookwyrm]] in narration.
 |rowspan=3|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
@@ Line 138: / Line 154: @@
 |-
 |[[PROSE]]: {{cs|The Carnage of Urmafrae (short story)}}
-|Used by the non-diegetic third-person narrator.
+|rowspan=2|Used by the non-diegetic third-person narrator.
+|-
+|"''arch’ur-lucifers''"
+|[[PROSE]]: {{cs|The Claus-Rosen Bridge (short story)}}
+|[[26 December (releases)|26 December]] [[2024 (releases)|2024]]
+|As per "Lightbringers", ''lucifer'', though associated with the planet [[Venus]], with a Latin deity personifying the morning star as distinct from Venus, and with [[the Devil]], literally means "light-bearer" or "light-bringer". The prefix [https://en.wiktionary.org/wiki/ur- "ur-"] means "primitive, original, earliest, archetypal" in the real world; the syllable is notably used within [[Urizen]]'s name. "Arch’" may be read as doubling this sense via evoking "archaic", or as being in line with the Archon/Chronarch terminology and bringing in the "lordship" element.
+|-
+|"Authors of History"
+|[[PROSE]]: {{cs|The Cactus and the Corpse (short story)}}
+|Used by [[Monochrome Auteur|Auteur]] in dialogue.
+|[[29 October (releases)|29 October]] [[2023 (releases)|2023]]
+|Refers to their roles as creators of history via the [[Anchoring of the Thread]]. [[Auteur]] implies in [[PROSE]]: {{cs|The Cactus and the Corpse (short story)}} that he coined the term.
 |-
 |"''Bijoutiers mystérieux''"
@@ Line 145: / Line 172: @@
 |[[17 December (releases)|17 December]] [[2022 (releases)|2022]]
 |[[French (language)|French]] for "mysterious jewelers", referencing both the idea of them as craftsmen and clockmakers as seen with "Architects" and "Watchmakers", and the alternative name of their planet as [[Jewel (planet)|Jewel]], as introduced in [[PROSE]]: {{cs|Return of the Daleks (comic story)}} and also referenced by the "Lords of Jewel" designation in [[PROSE]]: {{cs|A Bright White Crack (short story)}}.
+|-
+|"Boogeymen of Creation"
+|[[PROSE]]: {{cs|A Bright White Crack (short story)}}
+|Used by [[Larles]] in dialogue.
+|[[24 June (releases)|24 June]] [[2020 (releases)|2020]]
+|The {{w|Bogeyman}} is a folkloric figure, the archetype of a hazily-defined "scary" entity used to scare children. The appellation suggests that the Superiors function as this on a universal, and even interuniversal level.
 |-
 |"Causal Initiators"
@@ Line 152: / Line 185: @@
 |Evokes the metaphysical concept of the {{w|Unmoved mover|"prime mover" or "first uncaused cause"}}, theorised as a necessary origin point of [[history]] to avoid an infinite causal regress, and thus considered a theoretical basis for the existence of [[God (mythology)|God]]. As such, references the beings' role as originators of the causal universe via the [[anchoring of the thread]].
 |-
-|rowspan=4|"Celestials"
+|rowspan=5|"Celestials"
 |[[PROSE]]: {{cs|The Cactus and the Corpse (short story)}}
 |rowspan=2|Used by [[Monochrome Auteur|Auteur]] in dialogue.
 |[[29 October (releases)|29 October]] [[2023 (releases)|2023]]
-|rowspan=5|The adjective "Celestial", derived from the Mediaeval Latin "''caelestialis''", refers to something originating from "the sky", "the heavens" or "the sky". As such, "the Celestials" or "the Celestial Ones" may be read both with a mythological or spiritual association, or simply as referencing the beings' extraterrestrial origins.<br />[[TV]]: {{cs|The Deadly Assassin (TV story)}} introduced a secret [[Time Lord]] security service calling itself "the [[Celestial Intervention Agency]]", playing on both these meanings but not, at that time, necessarily intended as referring to the species of the Agency's membership outright.<br />[[The Toymaker]], a being sometimes intended or depicted as a [[Time Lord]], was repeatedly described as "celestial" within [[TV]]: {{cs|The Celestial Toymaker (TV story)}}, with "[[the Celestial Toymaker]]" later being misconstrued by various sources as a name for the entity himself. In [[TV]]: {{cs|The Giggle (TV story)}}, the [[Fourteenth Doctor]] offers the Toymaker the chance for the two of them to become "celestial" together if they went "back to the stars".
+|rowspan=6|The adjective "Celestial", derived from the Mediaeval Latin "''caelestialis''", refers to something originating from "the sky", "the heavens" or "the sky". As such, "the Celestials" or "the Celestial Ones" may be read both with a mythological or spiritual association, or simply as referencing the beings' extraterrestrial origins.<br />[[TV]]: {{cs|The Deadly Assassin (TV story)}} introduced a secret [[Time Lord]] security service calling itself "the [[Celestial Intervention Agency]]", playing on both these meanings but not, at that time, necessarily intended as referring to the species of the Agency's membership outright.<br />[[The Toymaker]], a being sometimes intended or depicted as a [[Time Lord]], was repeatedly described as "celestial" within [[TV]]: {{cs|The Celestial Toymaker (TV story)}}, with "[[the Celestial Toymaker]]" later being misconstrued by various sources as a name for the entity himself. In [[TV]]: {{cs|The Giggle (TV story)}}, the [[Fourteenth Doctor]] offers the Toymaker the chance for the two of them to become "celestial" together if they went "back to the stars".<br />In [[AUDIO]]: {{cs|Faustian (audio story)}}, [[the Master (The TV Movie)|Eric Roberts's Master]] describes the Time Lords as "a celestial race".
 |-
 |[[PROSE]]: {{cs|The Two Auteurs (short story)}}
@@ Line 162: / Line 195: @@
 |-
 |[[PROSE]]: {{cs|Love & War (short story)}}
-|Used by [[Olivia Kagg Waldermain]] in narration within a footnote.
+|Used by [[Olivia Kagg Waldermein]] in narration within a footnote.
 |-
 |[[PROSE]]: {{cs|Presents (short story)}}
 |Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|A Collision of Ships (short story)}}
+|Used by [[Zerlan]] in dialogue.
+|[[31 March (releases)|31 March]] [[2024 (releases)|2024]]
 |-
 |"Celestial Ones"
 |[[PROSE]]: {{cs|Head of State (novel)}}
-|Used in narration within "''[[The Thousand And Second Night]]'' as translated by [[Sir]] [[Richard Burton]]".
+|Used in narration within "''[[The Thousand And Second Night]]'' as translated by [[Sir]] [[Richard Francis Burton|Richard Burton]]".
 |[[29 June (releases)|29 June]] [[2015 (releases)|2015]]
 |-
@@ Line 190: / Line 227: @@
 |"Chronarchy"
 |[[PROSE]]: {{cs|Eyes (short story)}}
-|Used in dialogue by the [[Queen of the Tyleth]].
+|Used by the [[Queen of the Tyleth]] in dialogue.
 |[[25 January (releases)|25 January]] [[2018 (releases)|2018]]
 |"The Chronarchy" was used by [[Alan Moore]] and [[Steve Moore]] in [[PROSE]]: {{cs|A Chronology of Everything (Almost) (short story)|A Chronology of Everything (Almost)}} as a collective name for the [[Quality Universe]]'s counterparts of the [[Time Lord]]s, in reference to Moore's earlier coinage of "Chronarchs" in [[COMIC]]: {{cs|4-D War (comic story)}}. The term was used in dialogue by [[PROSE]]: {{cs|Eyes (short story)}}, in a manner suggesting it referred to the [[Great House]]s' polity rather than the species as such, with the [[Queen of the Tyleth]] threatening [[War in Heaven|war]] "against your universe, and your feeble chonarchy" while addressing [[Zauro|a Homeworlder]].
+|-
+|"Continuity announcers"
+|[[PROSE]]: {{cs|Ghost Devices (novel)}}
+|Used by the non-diegetic third-person narrator.
+|[[3 November (releases)|3 November]] [[1997 (releases)|1997]]
+|Introduced by the narration as a deliberate euphemism because it is apparently hazardous to speak the beings' real names, or even a more popular synonym such as "Watchmakers". A {{w|continuity announcer}} is a broadcaster whose voice appears between radio or television programmes to give programme information; the two Watchmakers/continuity announcers seen in [[PROSE]]: {{cs|Ghost Devices (novel)}}, acting as remote observers of the story's events, are physically described as dressed in jarringly mundane formal wear reminiscent of such broadcasters. The term is, however, also a play on other, temporal or metafictional meanings of the word "continuity". As discussed above, "announcer" is, perhaps notably, etymologically synonymous with "angel".
+|-
+|"Darkness-Banishers"
+|[[PROSE]]: {{cs|The Claus-Rosen Bridge (short story)}}
+|Used by the non-diegetic third-person narrator, said to have been coined by [[Viv-Gabriel Arch'ikarios]].
+|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|A less positive inversion of "Lightbringers", focusing on their role in ending the [[Dark Times]] and banishing or hunting down many beings native to that version of reality.
+|-
+|"Denizens of the Fortress of History"
+|[[PROSE]]: {{cs|A Collision of Ships (short story)}}
+|Used by [[Zerlan]] in dialogue.
+|[[31 March (releases)|31 March]] [[2024 (releases)|2024]]
+|In allusion to "[[the Fortress of History]]" as a name for their home planet.
+|-
+|"the divine Houses"
+|[[PROSE]]: {{cs|Warlords of Utopia (novel)}}
+|Used by [[Marcus Americanius Scriptor]] in narraiton.
+|[[13 December (releases)|13 December]] [[2004 (releases)|2004]]
+|A variant on "the Houses", melding it with "gods" terminology; see those entries.
 |-
 |"dwellers in the Great Houses"
@@ Line 198: / Line 259: @@
 |Used by [[Melicia Clutterbuck]] in ''[[The Human Species: A Spotter’s Guide]]''
 |[[11 May (releases)|11 May]] [[2004 (releases)|2004]]
-|Seems to be based on the assumption that "Great House" refers to the physical [[Chapterhouse]]s in which the [[Time Lord]]s reside, as opposed to the bloodlines attached to specific Chapterhouses, as more commonly shown.
+|Seems to be based on the assumption that "Great House" refers to the physical [[Chapterhouse]]s in which the [[Time Lord]]s reside, as opposed to the bloodlines attached to specific Chapterhouses, as more commonly shown. Echoed by "the House-Dwellers" in [[PROSE]]: {{cs|A Bright White Crack (short story)}}.
 |-
 |rowspan=2|"elementals"
@@ Line 204: / Line 265: @@
 |Used by the intra-diegetic narrator, adopting the perspective of [[18th century]] occultists in the [[post-War universe]].
 |[[5 November (releases)|5 November]] [[2001 (releases)|2001]]
-|rowspan=10|The idea of "{{w|Elemental|Elementals}}", supernatural beings associated with a particular element, was popularised in the 16th century by {{w|Paracelsus}}. Originally referring to the four classical elements, it is used in [[Post-War universe|post-War-universe]]-related material under the assumption that the Time Lords were elementals of [[time]], with [[Sabbath Dei]] stating in [[PROSE]]: {{cs|Camera Obscura (novel)}}an ultimate constituent of reality.<br/>In [[PROSE]]: {{cs|Love & War (short story)}}, a cladistic terminology of "Time Elementals", with "Lesser Time Elementals" being the humanoid Archons and "Greater Time Elementals" being the [[TARDIS|timeships]], is said to have been elaborated in the [[post-War universe]] by [[Meta-History|Meta-Historian]] [[Leiter Formosis]]. The terminology was shown to have been used by members of the race in later stories, such as [[PROSE]]: {{cs|The God Who Came For Christmas (short story)}} where the [[God of the Inner Mysteries]], in addition to being described in narration as "an elemental", refers to [[The War Chief's TARDIS|his ship]] as "one of the great elementals" in dialogue.<br/>"Elemental forces" is used in [[PROSE]]: {{cs|The Adventuress of Henrietta Street (novel)}} as a collective to refer to the [[Babewyn]], a different class of elementals altogether from the Time Lords, but in narration within [[PROSE]]: {{cs|Sometime Never... (novel)}}, the Doctor is referred to as the "one elemental force" which the [[Council of Eight]] was unable to control. "An elemental force" was used repeatedly in [[TV]]: {{cs|The Giggle (TV story)}} to describe [[the Toymaker]]. "Elemental forces" was used in [[PROSE]]: {{cs|Love & War (short story)}} as explicitly an alternative term for the Archons or Lesser Time Elementals.
+|rowspan=10|The idea of "{{w|Elemental|Elementals}}", supernatural beings associated with a particular element, was popularised in the 16th century by {{w|Paracelsus}}. Originally referring to the four classical elements, it is used in [[Post-War universe|post-War-universe]]-related material under the assumption that the Time Lords were elementals of [[time]], with [[Sabbath Dei]] stating in [[PROSE]]: {{cs|Camera Obscura (novel)}} that it is a fitting name for "an ultimate constituent of reality".<br/>In [[PROSE]]: {{cs|Love & War (short story)}}, a cladistic terminology of "Time Elementals", with "Lesser Time Elementals" being the humanoid Archons and "Greater Time Elementals" being the [[TARDIS|timeships]], is said to have been elaborated in the [[post-War universe]] by [[Meta-History|Meta-Historian]] [[Leiter Formosis]]. The terminology was shown to have been used by members of the race in later stories, such as [[PROSE]]: {{cs|The God Who Came For Christmas (short story)}} where the [[God of the Inner Mysteries]], in addition to being described in narration as "an elemental", refers to [[The War Chief's TARDIS|his ship]] as "one of the great elementals" in dialogue.<br/>"Elemental forces" is used in [[PROSE]]: {{cs|The Adventuress of Henrietta Street (novel)}} as a collective to refer to the [[Babewyn]], a different class of elementals altogether from the Time Lords, but in narration within [[PROSE]]: {{cs|Sometime Never... (novel)}}, the Doctor is referred to as the "one elemental force" which the [[Council of Eight]] was unable to control. "An elemental force" was used repeatedly in [[TV]]: {{cs|The Giggle (TV story)}} to describe [[the Toymaker]]. "Elemental forces" was used in [[PROSE]]: {{cs|Love & War (short story)}} as explicitly an alternative term for the Archons or Lesser Time Elementals.
 |-
 |[[PROSE]]: {{cs|The God Who Came For Christmas (short story)}}
@@ Line 220: / Line 281: @@
 |-
 |[[PROSE]]: {{cs|Love & War (short story)}}
-|Used by [[Olivia Kagg Waldermain]] in narration.
+|Used by [[Olivia Kagg Waldermein]] in narration.
 |-
 |"Elemental god"
@@ Line 235: / Line 296: @@
 |-
 |[[PROSE]]: {{cs|Love & War (short story)}}
-|Used by [[Olivia Kagg Waldermain]] in narration and by the [[Third Felixian III]] in dialogue.
+|Used by [[Olivia Kagg Waldermein]] in narration and by the [[Third Felixian III]] in dialogue.
 |-
 |[[PROSE]]: {{cs|A Collision of Ships (short story)}}
 |Used by the non-diegetic third-person narrator,
 |[[31 March (releases)|31 March]] [[2024 (releases)|2024]]
+|-
+|rowspan=2|"Engineers of History"
+|[[PROSE]]: {{cs|The Book of the War (novel)}}
+|Used by [[the War King]] in dialogue.
+|[[17 September (releases)|17 September]] [[2002 (releases)|2002]]
+|rowspan=2|Highlights the Houses' role as creators and maintainers of a rationalised, "mechanical" [[history]].
+|-
+|[[PROSE]]: {{cs|Opioid Painkiller of the People (short story)}}
+|Used in dialogue.
+|[[17 January (releases)|17 January]] [[2024 (releases)|2024]]
 |-
 |"Gallifrey"
@@ Line 247: / Line 318: @@
 |Originally introduced in [[TV]]: {{cs|The Time Warrior (TV story)}} as a name for the Time Lords' [[Gallifrey|home planet]]. Stated by the Doctor in [[PROSE]]: {{cs|The Pit (novel)}} to translate to "they that walk in the shadows".
 |-
-|rowspan=26|"The Great Houses"
+|rowspan=15|"gods"
+|[[TV]]: {{cs|Underworld (TV story)}}
+|Used by [[Minyan]]s such as [[Orfe]], [[Herrick]], and [[Idas]], and by the [[Fourth Doctor]], in dialogue.
+|data-sort-value="7 January 1978"|[[7 January (releases)|7 January]] - [[28 January (releases)|28 January]] [[1978 (releases)|1978]]
+|rowspan=21|"Gods", sometimes uncapitalised, is a general real-world term for deities. Instances vary, and sometimes flip-flop, between "gods" being a descriptor for the kind of beings the [[Time Lord]]s are, but not exclusive to them, and cases where "the gods" (or "the Gods") is used to mean "the Time Lords" exclusively; the question is typically contextual, depending upon the culture of the speaker.
+|-
+|[[PROSE]]: {{cs|The Book of the War (novel)}}
+|Mentioned in entry {{cs|The Book of the War (novel)|namedep=Zo La Domini}} as a "constant description": that they are "considered the 'gods' of the time-aware universe".
+||[[17 September (releases)|17 September]] [[2002 (releases)|2002]]
+|-
+|[[PROSE]]: {{cs|Warlords of Utopia (novel)}}
+|Used by [[Marcus Americanius Scriptor]] in narration and dialogue.
+|[[13 December (releases)|13 December]] [[2004 (releases)|2004]]
+|-
+|[[TV]]: {{cs|Boom Town (TV story)}}
+|Used by [[Blon Fel-Fotch Passameer-Day Slitheen]] in dialogue.
+|[[4 June (releases)|4 June]] [[2005 (releases)|2005]]
+|-
+|[[PROSE]]: {{cs|The Book of the Enemy (short story)}}
+|Used by [[Sherlock Holmes]] in dialogue.
+|[[25 January (releases)|25 January]] [[2018 (releases)|2018]]
+|-
+|[[PROSE]]: {{cs|A Bright White Crack (short story)}}
+|Used by the non-diegetic third-person narrator.
+|rowspan=2|[[28 October (releases)|28 October]] [[2020 (releases)|2020]]
+|-
+|[[PROSE]]: {{cs|The Trauma Deception (short story)}}
+|Used by [[Suala]] in dialogue.
+|-
+|[[COMIC]]: {{cs|Omega (comic story)}}
+|Used by various [[Minyan]]s in dialogue.
+|[[26 January (releases)|26 January]] [[2021 (releases)|2021]]
+|-
+|[[COMIC]]: {{cs|The Heretic (comic story)}}
+|Used by [[Azag]] in dialogue.
+|[[14 February (releases)|14 February]] [[2023 (releases)|2023]]
+|-
+|[[PROSE]]: {{cs|Previously On... The Multiverse (short story)}}
+|Used by [[the Bookwyrm]] in narration.
+|rowspan=5|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|-
+|[[PROSE]]: {{cs|The Two Auteurs (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Monochrome Auteur|Auteur]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Love & War (short story)}}
+|Used by the [[Sixth Dionus]] in his diary.
+|-
+|[[PROSE]]: {{cs|The God Who Came For Christmas (short story)}}
+|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|Our Finest Gifts We Bring (short story)}}
+|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|Requiem (novel)}}
+|Used by the non-diegetic third-person narrator, and by [[Tyron (Requiem)|Tyron]] in dialogue.
+|[[23 April (releases)|23 April]] [[2024 (releases)|2024]]
+|-
+|rowspan=6|"Gods"
+|[[WC]]: {{cs|Death Comes to Time (webcast)}}
+|Used by [[Golcrum]] and [[Tannis]] in dialogue.
+|data-sort-value="13 July 2001"|[[13 July (releases)|13 July]] [[2001 (releases)|2001]] - [[3 May (releases)|3 May]] [[2002 (releases)|2002]]
+|-
+|[[PROSE]]: {{cs|The Book of the Enemy (short story)}}
+|Used by [[Sherlock Holmes]] in dialogue.
+|[[25 January (releases)|25 January]] [[2018 (releases)|2018]]
+|-
+|[[PROSE]]: {{cs|The Book of the Snowstorm (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Professor]] [[Vomm She'hayle]] in dialogue.
+|rowspan=3|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|-
+|[[PROSE]]: {{cs|The Two Auteurs (short story)}}
+|Used by the non-diegetic third-person narrator, and by the [[head of the Historic Preservation Society (The Two Auteurs)|head of the Historic Preservation Society]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Love & War (short story)}}
+|Used by [[Olivia Kagg Waldermein]] in narration, and by the [[Sixth Dionus]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Requiem (novel)}}
+|Used by [[Juanille Lofeg Dew]] in writing as part of a translation of an anonymous "ancient hymn".
+|[[23 April (releases)|23 April]] [[2024 (releases)|2024]]
+|-
+|"Gods of the Fourth"
+|[[WC]]: {{cs|Death Comes to Time (webcast)}}
+|Used by [[Casmus]] and the [[Seventh Doctor]] in dialogue.
+|data-sort-value="13 July 2001"|[[13 July (releases)|13 July]] [[2001 (releases)|2001]] - [[3 May (releases)|3 May]] [[2002 (releases)|2002]]
+|rowspan=2|Evokes the characters' status as elemental deities associated with time ("the fourth dimension", hence "the Fourth"); the surviving Time Lords within [[WC]]: {{cs|Death Comes to Time (webcast)}} meet at the [[Temple of the Fourth]] in the first installment of the story. The Doctor on one occasion declares "I ''am'' the course of time — I am a God of the Fourth".
+|-
+|"Gods of the Fourth Dimension"
+|[[PROSE]]: {{cs|Our Finest Gifts We Bring (short story)}}
+|Used by [[The Vicinity|Vicky]] in dialogue.
+|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|-
+|"Great Architects"
+|[[PROSE]]: {{cs|Christmas on a Rational Planet (novel)}}
+|Used by [[Matheson Catcher]], the [[Seventh Doctor]], and the supposed Watchmaker voices heard by Catcher, in dialogue.
+|[[18 July (releases)|18 July]] [[1996 (releases)|1996]]
+|Used in one instance within the phrase "the Great Architects of the universe"; see "Architects".
+|-
+|rowspan=64|"The Great Houses"
+|[[AUDIO]]: {{cs|The Eleven Day Empire (audio story)}}
+|Used by [[Lord]] [[Ruthven]] in dialogue. In deleted scenes, also used in dialogue by [[Cousin (rank)|Cousin]] [[Eliza]].
+|[[October (releases)|October]] [[2001 (releases)|2001]]
+|rowspan=64|A real-world term used for an aristocratic bloodline. Originally introduced in [[PROSE]]: {{cs|Cat's Cradle: Time's Crucible (novel)}} to simply refer to Gallifrey's noble houses, "the Great Houses" was used in ''[[Faction Paradox (series)|Faction Paradox]]'' material as the default way to refer to the overall group, where ''Doctor Who'' material would typically use "the Time Lords".
+|-
+|[[PROSE]]: {{cs|Faction Paradox, as Much as It's Known (feature)}}
+|rowspan=4|Used by the non-diegetic third-person narrator.
+|rowspan=4|[[11 November (releases)|11 November]] [[2001 (releases)|2001]]
+|-
+|[[PROSE]]: {{cs|Blood Ties: Inside the Grandfather's House (short story)}}
+|-
+|[[PROSE]]: {{cs|The Eleven-Day Empire: A Tour of the Capital (short story)}}
+|-
 |[[PROSE]]: {{cs|Crimes Against History (short story)}}
-|Used by the non-diegetic third-person narrator.
-|[[11 November (releases)|11 November]] [[2001 (releases)|2001]]
-|rowspan=26|A real-world term used for an aristocratic bloodline. Originally introduced in [[PROSE]]: {{cs|Cat's Cradle: Time's Crucible (novel)}} to simply refer to Gallifrey's noble houses, "the Great Houses" was used in ''[[Faction Paradox (series)|Faction Paradox]]'' material as the default way to refer to the overall group, where ''Doctor Who'' material would typically use "the Time Lords".
 |-
 |[[PROSE]]: {{cs|The Book of the War (novel)}}
 |Used by the intra-diegetic third-person narrator.
 |[[17 September (releases)|17 September]] [[2002 (releases)|2002]]
+|-
+|[[AUDIO]]: {{cs|Sabbath Dei (audio story)}}
+|Used by [[Compassion|"Mistress Culver"]] and [[Sabbath Dei]] in dialogue.
+|[[February (releases)|February]] [[2003 (releases)|2003]]
+|-
+|[[AUDIO]]: {{cs|In the Year of the Cat (audio story)}}
+|Used by [[Sabbath Dei]], [[Cousin (rank)|Cousin]] [[Eliza]], [[Compassion|"Mistress Culver"]], [[Cousin (rank)|Cousin]] [[Justine]], [[Lolia]], and [[D'Eon]] in dialogue.
+|[[April (releases)|April]] [[2003 (releases)|2003]]
+|-
+|[[AUDIO]]: {{cs|Movers (audio story)}}
+|Used by [[Demetra Kine]], [[Selvynkesh]], and [[Veeble]] in dialogue.
+|[[December (releases)|December]] [[2003 (releases)|2003]]
+|-
+|[[AUDIO]]: {{cs|A Labyrinth of Histories (audio story)}}
+|Used by [[Demetra Kine]] in dialogue.
+|[[February (releases)|February]] [[2004 (releases)|2004]]
 |-
 |[[PROSE]]: {{cs|Of the City of the Saved... (novel)}}
 |Used by the non-diegetic third-person narrator, by [[Walmric]] in ''[[Faction Paradox: a Negotiable History]]'', by [[Vril]] in ''[[Omphalos!]]'', by the anonymous author of ''[[Legendary Participants]]'', and by [[Laura Tobin]], [[Mesh Cos]], [[Civitata]] and [[Lucius Cassius Ignotus]], in dialogue.
 |[[11 May (releases)|11 May]] [[2004 (releases)|2004]]
+|-
+|[[PROSE]]: {{cs|Dead Romance (novel)}}
+|Used in the text which appears on the [[Ouija board]].<ref>Only in the second edition; in the first edition, this was instead an instance of "the Watchmakers".</ref>
+|rowspan=3|[[7 November (releases)|7 November]] [[2004 (releases)|2004]]
+|-
+|[[PROSE]]: {{cs|Toy Story (short story)}}
+|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|The Cosmology of the Spiral Politic (feature)}}
+|Used by the intra-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|Warlords of Utopia (novel)}}
+|Used by [[Marcus Americanius Scriptor]] in narration.
+|[[13 December (releases)|13 December]] [[2004 (releases)|2004]]
+|-
+|[[PROSE]]: {{cs|Warring States (novel)}}
+|Used by the non-diegetic third-person narrator.
+|[[19 June (releases)|19 June]] [[2005 (releases)|2005]]
+|-
+|[[PROSE]]: {{cs|The Return of the King (short story)}}
+|Used by the non-diegetic third-person narrator.
+|[[7 January (releases)|7 January]] [[2008 (releases)|2008]]
 |-
 |[[PROSE]]: {{cs|Newtons Sleep (novel)}}
 |Used by the non-diegetic third-person narrator, and by [[Cousin (rank)|Cousin]] [[Hateman]], [[Mother (rank)|Mother]] [[Sphinx (Newtons Sleep)|Sphinx]], [[Erasmus (Newtons Sleep)|Erasmus]], and [[Aphra Behn]] in dialogue.
 |[[12 January (releases)|12 January]] [[2008 (releases)|2008]]
+|-
+|[[PROSE]]: {{cs|Holding Pattern (short story)}}
+|Used by the non-diegetic third-person narrator.
+|rowspan=2|[[31 May (releases)|31 May]] [[2011 (releases)|2011]]
+|-
+|[[PROSE]]: {{cs|A Hundred Words from a Civil War (short story)}}
+|Used by [[Cousin (rank)|Cousin]] [[Pinocchio (The Book of the War)|Pinocchio]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Wing Fingers (short story)}}
+|Used by [[Ernest (Wing Finger)|"Mr Stound"]] in dialogue.
+|rowspan=2|[[31 January (releases)|31 January]] [[2013 (releases)|2013]]
+|-
+|[[PROSE]]: {{cs|De Umbris Idearum (short story)}}
+|Used by [[Father (rank)|Father]] [[Self]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Against Nature (novel)}}
+|Used by the non-diegetic third-person narrator.
+|[[22 March (releases)|22 March]] [[2013 (releases)|2013]]
+|-
+|[[PROSE]]: {{cs|The Brakespeare Voyage (novel)}}
+|Used by [[Robert Scarratt]], [[Philetes]], and others in narration, and by [[Plautus St. Germain]], [[Robert Scarratt]], and [[Dervishage|Captain No-one]] in dialogue.
+|[[26 October (releases)|26 October]] [[2013 (releases)|2013]]
+|-
+|[[PROSE]]: {{cs|Head of State (novel)}}
+|Used by [[Shift (Head of State)|the Shift]] and [[Rachel Edwards]] in narration.
+|[[29 June (releases)|29 June]] [[2015 (releases)|2015]]
+|-
+|[[PROSE]]: {{cs|Spinning Jenny (novel)}}
+|Used by the non-diegetic third-person narrator, and by [[Cousin]] [[Isabella (Spinning Jenny)|Isabella]], [[Sergeant]] [[Brierly]], and [[Elizabeth Howkins]] in dialogue.
+|[[25 November (releases)|25 November]] [[2017 (releases)|2017]]
 |-
 |[[PROSE]]: {{cs|Pre-narrative Briefings (short story)}}
@@ Line 332: / Line 578: @@
 |Used by the [[Eighth Dionus]] in narration.
 |[[1 October (releases)|1 October]] [[2021 (releases)|2021]]
+|-
+|[[PROSE]]: {{cs|A Reasonable Man (short story)}}
+|rowspan=2|Used by the non-diegetic third-person narrator.
+|rowspan=3|[[1 June (releases)|1 June]] [[2022 (releases)|2022]]
+|-
+|[[PROSE]]: {{cs|The Sisters of the Little Moments (short story)}}
+|-
+|[[PROSE]]: {{cs|This Is What They Took From You (short story)}}
+|Used by the intra-diegetic third-person narrator who introduces an in-universe record of [[Horun]] and [[Dwysan]]'s dialogue.
 |-
 |[[PROSE]]: {{cs|Inward Collapse (novel)}}
@@ Line 337: / Line 592: @@
 |[[April (releases)|April]] [[2023 (releases)|2023]]
 |-
-|rowspan=3|"The Homeworld"
+|[[PROSE]]: {{cs|Cousin Eliza (feature)}}
+|rowspan=6|Used by the non-diegetic third-person narrator.
+|rowspan=7|[[31 October (releases)|31 October]] [[2023 (releases)|2023]]
+|-
+|[[PROSE]]: {{cs|Sabbath Dei (feature)}}
+|-
+|[[PROSE]]: {{cs|Lilith (feature)}}
+|-
+|[[PROSE]]: {{cs|The War King (feature)}}
+|-
+|[[PROSE]]: {{cs|The Great Houses (feature)}}
+|-
+|[[PROSE]]: {{cs|The Enemy (feature)}}
+|-
+|[[PROSE]]: {{cs|The Peace: A Lost Primer (feature)}}
+|Used by the intra-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|Opioid Painkiller of the People (short story)}}
+|Used by various characters in dialogue.
+|rowspan=6|[[17 January (releases)|17 January]] [[2024 (releases)|2024]]
+|-
+|[[PROSE]]: {{cs|A Consignment (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Cousin (rank)|Cousin]] [[Alphonse (A Consignment)|Alphonse]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Literary Figure (short story)}}
+|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|Love Is an Accuracy Algorithm (short story)}}
+|Used by [[Delilah (Love Is an Accuracy Algorithm)|Delilah]] and [[DROOD]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Blood Feud (short story)}}
+|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|The Complete History of Faction Paradox, Vol 1 (short story)}}
+|Used by [[Parent (rank)|Father]] [[Greenwald]] in dialogue.
+|-
+|"The Great Race"
+|[[PROSE]]: {{cs|The V Cwejes (short story)}}
+|Used by [[Chris Cwej]] in dialogue.
+|[[28 October (releases)|28 October]] [[2020 (releases)|2020]]
+|Paralleled with the term of "the Great Eye" for [[Eye of Harmony|the singularity]] at the source of their power. Similar to "Race Of Temporal Supremacy". The "Great" adjective may also evoke "the Great Houses". Most prominently, however, the [[w:c:lovecraft:Great Race of Yith|Great Race of Yith]] are the body-switching people of the planet [[Yith]] in [[H. P. Lovecraft]]'s {{wi|The Shadow Out of Time}}; Yith is stated elsewhere in [[PROSE]]: {{cs|The V Cwejes (short story)}} to have been colonised by the Superiors as part of the [[Nine Gallifreys|Nine Homeworlds project]]. Thus, the implication is that before being forced to abandon Yith and their bodies to transplant themselves into the familiar prehistoric Earth creatures seen in ''The Shadow Out of Time'', the Great Race were a population of Superiors. The "eternal race" of Yith was also discussed at length in the DWU in the ''[[P.R.O.B.E. (series)|P.R.O.B.E.]]'' audiobook [[AUDIO]]: {{cs|Guardian At The Gate (audio story)}}, but the Gallifreyan connection was not explicitly refeferenced, and the "Great Race" moniker was not actually used.
+|-
+|"''Grigori''"
+|[[PROSE]]: {{cs|The Cactus and the Corpse (short story)}}
+|Used by [[Monochrome Auteur|Auteur]] in dialogue.
+|[[29 October (releases)|29 October]] [[2023 (releases)|2023]]
+|The {{w|Watcher (angel)|Watchers}} (Greek: ''Grigori'') were a group of angels who rebelled against God in the apocryphal {{w|Book of Enoch}}.
+|-
+|rowspan=10|"The Homeworld"
 |[[PROSE]]: {{cs|The Book of the War (novel)}}
 |Used by the intra-diegetic third-person narrator
 |[[17 September (releases)|17 September]] [[2002 (releases)|2002]]
-|rowspan=3|A term for [[Gallifrey|their home planet]], sometimes used as a {{w|metonym}} for its inhabitants as a polity (e.g. the [[Faction Paradox armour]] being an "insult to the Homeworld", or references to "[[Homeworld ship]]s" and Homeworld culture", in [[PROSE]]: {{cs|The Book of the War (novel)}}, and "the Homeworld" being described as a "monstrous power" in [[PROSE]]: {{cs|Newtons Sleep (novel)}}).
+|rowspan=10|A term for [[Gallifrey|their home planet]], sometimes used as a {{w|metonym}} for its inhabitants as a polity (e.g. the [[Faction Paradox armour]] being an "insult to the Homeworld", or references to "[[Homeworld ship]]s" and Homeworld culture", in [[PROSE]]: {{cs|The Book of the War (novel)}}, and "the Homeworld" being described as a "monstrous power" in [[PROSE]]: {{cs|Newtons Sleep (novel)}}).
+|-
+|[[AUDIO]]: {{cs|Sabbath Dei (audio story)}}
+|Used by [[Compassion|"Mistress Culver"]] in dialogue.
+|[[February (releases)|February]] [[2003 (releases)|2003]]
+|-
+|[[AUDIO]]: {{cs|A Labyrinth of Histories (audio story)}}
+|Used by [[Shuncucker]] in dialogue.
+|[[February (releases)|February]] [[2004 (releases)|2004]]
+|-
+|[[AUDIO]]: {{cs|In the Year of the Cat (audio story)}}
+|Used by [[Sabbath Dei]], [[Cousin (rank)|Cousin]] [[Justine]] and [[Cousin (rank)|Cousin]] [[Eliza]] in dialogue.
+|[[April (releases)|April]] [[2003 (releases)|2003]]
 |-
 |[[PROSE]]: {{cs|Newtons Sleep (novel)}}
-|Used by the non-diegetic third-person narrator.
+|rowspan=2|Used by the non-diegetic third-person narrator.
 |[[12 January (releases)|12 January]] [[2008 (releases)|2008]]
+|-
+|[[PROSE]]: {{cs|Against Nature (novel)}}
+|[[22 March (releases)|22 March]] [[2013 (releases)|2013]]
+|-
+|[[PROSE]]: {{cs|The Brakespeare Voyage (novel)}}
+|Used by [[Robert Scarratt]] and others in narration.
+|[[26 October (releases)|26 October]] [[2013 (releases)|2013]]
 |-
 |[[PROSE]]: {{cs|Going Once, Going Twice (short story)}}
@@ Line 351: / Line 673: @@
 |[[23 December (releases)|23 December]] [[2018 (releases)|2018]]
 |-
-|rowspan=13|"Homeworlders"
+|[[PROSE]]: {{cs|You are the Absurd Hero (short story)}}
+|Used by [[Parent (rank)|Mother]] [[Camus]] in dialogue.
+|rowspan=2|[[1 June (releases)|1 June]] [[2022 (releases)|2022]]
+|-
+|[[PROSE]]: {{cs|The Fixer (short story)}}
+|Used by [[A-C Kincaid]] in dialogue.
+|-
+|rowspan=14|"Homeworlders"
 |[[PROSE]]: {{cs|Of the City of the Saved... (novel)}}
 |Used by the non-diegetic third-person narrator.
 |[[11 May (releases)|11 May]] [[2004 (releases)|2004]]
-|rowspan=13|In reference to [[the Homeworld]] as a name for the planet.
+|rowspan=14|In reference to [[the Homeworld]] as a name for the planet.
+|-
+|[[PROSE]]: {{cs|Warring States (novel)}}
+|Used by the non-diegetic third-person narrator, and by [[Cousin (rank)|Cousin]] [[Octavia]] in dialogue.
+|[[19 June (releases)|19 June]] [[2005 (releases)|2005]]
 |-
 |[[PROSE]]: {{cs|Newtons Sleep (novel)}}
@@ Line 406: / Line 739: @@
 |[[French (language)|French]] for "clockmakers", "clocksmiths" or "watchmakers", referencing the "Watchmakers" terminology.
 |-
-|rowspan=13|"The Houses"
+|rowspan=29|"The Houses"
+|[[AUDIO]]: {{cs|The Eleven Day Empire (audio story)}}
+|Used by [[Cousin (rank)|Cousin]] [[Eliza]], [[Godparent (rank)|Godfather]] [[Morlock]], and [[Lolita]] in dialogue.
+|rowspan=2|[[October (releases)|October]] [[2001 (releases)|2001]]
+|rowspan=29|Used interchangeably with "the Great Houses" as a metonym for the overall culture.
+|-
+|[[AUDIO]]: {{cs|The Shadow Play (audio story)}}
+|Used by [[Godparent (rank)|Godfather]] [[Morlock]] and [[Cousin (rank)|Cousin]] [[Eliza]] in dialogue. In deleted scenes, also used in dialogue by [[General]] [[Kine]].<!--Several other characters talk about "Houses", but these are, in many cases, genuine references to individual bloodlines, *not* a metonym for the overall species, and thus should not be listed here.-->
+|-
+|[[PROSE]]: {{cs|Faction Paradox, as Much as It's Known (feature)}}
+|rowspan=3|Used by the non-diegetic third-person narrator.
+|rowspan=3|[[11 November (releases)|11 November]] [[2001 (releases)|2001]]
+|-
 |[[PROSE]]: {{cs|Crimes Against History (short story)}}
-|Used by the non-diegetic third-person narrator.
+|-
-|[[11 November (releases)|11 November]] [[2001 (releases)|2001]]
+|[[PROSE]]: {{cs|Blood Ties: Inside the Grandfather's House (short story)}}
-|rowspan=13|Used interchangeably with "the Great Houses" as a metonym for the overall culture.
+|-
+|[[PROSE]]: {{cs|Faction Armour: Some Design Notes (short story)}}
 |-
 |[[PROSE]]: {{cs|The Book of the War (novel)}}
 |Used by the intra-diegetic third person narrator
 |[[17 September (releases)|17 September]] [[2002 (releases)|2002]]
+|-
+|[[AUDIO]]: {{cs|In the Year of the Cat (audio story)}}
+|Used by [[Sabbath Dei]], [[Compassion|"Mistress Culver"]] and [[Lolita]] in dialogue.
+|[[April (releases)|April]] [[2003 (releases)|2003]]
+|-
+|[[AUDIO]]: {{cs|Movers (audio story)}}
+|Used by [[Demetra Kine]] and [[Veeble]] in dialogue.
+|[[December (releases)|December]] [[2003 (releases)|2003]]
+|-
+|[[AUDIO]]: {{cs|A Labyrinth of Histories (audio story)}}
+|Used by [[Veeble]], [[Demetra Kine]], [[Shuncucker]], [[Cousin (rank)|Cousin]] [[Justine]], and [[Compassion|"Mistress Culver"]] in dialogue.
+|[[February (releases)|February]] [[2004 (releases)|2004]]
 |-
 |[[PROSE]]: {{cs|Of the City of the Saved... (novel)}}
 |Used by the non-diegetic third-person narrator, by the anonymous author of ''[[Legendary Participants]]'', by [[Vril]] in ''[[Omphalos!]]'', by [[Walmric]] in ''[[Faction Paradox: a Negotiable History]]'', and by [[Godparent (rank)|Godfather]] [[Avatar (Of the City of the Saved...)|Avatar]], [[Mesh Cos]], [[Laura Tobin]], [[Civitata]], and [[Lucius Cassius Ignotus]] in dialogue.
 |[[11 May (releases)|11 May]] [[2004 (releases)|2004]]
+|-
+|[[PROSE]]: {{cs|The Cosmology of the Spiral Politic (feature)}}
+|Used by the intra-diegetic third-person narrator.
+|[[7 November (releases)|7 November]] [[2004 (releases)|2004]]
+|-
+|[[PROSE]]: {{cs|Warring States (novel)}}
+|Used by the non-diegetic third-person narrator, and by [[Cousin (rank)|Cousin]] [[Octavia]] in dialogue.
+|[[19 June (releases)|19 June]] [[2005 (releases)|2005]]
 |-
 |[[PROSE]]: {{cs|Newtons Sleep (novel)}}
 |Used by the non-diegetic third-person narrator, and by [[Cousin (rank)|Cousin]] [[Hateman]] in dialogue.
 |[[12 January (releases)|12 January]] [[2008 (releases)|2008]]
+|-
+|[[PROSE]]: {{cs|The Brakespeare Voyage (novel)}}
+|Used by [[Robert Scarratt]], [[Jendrickenses]], [[Philetes]], and others in narration, and by [[Dervishage]] in dialogue.
+|[[26 October (releases)|26 October]] [[2013 (releases)|2013]]
+|-
+|[[PROSE]]: {{cs|Head of State (novel)}}
+|Used by the [[Shift (Head of State)|Shift]] in narration and by [[Sir]] [[Richard Francis Burton|Richard Burton]] in ''[[An Account Of Some Travels In The Arabian Desert]]''.
+|[[29 June (releases)|29 June]] [[2015 (releases)|2015]]
 |-
 |[[PROSE]]: {{cs|Cobweb and Ivory (short story)}}
@@ Line 453: / Line 827: @@
 |[[AUDIO]]: {{cs|The Healer's Sin (audio story)}}
 |[[24 July (releases)|24 July]] [[2021 (releases)|2021]]
+|-
+|[[PROSE]]: {{cs|This Is What They Took From You (short story)}}
+|Used by [[Parent (rank)|Mother]] [[Horun]] and [[Parent (rank)|Mother]] [[Dwysan]] in dialogue.
+|[[1 June (releases)|1 June]] [[2022 (releases)|2022]]
+|-
+|[[PROSE]]: {{cs|The War King (feature)}}
+|rowspan=2|Used by the non-diegetic third-person narrator.
+|rowspan=3|[[31 October (releases)|31 October]] [[2023 (releases)|2023]]
+|-
+|[[PROSE]]: {{cs|The Enemy (feature)}}
+|-
+|[[PROSE]]: {{cs|The Peace: A Lost Primer (feature)}}
+|Used by the intra-diegetic third-person narrator.
+|-
+|"House-Dwellers"
+|[[PROSE]]: {{cs|A Bright White Crack (short story)}}
+|Used by [[Chris Cwej]] in dialogue.
+|[[24 June (releases)|24 June]] [[2020 (releases)|2020]]
+|Reminiscent of "dwellers in the Great Houses" from [[PROSE]]: {{cs|Of the City of the Saved... (novel)}}, and, like it, presumably references the living [[Chapterhouse]]s within which bloodlines reside.
 |-
 |rowspan=3|"Houseworlders"
@@ Line 460: / Line 853: @@
 |rowspan=3|References the term of "[[the Houseworld]]" for [[the Homeworld]], used repeatedly in [[PROSE]]: {{cs|Of the City of the Saved... (novel)}}. Similar to "Homeworlders".
 |-
-|[[PROSE]]: {{cs|Weapons Grade Snake Oil (short story)}}
+|[[PROSE]]: {{cs|Weapons Grade Snake Oil (novel)}}
 |Used by the extra-diegetic third-person narrator, and by [[Professor]] [[H. Lennstein]] in the text of ''[[The Great Houses And Us]]''.
 |[[17 January (releases)|17 January]] [[2017 (releases)|2017]]
@@ Line 467: / Line 860: @@
 |Used by the extra-diegetic third-person narrator.
 |[[25 January (releases)|25 January]] [[2018 (releases)|2018]]
+|-
+|"''Jeunes-Vieillards''"
+|[[PROSE]]: {{cs|Kingdom Cryptiqqa (novel)}}
+|N/A
+|[[5 February (releases)|5 February]] [[2024 (releases)|2024]]
+|French for "young old men", an oxymoron highlighting their immortality.
 |-
 |"Lesser Elementals"
-|rowspan=3|[[PROSE]]: {{cs|Love & War (short story)}}
+|rowspan=2|[[PROSE]]: {{cs|Love & War (short story)}}
-|rowspan=3|Used by [[Olivia Kagg Waldermain]] in narration.
+|rowspan=2|Used by [[Olivia Kagg Waldermein]] in narration.
-|rowspan=3|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|rowspan=2|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
 |Abbreviation for "Lesser Time Elementals".
 |-
 |"Lesser Time Elementals"
 |See "Elementals". Abridged as "Lesser Elementals" or "L.T.E.s".
+|-
+|rowspan=8|"Lightbringers"
+|[[PROSE]]: {{cs|The Cactus and the Corpse (short story)}}
+|Used by [[the Bookwyrm]] in narration and by [[Monochrome Auteur|Auteur]] in dialogue.
+|[[29 October (releases)|29 October]] [[2023 (releases)|2023]]
+|rowspan=8|A commonly-accepted translation of the Latin ''Lucifer'', used to refer to "the Morning Star", Venus (a term lifted elsewhere as a name for the beings' [[Gallifrey|home planet]], as per "Archons of the Morning Star"). Also evokes their status as bringers of figurative, rationalistic "enlightenment" in the [[Dark Times]] via the [[anchoring of the thread]] and [[Intuitive Revelation]]. More recently, "Lucifer" has come to be a name for [[the Devil]].
+|-
+|[[PROSE]]: {{cs|The Book of the Snowstorm (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Maritsa]] in dialogue.
+|rowspan=5|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|-
+|[[PROSE]]: {{cs|The Claus-Rosen Bridge (short story)}}
+|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|The Two Auteurs (short story)}}
+|Used by the non-diegetic third-person narrator and by [[Jecriss]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Love & War (short story)}}
+|Used by [[Olivia Kagg Waldermein]] in narration, by [[Alice Timony]] in the title of ''[[Lightbringers, Fire-Breathers]]'', and by the [[leader of the Space Lords of Fractallax (Love & War)|Fractallaxian leader]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Our Bleak Midwinter (short story)}}
+|Used by the non-diegetic third-person narrator, by [[Abigail Stein]] in narration, and by [[Nardeth]] in dialogue.
+|-
+|[[PROSE]]: {{cs|A Collision of Ships (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Zerlan]] and [[Abraytha Janus Colefia]] in dialogue.
+|rowspan=2|[[31 March (releases)|31 March]] [[2024 (releases)|2024]]
+|-
+|[[PROSE]]: {{cs|A Visit from Everywhere (short story)}}
+|Used by [[Abraytha Janus Colefia]] in dialogue.
+|-
+|"Lords of Creation"
+|[[PROSE]]: {{cs|The Brakespeare Voyage (novel)}}
+|Used in dialogue by [[Jendrickenses]].
+|[[26 October (releases)|26 October]] [[2013 (releases)|2013]]
+|"Creation" is a term for [[N-Space|the Universe]], highlighting its nature as a thing created — classically in relationship to [[God (mythology)|God]], but in this case relative to the Lords' own part in [[Anchoring of the thread|shaping it]].
+|-
+|"Lords of Jewel"
+|[[PROSE]]: {{cs|A Bright White Crack (short story)}}
+|Used by [[Chris Cwej]] in dialogue.
+|[[24 June (releases)|24 June]] [[2020 (releases)|2020]]
+|An allusion to [[Jewel (planet)|Jewel]], an alternative name for the [[Time Lord]]s' home planet, infamously given instead of [[Gallifrey]] in [[COMIC]]: {{cs|Return of the Daleks (comic story)}}. In [[PROSE]]: {{cs|Rebel Rebel (short story)}}, landmarks of "[[the Houseworld]]" are listed as including [[the Citadel]] and the "dome of Jewel" alongside the "[[Towers of Canonicity]]".<br />The name is also echoed by "''Bijoutiers mystérieux''" in [[PROSE]]: {{cs|Auteur and the Homeworld (poem)}}, translating, as it does, to "mysterious jewellers".
+|-
+|"Lords of the Continua"
+|[[PROSE]]: {{cs|The Book of the War (novel)}}
+|Used by [[the War King]] in dialogue.
+|[[17 September (releases)|17 September]] [[2002 (releases)|2002]]
+|Highlights the Archons' lordship over "the continua", presumably synonymous with "the [[timeline]]s". Elsewhere in [[PROSE]]: {{cs|The Book of the War (novel)}}, specifically the {{cs|The Book of the War (novel)|namedep=Zo La Domini}} entry, [[Chatelaine]] [[Thessalia]] states: "In theory, there is no limit to our influence. We believe ourselves to be masters of causality and overseers of the continuual strata", evoking both this term and "Overseers to Causality".
+|-
+|"Lords of the Morning Star"
+|[[PROSE]]: {{cs|Our Finest Gifts We Bring (short story)}}
+|Used by the non-diegetic third-person narrator.
+|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|See "Archons of the Morning Star".
+|-
+|rowspan=2|"Lords of the Universe"
+|[[PROSE]]: {{cs|The Cactus and the Corpse (short story)}}
+|Used by [[the Bookwyrm]] in narration.
+|[[29 October (releases)|29 October]] [[2023 (releases)|2023]]
+|rowspan=2|Highlights the Archons' status as aristocracy of [[N-Space|the universe]] itself, to emphasise the paradox posed within the plot of [[PROSE]]: {{cs|The Cactus and the Corpse (short story)}} by [[Monochrome Auteur|one]] arriving at the [[Plume Coteries' Library]] through the [[Void Gate]] rather than the [[Cosmic Gate]].
+|-
+|[[PROSE]]: {{cs|The Claus-Rosen Bridge (short story)}}
+|Used by the non-diegetic third-person narrator.
+|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|-
+|rowspan=8|"Lords of Time"
+|[[TV]]: {{cs|State of Decay (TV story)}}
+|Used within the [[Record of Rassilon]] as read aloud by the [[Fourth Doctor]].
+|data-sort-value="22 November 1980"|[[22 November (releases)|22 November]] - [[13 December (releases)|13 December]] [[1980 (releases)|1980]]
+|rowspan=8|A synonymous inversion of "Time Lords".
+|-
+|[[TV]]: {{cs|Enlightenment (TV story)}}
+|Used by the [[Fifth Doctor]] in dialogue.
+|data-sort-value="1 March 1983"|[[1 March (releases)|1 March]] - [[9 March (releases)|9 March]] [[1983 (releases)|1983]]
+|-
+|[[COMIC]]: {{cs|Voyager (comic story)}}
+|Used by the [[Sixth Doctor]] in dialogue.
+|[[14 June (releases)|14 June]] - [[11 October (releases)|11 October]] [[1984 (releases)|1984]]
+|-
+|[[TV]]: {{cs|Remembrance of the Daleks (TV story)}}
+|Used by [[Davros]] in dialogue.
+|data-sort-value="5 October 1988"|[[5 October (releases)|5 October]] - [[26 October (releases)|26 October]] [[1988 (releases)|1988]]
+|-
+|[[TV]]: {{cs|The Girl in the Fireplace (TV story)}}
+|Used by the [[Tenth Doctor]] in dialogue.
+|[[6 May (releases)|6 May]] [[2006 (releases)|2006]]
+|-
+|[[AUDIO]]: {{cs|Homecoming (audio story)}}
+|Used by [[Rassilon (Deception)|Rassilon]] in dialogue.
+|[[4 February (releases)|4 February]] [[2021 (releases)|2021]]
+|-
+|[[TV]]: {{cs|Rogue (TV story)}}
+|Used by the [[Fifteenth Doctor]] in dialogue.
+|[[8 June (releases)|8 June]] [[2024 (releases)|2024]]
+|-
+|[[TV]]: {{cs|The Legend of Ruby Sunday (TV story)}}
+|Used by [[Harriet Arbinger]] in dialogue.
+|[[15 June (releases)|15 June]] [[2024 (releases)|2023]]
+|-
+|rowspan=3|"Lords Temporal"
+|[[PROSE]]: {{cs|First Meetings (short story)}}
+|Used in dialogue by [[El Jefe]].
+|[[5 November (releases)|5 November]] [[2010 (releases)|2010]]
+|rowspan=3|In the real world, "Lords Temporal" refers to secular British aristocracy within the House of Lords, as distinct from the "Lords Spiritual" (bishops). It is used in the [[DWU]] as a bit of wordplay, using the more common sense of "Temporal" to make it come across as simply a reversed synonym of "Time Lords". Notably, with its first usage being in the ''[[Iris Wildthyme (series)|Iris Wildthyme]]'' short story [[PROSE]]: {{cs|First Meetings (short story)}}, its usage by [[Maestro]] in [[TV]]: {{cs|The Devil's Chord (TV story)}} marked the first time a Time Lord alias coined in an independent spin-off was used in the ''[[Doctor Who]]'' TV series itself.
+|-
+|[[PROSE]]: {{cs|Master Faustus (short story)}}
+|Used by the [[Tremas Master]] in dialogue, as reported in writing by [[William Shakespeare]].
+|[[12 June (releases)|12 June]] [[2014 (releases)|2014]]
+|-
+|[[TV]]: {{cs|The Devil's Chord (TV story)}}
+|Used by [[Maestro]] in dialogue.
+|[[11 May (releases)|11 May]] [[2024 (releases)|2024]]
 |-
 |"L.T.E.s"
+|[[PROSE]]: {{cs|Love & War (short story)}}
+|Used by [[Olivia Kagg Waldermein]] in narration.
+|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
 |Abbreviation for "Lesser Time Elementals".
 |-
-|rowspan=7|"Sun Builders"
+|rowspan=2|"oppressors"
+|[[PROSE]]: {{cs|By the Time I Get to Venus (novel)}}
+|rowspan=2|Used by [[Theo Possible]].
+|[[4 November (releases)|4 November]] [[2012 (releases)|2012]]
+|rowspan=2|See "trans-temporal oppressors".
+|-
+|[[PROSE]]: {{cs|The Rise & Fall of Señor 105 (novel)}}
+|[[17 November (releases)|17 November]] [[2019 (releases)|2019]]
+|-
+|"Overseers to Causality"
+|[[PROSE]]: {{cs|The Book of the War (novel)}}
+|Used by [[the War King]] in dialogue.
+|[[17 September (releases)|17 September]] [[2002 (releases)|2002]]
+|Highlights the Houses' role as maintainers of logic and linear time; the specific use of the term ''oversee'' evokes their use of the [[Observer Effect]] and [[Eye of Harmony|the Eye]] for that purpose. Elsewhere in [[PROSE]]: {{cs|The Book of the War (novel)}}, specifically the {{cs|The Book of the War (novel)|namedep=Zo La Domini}} entry, [[Chatelaine]] [[Thessalia]] states: "In theory, there is no limit to our influence. We believe ourselves to be masters of causality and overseers of the continuual strata", evoking both this term and "Lords of the Continua".
+|-
+|"Perpetua"
+|[[PROSE]]: {{cs|Rebel Rebel (short story)}}
+|Used in dialogue by [[Frey (Barnyard of the Cyberons)|Frey]].
+|[[28 October (releases)|28 October]] [[2020 (releases)|2020]]
+|Reminiscent of "perpetual", meaning "everlasting". Stated to be a name specifically used by the [[Ephem]]s, an artificially-created servant-class of the Superiors, whose engineered genetic inferiority mainly manifests through inferior [[Regeneration|regenerative]] powers.
+|-
+|"The pilots"
+|[[PROSE]]: {{cs|Toy Story (short story)}}
+|Used by [[Lolita]] and [[the Ship]] in dialogue.
+|[[7 November (releases)|7 November]] [[2004 (releases)|2004]]
+|Used collectively by the sapient [[TARDIS|timeships]] to refer to the humanoids with whom they share [[Gallifrey|their home planet]], as distinct from references to individual pilots of specific ships. For example, Lolita refers to the idea of [[War in Heaven|a War]] "between [[the enemy]] and the pilots".
+|-
+|"The Race Of Temporal Supremacy"
+|[[PROSE]]: {{cs|Ring Theory (short story)}}
+|Used by [[the Gestalt]] in dialogue.
+|[[24 June (releases)|24 June]] [[2020 (releases)|2020]]
+|Straightforwardly evokes their supremacy over [[time]]. The capitalied "Race" may tie in with the "Great Race" appellation.
+|-
+|"Shadow People"
+|[[PROSE]]: {{cs|A Bright White Crack (short story)}}
+|Used by [[Chris Cwej]] in dialogue.
+|[[24 June (releases)|24 June]] [[2020 (releases)|2020]]
+|Reminiscent of "they that walk in the shadow" from [[PROSE]]: {{cs|The Pit (novel)}}; as was the case there, may be taken as referring to their generally secretive ways, or to their status as advocates of light within the [[Dark Times]].
+|-
+|rowspan=8|"Sun Builders"
 |[[PROSE]]: {{cs|Going Once, Going Twice (short story)}}
 |Used by the non-diegetic third-person narrator when delving within the point of view of [[Apep]].
 |[[23 December (releases)|23 December]] [[2018 (releases)|2018]]
-|rowspan=7|References the Great Houses' talent with engineering suns, most famously demonstrated by the [[Eye of Harmony]]. [[PROSE]]: {{cs|Love & War (short story)}} references the art of [[Sun Building]], asserting that individual Archons did indeed possess the ability to create suns at will; [[PROSE]]: {{cs|The Claus-Rosen Bridge (short story)}} suggested the Sun Builders were indeed responsible for creating a majority of [[star]]s in the universe, and the idea was also referenced in [[PROSE]]: {{cs|Trauma and Tinsel (short story)}}, where it is implied [[Dionus]] used a real miniature star to top his [[Christmas tree]], rather than painted cardboard, with him apologising that he is "a bit out of practice at making them".
+|rowspan=8|References the Great Houses' talent with engineering suns, most famously demonstrated by the [[Eye of Harmony]]. [[PROSE]]: {{cs|Love & War (short story)}} references the art of [[Sun Building]], asserting that individual Archons did indeed possess the ability to create suns at will; [[PROSE]]: {{cs|The Claus-Rosen Bridge (short story)}} suggested the Sun Builders were indeed responsible for creating a majority of [[star]]s in the universe, and the idea was also referenced in [[PROSE]]: {{cs|Trauma and Tinsel (short story)}}, where it is implied [[Dionus]] used a real miniature star to top his [[Christmas tree]], rather than painted cardboard, with him apologising that he is "a bit out of practice at making them".
 |-
 |[[AUDIO]]: {{cs|Sabbath and the King (audio story)}}
@@ Line 493: / Line 1,045: @@
 |Used by [[Monochrome Auteur|Auteur]] in dialogue.
 |[[29 October (releases)|29 October]] [[2023 (releases)|2023]]
+|-
+|[[PROSE]]: {{cs|The Great Houses (feature)}}
+|Used by the non-diegetic third-person narrator.
+|[[31 October (releases)|31 October]] [[2023 (releases)|2023]]
 |-
 |[[PROSE]]: {{cs|The Book of the Snowstorm (short story)}}
@@ Line 503: / Line 1,059: @@
 |-
 |[[PROSE]]: {{cs|Love & War (short story)}}
-|Used by [[Olivia Kagg Waldermain]] in narration.
+|Used by [[Olivia Kagg Waldermein]] in narration.
+|-
+|rowspan=25|"Superiors"
+|[[PROSE]]: {{cs|A Bright White Crack (short story)}}
+|Used by the non-diegetic third-person narrator, by [[Chris Cwej]] in writing, by the speaker in the Superior-made instruction video Cwej watches before attempting the [[Takeover of Dawn 1,027]], and by [[Chris Cwej]], [[Larles]], [[Kwol]], and [[Lady Aesculapius]] in dialogue.
+|[[24 June (releases)|24 June]] [[2020 (releases)|2020]]
+|rowspan=25|Used as an extention of "[[Chris Cwej's Superiors]]", a phrase sometimes used for a more specific subgroup whose identity is unclear. However, also claimed in dialogue by members of the species, highlighting not just hierarchical superiority to [[Chris Cwej|Cwej]], but the supremacy they claim over all the [[lesser species]]; They sometimes mention their "Superiority" with a capital S, as in [[PROSE]]: {{cs|Requiem (novel)}}. In discussion of the Superiors, the pronoun "They" is capitalised, like pronouns for God in Abrahamic religions. In [[PROSE]]: {{cs|Flickering Flame (short story)}}, [[Iris Wildthyme]] also uses this terminology, equatng "the Superiors" with the preexisting matter of Iris's "mysterious superiors", a term previously used in various works by [[Paul Magrs]] to refer to the Time Lords.
+|-
+|[[PROSE]]: {{cs|Fountain of Youth (short story)}}
+|Used by the non-diegetic third-person narrator.
+|rowspan=21|[[28 October (releases)|28 October]] [[2020 (releases)|2020]]
+|-
+|[[PROSE]]: {{cs|Flickering Flame (short story)}}
+|Used by [[Chris Cwej]] in narration, and by [[Iris Wildthyme]] and [[Chris Cwej]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Infinity (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Chris Cwej]] and [[Kwol]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Judy Collins vs Christopher Cwej (short story)}}
+|Used by [[Chris Cwej]] in writing.
+|-
+|[[PROSE]]: {{cs|In the Loop (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Giashnel]], [[Kwol]], [[Chris Cwej]], [[George Cwej]], [[Yanna]], and [[Kirstine]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Ring Theory (short story)}}
+|Used by [[Kady Williams]] in narration, and by [[the Gestalt]], [[Chris Cwej]], [[the Gentleman (Ring Theory)|the Gentleman]], [[Larles]], and [[Kady Williams]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Crushing Reality (novel)}}
+|Used by the non-diegetic third-person narrator and by [[Chris Cwej]], [[Kwol]], and [[Larles]] in dialogue.
+|-
+|[[PROSE]]: {{cs|When I Remember (short story)|When I Remember __________}}
+|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|The Mushroom at the End of the Universe (short story)}}
+|Used by the non-diegetic third-person narrator and by [[Kwol]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Soft Target (short story)}}
+|rowspan=2|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|The Ursine Brood (short story)}}
+|-
+|[[PROSE]]: {{cs|The Trauma Deception (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Suala]], [[Giashnel]], and [[Chris Cwej]] in dialogue.
+|-
+|[[PROSE]]: {{cs|The PsyCon Prediction (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Chris Cwej]] and [[Dylaxu]] in dialogue.
+|-
+|[[PROSE]]: {{cs|The Aftermath (short story)}}
+|Used by the non-diegetic third-person narrator, and by the [[High President (The Aftermath)|High President]], and [[Larles]], in dialogue.
+|-
+|[[PROSE]]: {{cs|The V Cwejes (short story)}}
+|Used by [[Chris Cwej]] in narration, and by [[the Surgeon]] and [[Chris Cwej]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Rebel Rebel (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Chris Cwej]], [[Christina Cwej]], [[Frey (Barnyard of the Cyberons)|Frey]], [[Friend 567|Friend #567]], [[the Healer]], [[Kwol]], [[Koschei (Rebel Rebel)|Koschei]], [[Larles]], and "[[Prefrey]]", in dialogue.
+|-
+|[[PROSE]]: {{cs|A Friendly Vignette (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[John Deuteragonist]] and [[Bernard Cwej Sr]] in dialogue.
+|-
+|[[PROSE]]: {{cs|The Armored Creature of 004X (short story)}}
+|Used by [[the Healer]] and [[Helena (The Armored Creature of 004X)|Helena]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Before Chris Cwej's Trial (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Larles]] in dialogue.
+|-
+|[[PROSE]]: {{cs|P.R.O.B.E. Data Log #55: Mr. X (short story)}}
+|Used by the intra-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|Epilogue to Down the Middle (short story)}}
+|Used by the non-diegetic third-person narrator.
+|-
+|[[PROSE]]: {{cs|Love & War (short story)}}
+|Used by [[Olivia Kagg Waldermein]] in narration.
+|rowspan=2|[[26 December (releases)|26 December]] [[2023 (releases)|2023]]
+|-
+|[[PROSE]]: {{cs|Our Finest Gifts We Bring (short story)}}
+|Used by the non-diegetic third-person narrator, and in dialogue by [[Dionus]] and [[The Vicinity|Vicky]].
+|-
+|[[PROSE]]: {{cs|Requiem (novel)}}
+|Used by the non-diegetic third-person narrator, and by [[Chris Cwej]], [[Tyron (Requiem)|Tyron]], in dialogue.
+|[[23 April (releases)|23 April]] [[2024 (releases)|2024]]
+|-
+|"Temporal Emperors"
+|[[PROSE]]: {{cs|A Big Hand for the Doctor (short story)}}
+|Stated to have been suggested by [[the Interior Designer]] in-universe, and rejected.
+|[[23 January (releases)|23 January]] [[2013 (releases)|2013]]
+|A more pompous form of the meaning of "Time Lord"; an ''Emperor'' is etymologically a wielder of power, but carries a more militaristic implication than ''Lord''.
+|-
+|rowspan=3|"Temporal Superiors"
+|[[PROSE]]: {{cs|Flickering Flame (short story)}}
+|Used by [[Chris Cwej]] in narration and by [[Iris Wildthyme]] in dialogue.
+|rowspan=2|[[28 October (releases)|28 October]] [[2020 (releases)|28 October]]
+|rowspan=3|A variant on "Superiors", highlighting their association with time.
+|-
+|[[PROSE]]: {{cs|Rebel Rebel (short story)}}
+|Used by the non-diegetic third-person narrator, and by [[Larles]] in dialogue.
+|-
+|[[PROSE]]: {{cs|Requiem (novel)}}
+|Used by [[Tyron (Requiem)|Tyron]] in dialogue.
+|[[23 April (releases)|23 April]] [[2024 (releases)|2024]]
+|-
+|"they that walk in the shadow"
+|[[PROSE]]: {{cs|The Pit (novel)}}
+|Stated by the [[Seventh Doctor]] in dialogue to be the translation of "''Gallifrey''", originally a name for the [[Time Lord]]s before it came to be a name for [[Gallifrey|their planet]].
+|[[18 March (releases)|18 March]] [[1993 (releases)|1993]]
+|May be taken as referring to their generally secretive ways, or to their status as advocates of light within the [[Dark Times]]. Said to be the original translation of ''[[Gallifrey]]''. Echoed by "the Shadow People" in [[PROSE]]: {{cs|A Bright White Crack (short story)}}.
+|-
+|"Those Lot Up There"
+|[[PROSE]]: {{cs|A Bright White Crack (short story)}}
+|Used by [[Chris Cwej]] in dialogue.
+|[[24 June (releases)|24 June]] [[2020 (releases)|2020]]
+|"Up There" is a euphemism for "Heaven", alluding informally to the spiritual dimension of the beings' "celestial" nature. [[Abraytha Janus Colefia]] similarly asks "Blimey, what ''do'' they teach you up there?" of the ''[[Zadellin]]'' crew in [[PROSE]]: {{cs|A Collision of Ships (short story)}}, with "up there" meaning their home planet.
+|-
+|"The time travellers"
+|[[PROSE]]: {{cs|Dead Romance (novel)}}
+|Used by [[Christine Summerfield]] in narration.
+|[[1 March (releases)|1 March]] [[1999 (releases)|1999]]
+|Used by [[Christine Summerfield]] for lack of a better term as a specific name for "[[Chris Cwej]]'s employers" at several points, e.g. referring to Chris as "an official agent of the time travellers". In the [[Dead Romance (anthology)|second edition]] of ''Dead Romance'', some of these instances were replaced with mentions of "the Houses".
+|-
+|rowspan=2|"trans-temporal oppressors"
+|[[PROSE]]: {{cs|By the Time I Get to Venus (novel)}}
+|rowspan=2|Used by [[Theo Possible]].
+|[[4 November (releases)|4 November]] [[2012 (releases)|2012]]
+|rowspan=2|Juxtaposed with Possible's own class, "the causal [[chronoletariat]]", in reference to {{w|Marxian class theory}}.
+|-
+|[[PROSE]]: {{cs|The Rise & Fall of Señor 105 (novel)}}
+|[[17 November (releases)|17 November]] [[2019 (releases)|2019]]
+|-
+|rowspan=5|"Watchmakers"
+|[[PROSE]]: {{cs|Christmas on a Rational Planet (novel)}}
+|Used by the non-diegetic third-person narrator, and in dialogue by [[Matheson Catcher]], the [[Seventh Doctor]], [[Roz Forrester]], [[the Carnival Queen]], [[Chris Cwej]],
+|[[18 July (releases)|18 July]] [[1996 (releases)|1996]]
+|rowspan=5|Refers to the [[Time Lord]]s' work as creators of a mechanical, "clockwork" universe (see also "Engineers of History"), but also an allusion to the {{w|watchmaker analogy}}, an argument for the existence of [[God (mythology)|God]] — or some other intelligent designer of the universe.
+|-
+|[[PROSE]]: {{cs|Ghost Devices (novel)}}
+|Used by the non-diegetic third-person narrator.
+|[[3 November (releases)|3 November]] [[1997 (releases)|1997]]
+|-
+|[[PROSE]]: {{cs|Dead Romance (novel)}}
+|Used in the text which appears on the [[Ouija board]].<ref>Only in the first edition; in the second edition, this is replaced with an instance of "the Great Houses".</ref>
+|[[1 March (releases)|1 March]] [[1999 (releases)|1999]]
+|-
+|[[PROSE]]: {{cs|Going Once, Going Twice (short story)}}
+|Used by [[Godfather Auteur]] in dialogue.
+|[[23 December (releases)|23 December]] [[2018 (releases)|2018]]
+|-
+|[[PROSE]]: {{cs|The Great Houses (feature)}}
+|Used by [[Compassion]] in dialogue.
+|[[31 October (releases)|31 October]] [[2023 (releases)|2023]]
 |}
+== Footnotes ==
+{{reflist}}
+[[Category:Time Lords]]
+[[Category:Names]]

Names for the Time Lords (edit)

Revision as of 00:32, 3 September 2024