Forum:No colourised pics, but what about comics?: Difference between revisions

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So here's a thought. Our MOS and/or image use policy forbids the use of colourised photos. And that's right and proper. But by that logic, should we not also forbid colourised comics. For instance on the page [[Voord]], there's an image purportedly from ''[[The World Shapers]]'', a monochromatic comic. It's no doubt taken from the IDW colourised reprints. I think we should disallow them, because there's no guarantee that a colourist 30 years after the fact is going to use the colours that the original artist would have requested of his colourist, and, more to the point, no guarantee that a 21st century digital colourist is going to use the same shades that were ''available'' to a 1980s publisher.
So here's a thought. Our MOS and/or image use policy forbids the use of colourised photos. And that's right and proper. But by that logic, should we not also forbid colourised comics. For instance on the page [[Voord]], there's an image purportedly from ''[[The World Shapers]]'', a monochromatic comic. It's no doubt taken from the IDW colourised reprints. I think we should disallow them, because there's no guarantee that a colourist 30 years after the fact is going to use the colours that the original artist would have requested of his colourist, and, more to the point, no guarantee that a 21st century digital colourist is going to use the same shades that were ''available'' to a 1980s publisher.


In some cases, there's also going to be a bit of conflict between the various colourists through the years. Perfect example is ''[[The Star Beast]]''. It's been coloured by three different artists — just like almost all the Tom Baker and Peter Davison runs — so which do we regard as "definitive"? [[Charlie Kirchoff]]'s IDW efforts? [[Andy Yanchus]]' work for the Marvel US run? Or [[Paul Vyse]]'s work for DWCC?   Put them side-by-side and you'll see an entirely noticeable difference.
In some cases, there's also going to be a bit of conflict between the various colourists through the years. Perfect example is ''[[The Star Beast]]''. It's been coloured by three different artists —just like almost all the Tom Baker and Peter Davison runs — so which do we regard as "definitive"? [[Charlie Kirchoff]]'s IDW efforts? [[Andy Yanchus]]' work for the Marvel US run? Or [[Paul Vyse]]'s work for DWCC? Put them side-by-side and you'll see an entirely noticeable difference.


I think because of this wide variability, and the fact that it's simply not the way of the original printing, we need to strictly disallow comic colourisations.
I think because of this wide variability, and the fact that it's simply not the way of the original printing, we need to strictly disallow comic colourisations.


Thoughts? {{user:CzechOut/Sig}}
Thoughts? {{user:CzechOut/Sig}}
 
Hmm, I would say keep colourised comic pictures. Some of the comics that came out back in the 60s and 70s are of really poor quality with age and the colourisations bring back what has been lost with age. I understand the arguement that there has been many colourisations to some strips but in all honesty I don't see how that matters too much, if theres a better quality picture available, why not use it? --[[User:Revanvolatrelundar|Revan]]\[[User_talk:Revanvolatrelundar|Talk]] 18:47, February 13, 2011 (UTC)

Revision as of 18:47, 13 February 2011

IndexPanopticon → No colourised pics, but what about comics?
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So here's a thought. Our MOS and/or image use policy forbids the use of colourised photos. And that's right and proper. But by that logic, should we not also forbid colourised comics. For instance on the page Voord, there's an image purportedly from The World Shapers, a monochromatic comic. It's no doubt taken from the IDW colourised reprints. I think we should disallow them, because there's no guarantee that a colourist 30 years after the fact is going to use the colours that the original artist would have requested of his colourist, and, more to the point, no guarantee that a 21st century digital colourist is going to use the same shades that were available to a 1980s publisher.

In some cases, there's also going to be a bit of conflict between the various colourists through the years. Perfect example is The Star Beast. It's been coloured by three different artists —just like almost all the Tom Baker and Peter Davison runs — so which do we regard as "definitive"? Charlie Kirchoff's IDW efforts? Andy Yanchus' work for the Marvel US run? Or Paul Vyse's work for DWCC? Put them side-by-side and you'll see an entirely noticeable difference.

I think because of this wide variability, and the fact that it's simply not the way of the original printing, we need to strictly disallow comic colourisations.

Thoughts?
czechout<staff />   

Hmm, I would say keep colourised comic pictures. Some of the comics that came out back in the 60s and 70s are of really poor quality with age and the colourisations bring back what has been lost with age. I understand the arguement that there has been many colourisations to some strips but in all honesty I don't see how that matters too much, if theres a better quality picture available, why not use it? --Revan\Talk 18:47, February 13, 2011 (UTC)