Songs of Freedom and Captivity: Difference between revisions

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The '''"Songs of Freedom and Captivity"''' were hymn-like pieces of narrative music sung by the [[Ood]] around the time of their great struggle on the [[Ood Sphere]] for liberation from [[human]] exploitation. Because of the complex nature of Ood song, however, it was not clear that they were actually separate songs, but rather one long story.
The '''"Songs of Freedom and Captivity"''' were hymn-like pieces of narrative music sung by the [[Ood]] around the time of their great struggle on the [[Ood Sphere]] for liberation from [[human]] exploitation. Because of the complex nature of Ood song, however, it was not clear that they were actually separate songs, but rather one long story.


[[Tenth Doctor|The Doctor]] could hear what might be called the "Song of Captivity" from the moment he arrived on the planet, but [[Donna Noble]] and other humans could not. Donna asked for the Doctor to allow her to hear it, but then could not bear its aching sadness.
The [[Tenth Doctor]] could hear what might be called the "Song of Captivity" from the moment he arrived on the planet, but [[Donna Noble]] and other humans could not. Donna asked for the Doctor to allow her to hear it, but then could not bear its aching sadness.


After they had won their release, the Ood shifted the melody to something more uplifting. Although the Doctor would obviously have been able to detect this shift of tempo and tone, it was unclear whether Donna did. Nevertheless, when they departed the Ood Sphere, the Doctor and Donna — or as the ood put it, "the Doctor Donna" —knew the Ood were singing a "Song of Freedom". ([[DW]]: ''[[Planet of the Ood]]'')
After they had won their release, the Ood shifted the melody to something more uplifting. Although the Doctor would obviously have been able to detect this shift of tempo and tone, it was unclear whether Donna did. Nevertheless, when they departed the Ood Sphere, the Doctor and Donna knew the Ood were singing a "Song of [[Freedom]]". ([[TV]]: {{cs|Planet of the Ood (TV story)}})


== Behind the scenes ==
== Behind the scenes ==
* The song was never named within the narrative.


The song was never named within the narrative.
* Composed by [[Murray Gold]], and voiced by counter-tenor [[Mark Chambers (counter tenor)|Mark Chambers]], "Song of Freedom" is heard several times during [[Series 4 (Doctor Who 2005)|Series 4]]. It is first heard during {{cs|Planet of the Ood (TV story)}}. The lyrics in the song are [[Latin]].


Composed by [[Murray Gold]], and voiced by counter-tenor [[Mark Chambers (counter tenor)|Mark Chambers]], "Song of Freedom" is heard several times during [[Series 4 (Doctor Who)|Series 4]]. It is first heard during ''[[Planet of the Ood]]''.
* Murray Gold has stated that the [[Ood]]'s songs are heard in Latin because [[The Doctor's TARDIS|the TARDIS]] [[translation circuit|translated them]] from "Classical Ood" to the language closest in style and spirit. Some lyrics and translations were also given: <ref> http://www.bbc.co.uk/doctorwho/s4/episodes/?episode=s4_03&action=factfile </ref>
{{Quote| {{il|The first part of the Ood song is:
|''Cum tacent clament. Serva me, servato te''
|This translates as:
|"While we are silent, we are screaming. Save me and I will save you."
|And the song of freedom is:
|''Dum inter homines, sumus colamus humanita (cum tacent clament)''
|Which translates as:
|"When amongst humans, we should be humane."}}|Fact file on the [[Doctor Who website]]}}


In ''[[Journey's End]]'' a full orchestral version with non-English choir vocals was heard during the sequence in which the [[Tenth Doctor]] and his companions use the [[the Doctor's TARDIS|TARDIS]] to restore the [[Earth]] to its original location. While the first version is heard by the characters, this version does not appear to be heard by them. It is not considered "in-universe".
* In {{cs|Journey's End (TV story)}} an orchestral version with a full choir was heard during the sequence in which the [[Tenth Doctor]] and his companions use [[the Doctor's TARDIS|the TARDIS]] to restore the [[Earth]] to its original location. The vocals were sung by the [[Crouch End Festival Chorus]]. While the first version is heard by the characters, this version does not appear to be heard by them. Therefore it is not considered diegetic, or "in-universe".


Both versions of "Song of Freedom" are included in the Series 4 soundtrack CD issued in late 2008; the ''Planet of the Ood'' version as part of a medley entitled "Songs of Captivity and Freedom", and the ''Journey's End'' version on its own. In his liner notes Gold indicates that the arrangement used for ''Journey's End'' was influenced by the famous John Lennon recording "Give Peace a Chance."
* Both versions of "Song of Freedom" are included in the Series 4 soundtrack CD issued in late 2008; the ''Planet of the Ood'' version as part of a medley entitled "Songs of Captivity and Freedom", and the ''Journey's End'' version on its own. In his liner notes Gold indicates that the arrangement used for ''Journey's End'' was influenced by the famous John Lennon recording "Give Peace a Chance."


A full-orchestral version was also performed at the close of the [[Doctor Who at the Proms (2008)|2008 ''Doctor Who at the Proms'']] concert.
* A full-orchestral version was also performed at the close of the [[Doctor Who at the Proms (2008)|2008 ''Doctor Who at the Proms'']] concert.
 
== Footnotes ==
{{reflist}}


{{OrigSongs}}
{{OrigSongs}}


[[Category:Songs]]
[[Category:Songs sung by the Ood]]

Latest revision as of 16:44, 17 July 2024

"Songs of Freedom and Captivity" is a title based upon conjecture.

Check the behind the scenes section, the revision history and discussion page for additional comments on this article's title.

The "Songs of Freedom and Captivity" were hymn-like pieces of narrative music sung by the Ood around the time of their great struggle on the Ood Sphere for liberation from human exploitation. Because of the complex nature of Ood song, however, it was not clear that they were actually separate songs, but rather one long story.

The Tenth Doctor could hear what might be called the "Song of Captivity" from the moment he arrived on the planet, but Donna Noble and other humans could not. Donna asked for the Doctor to allow her to hear it, but then could not bear its aching sadness.

After they had won their release, the Ood shifted the melody to something more uplifting. Although the Doctor would obviously have been able to detect this shift of tempo and tone, it was unclear whether Donna did. Nevertheless, when they departed the Ood Sphere, the Doctor and Donna knew the Ood were singing a "Song of Freedom". (TV: Planet of the Ood [+]Loading...["Planet of the Ood (TV story)"])

Behind the scenes[[edit] | [edit source]]

  • The song was never named within the narrative.
  • Murray Gold has stated that the Ood's songs are heard in Latin because the TARDIS translated them from "Classical Ood" to the language closest in style and spirit. Some lyrics and translations were also given: [1]
The first part of the Ood song is:
Cum tacent clament. Serva me, servato te
This translates as:
"While we are silent, we are screaming. Save me and I will save you."
And the song of freedom is:
Dum inter homines, sumus colamus humanita (cum tacent clament)
Which translates as:
"When amongst humans, we should be humane."

Fact file on the Doctor Who website

  • In Journey's End [+]Loading...["Journey's End (TV story)"] an orchestral version with a full choir was heard during the sequence in which the Tenth Doctor and his companions use the TARDIS to restore the Earth to its original location. The vocals were sung by the Crouch End Festival Chorus. While the first version is heard by the characters, this version does not appear to be heard by them. Therefore it is not considered diegetic, or "in-universe".
  • Both versions of "Song of Freedom" are included in the Series 4 soundtrack CD issued in late 2008; the Planet of the Ood version as part of a medley entitled "Songs of Captivity and Freedom", and the Journey's End version on its own. In his liner notes Gold indicates that the arrangement used for Journey's End was influenced by the famous John Lennon recording "Give Peace a Chance."

Footnotes[[edit] | [edit source]]