ERS: Difference between revisions
From Tardis Wiki, the free Doctor Who reference
Claude North (talk | contribs) No edit summary |
m (Spacing issues) |
||
| (21 intermediate revisions by 7 users not shown) | |||
| Line 1: | Line 1: | ||
{{real world}} | {{real world}} | ||
{{real world stub}} | {{real world stub}} | ||
''ERS''' have worked on [[sound design]] and [[incidental music|music]] for [[Big Finish Productions]]. | '''ERS''' have worked on [[sound design]] and [[incidental music|music]] for [[Big Finish Productions]]. | ||
They | They are comprised of [[Andy Hardwick]] and [[Gareth Jenkins (sound designer)|Gareth Jenkins]]. | ||
== Post Production == | == Post Production == | ||
=== Big Finish Monthly ''Doctor Who'' audio stories === | === Big Finish Monthly ''Doctor Who'' audio stories === | ||
* ''[[The Dark Flame (audio story)|The Dark Flame]]'' - music & sound design | * ''[[The Dark Flame (audio story)|The Dark Flame]]'' - music & sound design | ||
* ''[[Project Lazarus (audio story)|Project: Lazarus]]'' - music & sound design | * ''[[Project Lazarus (audio story)|Project: Lazarus]]'' - music & sound design | ||
* ''[[Zagreus (audio story)|Zagreus]]'' - music | * ''[[Zagreus (audio story)|Zagreus]]'' - music | ||
* ''[[The Axis of Insanity | * ''[[The Axis of Insanity (audio story)|The Axis of Insanity]]'' - music & sound design | ||
* ''[[The Next Life]]'' - music & sound design | * ''[[The Next Life (audio story)|The Next Life]]'' - music & sound design | ||
* ''[[The Game (audio story)]]'' - music & sound design | * ''[[The Game (audio story)|The Game]]'' - music & sound design | ||
* ''[[Catch-1782 (audio story)|Catch-1782]]'' - music & sound design | * ''[[Catch-1782 (audio story)|Catch-1782]]'' - music & sound design | ||
* ''[[Scaredy Cat]]'' - music & sound design | * ''[[Scaredy Cat (audio story)|Scaredy Cat]]'' - music & sound design | ||
* ''[[Pier Pressure]]'' - music & sound design | * ''[[Pier Pressure (audio story)|Pier Pressure]]'' - music & sound design | ||
* ''[[Night Thoughts]]'' - music & sound design | * ''[[Night Thoughts (audio story)|Night Thoughts]]'' - music & sound design | ||
* ''[[Time Works]]'' - music & sound design | * ''[[Time Works (audio story)|Time Works]]'' - music & sound design | ||
* ''[[The Kingmaker]]'' - music & sound design | * ''[[The Kingmaker (audio story)|The Kingmaker]]'' - music & sound design | ||
* ''[[Red]]'' - music & sound design | * ''[[Red (audio story)|Red]]'' - music & sound design | ||
* ''[[Year of the Pig]]'' - music & sound design | * ''[[Year of the Pig (audio story)|Year of the Pig]]'' - music & sound design | ||
* ''[[Renaissance of the Daleks (audio story)|Renaissance of the Daleks]]'' - music & sound design | * ''[[Renaissance of the Daleks (audio story)|Renaissance of the Daleks]]'' - music & sound design | ||
* ''[[Exotron]]'' - music & sound design | * ''[[Exotron (audio story)|Exotron]]'' - music & sound design | ||
* ''[[Urban Myths]]'' - music & sound design | * ''[[Urban Myths (audio story)|Urban Myths]]'' - music & sound design | ||
* ''[[The Wishing Beast]]'' - music & sound design | * ''[[The Wishing Beast (audio story)|The Wishing Beast]]'' - music & sound design | ||
* ''[[The Vanity Box]]'' - music & sound design | * ''[[The Vanity Box (audio story)|The Vanity Box]]'' - music & sound design | ||
* ''[[Son of the Dragon (audio story)]]'' - music & sound design | * ''[[Son of the Dragon (audio story)|Son of the Dragon]] ''- music & sound design | ||
* ''[[100 (audio anthology)]]'' - music & sound design | * ''[[100 (audio anthology)|100]]'' - music & sound design | ||
* ''[[The Girl Who Never Was]]'' - music & sound design | * ''[[The Girl Who Never Was (audio story)|The Girl Who Never Was]]'' - music & sound design | ||
* ''[[The Bride of Peladon]]'' - music & sound design | * ''[[The Bride of Peladon (audio story)|The Bride of Peladon]]'' - music & sound design | ||
== Notes == | == Notes == | ||
*The [http://www.bigfinish.com/ Big Finish website] ''(last accessed 13th February 2012)'' wrongly credits ERS as contributing the music & sound design for ''[[The Twilight Kingdom (audio story)|The Twilight Kingdom]]'' & ''[[The Council of Nicaea (audio story)|The Council of Nicaea]]''. The booklet included with both CD releases credits [[Russell Stone]] as providing the music. | * The [http://www.bigfinish.com/ Big Finish website] ''(last accessed 13th February 2012)'' wrongly credits ERS as contributing the music & sound design for ''[[The Twilight Kingdom (audio story)|The Twilight Kingdom]]'' & ''[[The Council of Nicaea (audio story)|The Council of Nicaea]]''. The booklet included with both CD releases credits [[Russell Stone]] as providing the music. | ||
Latest revision as of 14:03, 9 March 2023
ERS have worked on sound design and music for Big Finish Productions. They are comprised of Andy Hardwick and Gareth Jenkins.
Post Production[[edit] | [edit source]]
Big Finish Monthly Doctor Who audio stories[[edit] | [edit source]]
- The Dark Flame - music & sound design
- Project: Lazarus - music & sound design
- Zagreus - music
- The Axis of Insanity - music & sound design
- The Next Life - music & sound design
- The Game - music & sound design
- Catch-1782 - music & sound design
- Scaredy Cat - music & sound design
- Pier Pressure - music & sound design
- Night Thoughts - music & sound design
- Time Works - music & sound design
- The Kingmaker - music & sound design
- Red - music & sound design
- Year of the Pig - music & sound design
- Renaissance of the Daleks - music & sound design
- Exotron - music & sound design
- Urban Myths - music & sound design
- The Wishing Beast - music & sound design
- The Vanity Box - music & sound design
- Son of the Dragon - music & sound design
- 100 - music & sound design
- The Girl Who Never Was - music & sound design
- The Bride of Peladon - music & sound design
Notes[[edit] | [edit source]]
- The Big Finish website (last accessed 13th February 2012) wrongly credits ERS as contributing the music & sound design for The Twilight Kingdom & The Council of Nicaea. The booklet included with both CD releases credits Russell Stone as providing the music.
