Claudette Engadine: Difference between revisions
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'''Claudette Engadine''' was a resident of [[19th century]] [[Paris]]. She was also the lover of [[David Clayton]]. | '''Claudette Engadine''' was a resident of [[19th century]] [[Paris]]. She was also the lover of [[David Clayton]]. | ||
Brother [[Tomas (The Death of Art)|Tomas]] transformed Clayton and Engadine into creatures for the use of the [[Brotherhood of the Immanent Flesh]]. They were sent to infiltrate [[Montague]]'s group. He discovered their purpose and made them into his servants. | Brother [[Tomas (The Death of Art)|Tomas]] transformed Clayton and Engadine into creatures for the use of the [[Brotherhood of the Immanent Flesh]]. They were sent to infiltrate [[Montague (The Death of Art)|Montague]]'s group. He discovered their purpose and made them into his servants. | ||
However, she was later able to break free from the programming for long enough to shoot Montague. Distracted because he was dealing with a [[Quoth]] conflict, the bullet was able to strike and kill him. ([[PROSE]]: ''[[The Death of Art (novel)|The Death of Art]]'') | However, she was later able to break free from the programming for long enough to shoot Montague. Distracted because he was dealing with a [[Quoth]] conflict, the bullet was able to strike and kill him. ([[PROSE]]: ''[[The Death of Art (novel)|The Death of Art]]'') | ||
{{NameSort}} | {{NameSort}} | ||
[[Category:19th century individuals]] | [[Category:19th century individuals]] | ||
[[Category:Biologically modified | [[Category:Biologically modified humans]] | ||
Latest revision as of 22:03, 19 April 2017
Claudette Engadine was a resident of 19th century Paris. She was also the lover of David Clayton.
Brother Tomas transformed Clayton and Engadine into creatures for the use of the Brotherhood of the Immanent Flesh. They were sent to infiltrate Montague's group. He discovered their purpose and made them into his servants.
However, she was later able to break free from the programming for long enough to shoot Montague. Distracted because he was dealing with a Quoth conflict, the bullet was able to strike and kill him. (PROSE: The Death of Art)
