Charlie Bennett: Difference between revisions
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He also contributed mattes to a few episodes of the first two series of ''[[Torchwood (TV series)|Torchwood]]''. | He also contributed mattes to a few episodes of the first two series of ''[[Torchwood (TV series)|Torchwood]]''. | ||
Bennett's career started only shortly before his involvement with ''Doctor Who'' on the 2006 [[Jim Broadbent]] tele-movie, {{wi|Longford (film)|Longford}}. Whilst employed by [[BBC Wales]], he has contributed to the films {{wi|The Damned United}}, {{wi|Skellig (film)|Skellig}} and {{wi|Cracks}}. | Bennett's career started only shortly before his involvement with ''Doctor Who'' on the 2006 [[Jim Broadbent]] tele-movie, {{wi|Longford (film)|Longford}}. Whilst employed by [[BBC Wales]], he has contributed to the films {{wi|The Damned United}}, {{wi|Skellig (film)|Skellig}} and {{wi|Cracks (film)|Cracks}}. | ||
== Credits == | == Credits == |
Latest revision as of 15:04, 8 May 2024
Charlie Bennett, sometimes credited as Charlie Bennet, is a digital matte painter who was credited on several episodes of the BBC Wales version of Doctor Who from Smith and Jones to the 2009 specials. He shared a prestigious Visual Effects Society award with Simon Wicker, Tim Barter and Arianna Lago for their matte paintings on Silence in the Library. Their win was the first for the Doctor Who visual effects team, after several failed nominations.
He also contributed mattes to a few episodes of the first two series of Torchwood.
Bennett's career started only shortly before his involvement with Doctor Who on the 2006 Jim Broadbent tele-movie, Longford. Whilst employed by BBC Wales, he has contributed to the films The Damned United, Skellig and Cracks.
Credits[[edit] | [edit source]]
Digital matte painter[[edit] | [edit source]]
- Adam
- The Big Bang
- Daleks in Manhattan
- Dead Man Walking
- Evolution of the Daleks
- Last of the Time Lords
- The Lazarus Experiment
- The Pandorica Opens
- Smith and Jones