Father's Day (TV story): Difference between revisions

Latest revision as of 00:15, 8 November 2024

Father's Day

Key crew

Writer:

Paul Cornell

Director:

Joe Ahearne

Producer:

Phil Collinson

Release details

Story number:

163

Premiere broadcast:

14 May 2005

Premiere network:

BBC One

Format:

1x45 minute episode

Memorable moment

Another memorable moment

One more memorable moment

Behind the scenes video

*Doctor Who* television stories
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The Long Game	The Empty Child

Production order
← Previous	Next →
Dalek	The Long Game

Father's Day was the eighth episode of series one of Doctor Who.

It introduced Rose's father, Pete, and established much of the back story for the Tyler family that would be used in future stories.

Furthermore, this story hugely contributed to one of the show's most omnipresent topics: the consequences of time travel, specifically meddling with fixed points in history. This story demonstrated one of the consequences of preventing or delaying a fixed occurrence in someone's timeline, through death. It also introduced the idea that one's actions also counted as fixed events and therefore could not be undone. The latter contribution did away with the question of why the Doctor does not repair his mistakes.

The Doctor explains that he and Rose could only go back to Pete's death twice; to avoid a temporal paradox by there being too many of them in one location. His successor incarnation later reinforced this idea when he disabled Captain Jack's vortex manipulator, stating he could go anywhere in time twice - "second time to apologise".

Later stories elaborated on how fixed points in time worked. The Fires of Pompeii showed how a fixed point involves a natural disaster, instead of specific individuals, and the ability to rescue some people with no consequence. Further, The Wedding of River Song revealed that creating a fixed point at a still point in time, the event in question can be circumvented; however, if broken, it causes all of time to happen at once, making society collapse.

From a production standpoint, it was significant for being writer Paul Cornell's first contribution to televised Doctor Who.

Synopsis[[edit]]

Pete Alan Tyler, the father of Rose and husband of Jackie, died on 7 November 1987, the day of Stuart Hoskins and Sarah Clark's wedding. Rose was just a baby at the time, Jackie told the young Rose that nobody was there for Pete when he died and that the hit-and-run driver was never found...

Now grown up, Rose asks the Ninth Doctor to take her to see him alive, but on a whim, ends up changing his fate, not realising the consequences of such a paradox. After all, the Doctor has saved so many lives...what could the real consequences be over a man alive in the world who wasn't alive before?

Plot[[edit]]

"Peter Alan Tyler, my dad. The most wonderful man in the world. Born 15th September 1954."

When Rose was growing up, her mother would tell her about Pete Tyler, her father who was killed by a hit-and-run driver when she was only a baby. The driver was never found, and Pete died on the street alone before the ambulance could arrive.

In the TARDIS, Rose hesitantly asks the Doctor if they can go to see her father, Pete before he died. The Doctor says that he can do this, as "your wish is my command", but he is concerned Rose may not be able to handle it emotionally. He tells her to be careful what she wishes for. He takes her to Jackie and Pete's wedding, where they witness Pete get Jackie's middle names wrong during the vows much to her irritation. Back in the TARDIS, Rose then asks the Doctor for her to be there for him on the day he died, as she doesn't want him to have to die alone.

The TARDIS materialises in 1987 on the road where Pete died. They stand on the pavement, Rose describing to the Doctor what happened as they watch it. Pete is late getting a wedding gift for Stuart Hoskins and Sarah Clark, and when he steps out of his car to cross the street, an oncoming car comes around the corner and runs into him, killing him almost instantly. When this happens, the Doctor tells Rose to go to Pete, but she is unable to approach her father's fallen body. By the time she recovers, the ambulance has arrived and he is already been pronounced dead. She asks the Doctor if she can try again, and while he looks doubtful, he agrees.

Travelling back to the same moment, they wait around the corner from their earlier selves. The Doctor warns Rose to wait until her earlier self has left before going to see her father, and that it's the last time they can be here, lest it create a paradox. However, as Pete steps out of his car and the other car comes hurtling around the corner, Rose pulls away from the Doctor, passing their startled earlier selves and tackles Pete out of the way. The earlier Doctor and Rose vanish, and while Rose is overjoyed at having actually succeeded in saving her father, the Doctor looks on in fury. Rose introduces herself to Pete, who remarks on the coincidence of her name being the same as his daughter's. When Rose says she is attending the Hoskins-Clark wedding, Pete offers her and the Doctor a lift. Above the city, unseen creatures scan the area hungrily with alien eyes.

At Pete's flat, Rose looks around and babbles cheerfully on all the various bits and pieces of entrepreneurship that her father is involved in, including health drinks and solar power panels, which he will now have the opportunity to exploit. She notices that the Doctor is utterly silent, a coldly furious expression fixed on his face. He angrily accuses her of planning this from the moment she heard that the TARDIS was a time machine and that like Adam, she's just another person interested in what the universe can do for them. Rose insists there was no plan, that she just saw a chance to stop it and did so, and questions why it is all right for the Doctor to save people but not for her to save her father. He explains that he knows what he is doing while she does not; the presence of two sets of them made that location a vulnerable point. They argue, more and more heatedly, Rose claiming that the Doctor isn't the most important person in her life, the Doctor responds by demanding the TARDIS key back and leaves, telling her she's getting left behind. Rose hands over the key but tells the Doctor she knows he'll never leave without her. Pete looks out of the kitchen at this point, thinking it a lover's quarrel. Pete and she go to the wedding. At the wedding, the church is only a quarter full as Stuart Hoskin's dad tries to persuade him not to go through with it. Outside, Sarah arrives with Jackie and baby Rose, but is asked to drive around the block due to all the people who haven't turned up.

The Doctor finds his TARDIS missing its interior.

Across the city, the unseen alien creatures are seen from their vision to be stalking and attacking several people. As the Doctor walks back to the TARDIS, he senses that something is wrong. When he gets back to the TARDIS and unlocks it with his key, he just finds an empty box.

In the meantime, Rose and Pete are driving to the church. Rose is puzzled when "Don't Mug Yourself", a piece of hip-hop music from the 21st century, plays anachronistically over the car radio, and her mobile phone voice mail is filled with copies of the message, "Watson, come here, I need you," the very first thing said over a telephone by Alexander Graham Bell. They are almost at the church when a car nearly collides with them and abruptly vanishes, a car Pete recognises as the same car that almost ran him down earlier. As their car runs off the road, Rose reflexively calls Pete "Dad" but brushes it off when Pete asks her what she meant by that.

At the church they meet Jackie, carrying the younger Rose. Jackie eyes the adult Rose suspiciously. Jackie and Pete get into a shouting match, and Rose realises that their marriage was far from perfect; it emerges that he's cheated on her in the past, and she is despairing of his constantly failing get-rich-quick schemes... it seems the two are well on the way to divorce. It is at this moment that a young Mickey — who has witnessed all the children and his own mother in a local playground disappear — runs around the corner, yelling about monsters. The Doctor runs towards Rose from the opposite end of the street, shouting for her to get inside the church. Rose looks up and screams as she sees the creatures materialise in the sky above as winged reptilian monsters with multiple arms.

Rose sees the consequences of her actions.

The creatures swoop down, devouring the vicar and Stuart's father before the Doctor ushers the rest into the church; the walls of the church are old and will stop the creatures for a while. When Jackie demands to know what is going on, he explains that there has been a wound in time and the creatures are like bacteria taking advantage of it, to sterilise the wound by consuming everything in sight. With great satisfaction, the Doctor orders Jackie to do as he says and make sure all the doors and windows are secure. Rose asks if this is her fault, and the Doctor does not answer. Pete overhears this.

Outside, the creatures continue to devour every human they come across, and Pete notes that the lack of other activity outside indicates that the creatures are probably everywhere. The Doctor looks out the back window of the church and sees the hit-and-run driver's car appearing and disappearing as it circles the church, the driver stuck in a continuous loop repeating the actions he never got to complete. Pete notices the car. The Doctor tells him quickly not to worry about it. Pete talks to Rose, and wonders aloud why he instinctively seems to trust her. He remembers she called him "Dad" and deduces she is really his daughter, all grown up. They tearfully embrace as the creatures continue to batter against the church doors, trying to get in.

The Doctor is ensuring that the church doors and windows are sealed when he is cornered by Stuart and Sarah. They recognise that he is the only person in the church who knows what is going on and nervously enquire whether he can save them. Sarah, who is obviously pregnant, insists that they are nothing important, but the Doctor begs to differ once he hears the story of how they met. He has never had the lives these two people have; they are two ordinary people with a potentially happy future, and that makes them special. He promises he will do everything he can to save them.

Father and daughter get to know each other.

Pete is delighted at how Rose has turned out. They talk in the vestry about the future and time travel, but Rose is strangely vague about what he is like in the future. Jackie comes in with the young Mickey and is jealous again. Pete tries to explain who Rose is, but Rose tells him not to let Jackie know. Jackie leaves with Mickey. Pete asks why Rose stopped him, to which she says Jackie can't even handle figuring out how to use a VCR. Pete explains that he just showed her last week, before getting what Rose means; "point taken" he says matter-of-factually.

In the basilica, the Doctor is looking after the infant Rose. The adult Rose walks up to him and, after a brief spat, the Doctor apologises for snapping earlier; he was not really going to abandon her but confesses that he has no idea what to do and that nothing will stop the creatures forever. He remarks how, when the Time Lords were still around, paradoxes were repairable, but now there is nothing to stop the creatures, who are continuing to sterilise the entire Earth of human life until pockets of survivors in old refuges like the church become all that's left of the human race. Rose is tearful and insists that she never meant any harm. The Doctor's asks her to say sorry and hugs her when he sees the apology is genuine, forgiving her completely. As they do, Rose feels heat coming from the Doctor's jacket. She feels inside, gasping as the TARDIS key flies out, glowing a bright yellow. Picking it up with his jacket, the Doctor realises it is still connected to the TARDIS, sparking hope. He deduces that, although the TARDIS's interior dimensions were thrown out of the wound in time, the ship is still linked to the key meaning he can summon it back.

The Doctor uses a mobile telephone battery in conjunction with the sonic screwdriver to charge up the key. The shadowy shape of the TARDIS begins to materialise slowly around it. He tells everyone not to touch or disturb the process — once the TARDIS has fully materialised, he can try to repair the damage.

Pete has another talk with Rose, asking her whether he was a good father. She tells him that he was always there for them, told her bedtime stories every night and took them on picnics in the country on weekends. Pete realises she's lying; he knows he's the kind of man who will constantly let her down instead of the man who is there for her all the time. The Doctor tells Rose that when time is sorted out again, everyone will forget what has happened, but what Rose changed will remain changed. Pete has realised that he is supposed to be dead and his survival is jeopardising everything. Rose tells Pete that the fault is hers, but Pete replies that he is her father — it is his job for it to be his fault.

Rose holds her younger self.

Jackie overhears Pete, who reluctantly admits to her who Rose is, but Jackie does not believe him. Pete takes the infant Rose from Jackie to get her to compare the features. Before the Doctor can stop him the infant Rose is thrust into the adult Rose's arms, causing a paradox and one of the creatures to materialise within the church. It devours the Doctor, then chases the remaining people around the church until it collides with the still-materialising TARDIS. This causes the creature to disappear, however, the TARDIS is also lost forever. When they meet, they blink out of existence. Rose runs to the key, which is now dead and is left stunned and distraught at the Doctor's death as Pete tries to comfort her. All hope is now lost, and everyone is left waiting in the church for the end to come as the church grows weaker against the creatures.

Pete watches the car repeating its movement around the church through the window. He tells Rose that the Doctor had figured out that Pete's death could stop what is happening and tried everything to avoid putting her through it again, but now there are no more options... to undo the paradox and correct reality, he has to die like he was supposed to. Rose begs him not to sacrifice himself, but he tells Rose that he's happy he had these extra hours with her, and now he's going to do what a father is supposed to do. He shows Rose to Jackie properly and Jackie finally recognises Rose as the grown-up version of her daughter. Pete tells Jackie that she has to live to raise Rose and the three embrace.

Pete grabs the wedding gift and runs out of the church, watching for the car as it materialises in its never-ending loop, and steps in front of it just as a creature starts towards him. As Pete crumples to the street, the creatures screech and vanish.

Rose comforts her father as he dies.

The Doctor, restored to life with everyone else the creatures devoured, tells Rose to go to Pete, and she does so. By the church, the congregation, including Stuart's restored father, rushes out to see the aftermath of the accident. Rose cradles Pete's head and holds his hand as the driver of the car watches on, and Pete smiles up at her as he expires. The Doctor and Rose walk, hand in hand, back to the TARDIS.

In the end, Rose did manage to change history a little. Jackie tells the young Rose that the driver, a young man, stopped and waited for the police. It was not his fault — for some reason, Pete just ran out in front of the car. There was also a young girl there who stayed with Pete when he died and then left. Nobody ever learned her identity.

"Peter Alan Tyler, my dad. The most wonderful man in the world. Died the 7th of November, 1987."

Cast[[edit]]

Uncredited Cast[[edit]]

Matt - Crispin Layfield
Mickey's Mum - Monique Ennis
Vicar - Lee Griffiths
Baby Rose - Abigail and Charlotte Nichols^[1]

Crew[[edit]]

Executive Producers Russell T Davies, Julie Gardner and Mal Young


Written by Paul Cornell	Produced by Phil Collinson	Directed by Joe Ahearne	Director of Photography Ernie Vincze BSC	Production Designer Edward Thomas	Visual Effects The Mill

Make-up Designer Davy Jones	Casting Director Andy Pryor CDG	Music Murray Gold	Costume Designer Lucinda Wright	Edited by Graham Walker
Original theme music by Ron Grainer

General production staff

Script department

Script Editor - Elwen Rowlands

Camera and lighting department

1st Assistant Director - Gareth Williams
2nd Assistant Director - Sean Clayton
3rd Assistant Director - Dan Mumford
Continuity - Pam Humphreys
Camera Operator - Martin Stephens
Focus Puller - Mark Isaac
Grip - John Robinson
Boom Operator - Damian Richardson
Gaffer - Mark Hutchings
Best Boy - Peter Chester

Art department

Costume department

Wardrobe Supervisor - Yolanda Pearl-Smith

Make-up and prosthetics

Movement

Casting

Casting Associate - Kirsty Robertson

General post-production staff

Special and visual effects

Sound


Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

Worldbuilding[[edit]]

Locations[[edit]]

Rose mentions Didcot.
The Doctor parks the TARDIS on Walterley Street.

Individuals[[edit]]

Sarah Clark met Stuart Hoskins in a London nightclub called the Beatbox Club.
Rose compares Pete to Del Boy.
A socialist poster says "No Third Term for Thatcher", a reference to Conservative Prime Minister Margaret Thatcher.
Jackie Tyler can't figure out how to use a VCR.

References from the real world[[edit]]

The songs "Never Gonna Give You Up" by Rick Astley and "Don't Mug Yourself" by the Streets play on Pete's car radio.
"Never Can Say Goodbye" by the Communards is also played.
"The Lamb and Flag", a pub from the sitcom Bottom, is referenced.
Rose calls her dad a "regular Del Boy", a reference to the main character of the popular sitcom Only Fools and Horses. Funnily enough, Shaun Dingwall would later play Del's father Reg Trotter in the prequel series Rock & Chips.

Theories and concepts[[edit]]

The Blinovitch Limitation Effect states that crossing and affecting timestreams can have unforeseen effects.

Bad Wolf arc[[edit]]

An "Energize" poster advertising an upcoming concert on 20 November 1987 has the words "BAD WOLF" written across a smiley face.

Species[[edit]]

The Doctor mentions his own people when warning Rose about the dangers of changing a fixed point in time.

Notes[[edit]]

A working title for this episode was "Wounded Time".
The Reapers are not mentioned by name on screen.
When the episode was in the editing stage, it was decided to apply a whitewash to all shots as it visually looked more creepy and dimmer. When it went to broadcast, many fans and critics were unhappy about it. The original 'whitewashed' episode was released in the vanilla DVD release, but full colour was restored for subsequent DVD and Blu-ray releases.
"Rickrolling", a popular meme in which someone is led to unintentionally witness the song "Never Gonna Give You Up" by Rick Astley in a switch-and-bait, originated a couple of years after the episode's airing.
This is one of few times the actual TARDIS prop is seen for what it is, having the exact same interior walls as exterior walls.
Christopher Eccleston and Billie Piper named this as their favourite episode.
Billie Piper was scared of holding the baby. Because the baby is present throughout the majority of the episode, but the number of hours they could work with the infant was limited, an "artificial baby" was used as a placeholder in some scenes.
Russell T Davies originally intended that the episode be a small budget-saver character piece investigating the death of Rose's father, but Paul Cornell suggested the addition of the Reapers and BBC Head of Drama Jane Tranter encouraged the additions of monsters to the new series.
In the original script, in the scene where the Doctor opens the TARDIS doors and discovers only a police box interior, the police box fell apart. This was changed for reasons of cost, and Paul Cornell has stated that he thinks the change is an improvement.
Simon Pegg was originally cast as Pete Tyler. Because of scheduling conflicts, he chose the role of the Editor in The Long Game.
The Reapers went through many designs. Originally, they were supposed to be "men in cowls" based on the Grim Reaper, while Russell T Davies suggested that they resemble the Gravelings from Dead Like Me; the final design retains some of this image with its "scythe-like tail". At one point, they were mouths with tentacles. The original design was deemed too similar to creatures seen in The End of the World, and so were reworked into something more "otherworldly". They were not originally intended to fly. There was also discussion of how much they should resemble animals as opposed to the Grim Reaper; the end result is a mixture of the two approaches. The final design had a "shark quality", bat wings, and a mouth influenced by the praying mantis. Vulture sound effects were used for its screech.
One scene excised from the script would have featured younger versions of Jackie's Chinese neighbours, Bau and Ru, who had appeared in Aliens of London.
Originally, Pete was to take a swig of wine before sacrificing himself, but this was removed because a correlation between alcohol and bravery was not thought to be a positive message. However, in the wide shot, Pete can be seen in the background talking to someone and taking a drink immediately before he moves into the foreground to talk to Rose.
Russell T Davies and Paul Cornell debated whether it should have been Rose's plan all along to save her father; this is left ambiguous in the episode. Billie Piper felt that it did not occur to Rose until after she began travelling.
Paul Cornell stated that Pete Tyler is based on his own father, who attempted many different jobs and schemes (including, like Pete, selling health drinks) before eventually finding success running a betting shop. Pete's line "I'm your dad, it's my job for it to be my fault" is taken from something Cornell's father once said to him.
The weather changed frequently during filming, and the cast began to fall ill; Christopher Eccleston had a cold.
The set of the Tylers' flat was redressed for the time period.
For the 1980s style, members of the cast and crew brought in photographs of themselves from the 80s; for example, peach dresses and "big hair" were incorporated, but these elements were not meant to be distracting.
Camille Coduri wore a wig for this episode.
Some of the conversation between Rose and her father in the car was cut because the car had made the dialogue delivery too "bouncy".
The special effects team had two or three weeks to complete the "40-odd shots" of the completely CGI Reapers in the episode. The episode ended up being more expensive than intended because of the CGI.
When time is damaged, one of the effects is that mobile telephones all begin to repeat the message, "Watson, come here, I need you," purportedly Alexander Graham Bell's first words ever spoken over a telephone. However, historical records indicate the words to be "Watson, come here, I want you." The error was not present in the original script, but crept in at some point during production. Phil Collinson speculated that it was because the line was rerecorded: it was originally recorded by someone who the production team felt put on too false a Scottish accent, and so it was rerecorded by a real Scot.
Christopher Eccleston's father was undergoing surgery at the time of filming, with the actor travelling back and forth between the set and hospital. An alternative version in case Eccleston had to take time off would have seen the Doctor taken out of the action much sooner, communicating with Rose as a disembodied voice.
Russell T Davies' original idea was that Rose would repeatedly observing her Pete's death in 1987 while the Doctor, in 2005, heard the chronicle of the man's life from Jackie. Afraid that viewers would become numb to watching the father die again and again, Paul Cornell persuaded Davies that they should invert the plot by having Rose save her dad, creating a crisis in time.
Since this was intended to be the eighth episode, there was some discussion about keeping the Doctor out of the script altogether. This would provide Christopher Eccleston with a break approximately halfway through the production schedule, although the notion was not pursued.
In the original script, Pete died in 1987 after being struck by a lorry in the process of saving five-year-old Rose when she stepped off the pavement. The adult Rose saved her younger self instead, triggering the Blinovitch Limitation Effect. The Doctor, Rose and Pete retreated to a nearby pub, where time was splintering. The building started displaying the architectures of different eras, while people from throughout history appeared. Warriors from the army of Boadicea attacked, while the Reavers starting eliminating the patrons. When the Reavers created a duplicate of Pete, the Doctor lured it in front of the lorry, restoring the timeline. But although the real Pete survived, Rose discovered that, in the revised history, he had divorced her mother when she was a teenager, and was no longer a heroic figure in her childhood. In a later draft, Rose's presence at Pete's traffic accident was dropped and Boadicea's warriors were replaced with Neanderthals.
A later draft had scenes at the house of Sonny Kay (who was originally Sarah's father). This changed to a house belonging to a woman named Ellie Pritchard. Russell T Davies felt that the settings were too limited and suggested a church.
At one point, the Reapers were named Vanishers, then Loken.
Sarah Clarke was originally named Kay.
At one point, Rose was a toddler in 1987.
Paul Cornell tried to retain more of the temporal havoc of his original storyline. Stuart underwent rapid aging, becoming an old man, while Sarah's unborn child suddenly appeared as a teenaged girl, first called Julia and then Jessica. The weird phenomena prompted Sonny to try to sacrifice Sarah to the Reapers, only to fall victim to them himself. The TARDIS was initially made inaccessible behind a time barrier. Later drafts had it collapse in on itself, before Cornell adopted the simpler approach of its transformation into an ordinary police box.
The Reapers provoked considerable disagreement amongst the production team, with some discussion about realising them practically rather than as computer animation. It was finally agreed to present the Reapers as flying animals, although their tails were made scythe-shaped to maintain an allusion to the Grim Reaper.

Ratings[[edit]]

8.06 million viewers (UK final)^[2]

Filming locations[[edit]]

St Paul's Church in Grangetown, Cardiff. (For St Christopher's)
The boardroom of the HTV Wales building in Culvershouse Cross. (For the Registry Office)
Hoel Trelai and Hoel Pennar in Ely, Loudoun Square in Butetown, Cardiff and Llanmales Street, Grangetown. (The street scenes)
Grange Gardens in Grangetown. (Playground scenes)

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

Production errors[[edit]]

During Pete's death, his eyelids briefly flicker slightly despite the fact that, at this point, he has already died.
When Rose kneels next to the dying Pete, the driver of the car who hit him disappears.
After the reapers appear, one attacks a bridesmaid. Although we don't fully see her, we can tell it is a bridesmaid because of her white dress. When she is attacked, her scream isn't that of a woman - but that of a man. (This error occurred during editing. As the actress' scream didn't sound good when the scene was shot, it was dubbed in, mistakenly with a man's scream.)
After the Doctor and Rose argue in the flat, he starts to leave. She runs out into the hall and blocks his exit while she speaks. The Doctor then walks past her on her right. The camera angle reverses to follow him and suddenly he's walking past her on the other side.
When the reaper devours the Doctor, the materialising TARDIS is absent in the background when it should be clearly visible in the shot.
When everyone runs into the church, Jackie picks up what is obviously an empty baby carrier, as it swings back, showing no baby inside it. (Someone else could be carrying Baby Rose.)

Continuity[[edit]]

Rose later mentions meeting her dad to her mother. (TV: The Parting of the Ways)
The Doctor references Rose at first declining to join him until he told her the TARDIS was a time machine. (TV: Rose) He also uses the phrase "stupid ape" to describe humans once again.
The Doctor is quickly convinced that Rose has been travelling with him to get something out of it, and makes to leave her behind in the past as punishment. His scepticism of her intentions is somewhat justified; his most recent companion, Adam Mitchell, tried to send himself information from the future, (TV: The Long Game) after the Doctor trusted him enough to invite him on as a full companion (AUDIO: The Other Side) despite having reservations of doing so. (TV: Dalek) He soon realises how wrong he was and genuinely regrets it; as his sixth incarnation did when he realised how wrong about Lytton he was, (TV: Attack of the Cybermen) and his eleventh would feel regret how wrong he was about Octavion. (TV: Flesh and Stone)
The Doctor refers to the fact that his entire race, planet, and family, are gone (TV: The End of the World) and is unable to travel back in time to save them, alluding to the time locked nature of the Last Great Time War. (TV: The Stolen Earth)
Pete is astonished by Rose's "Superphone", which picks up recordings of Alexander Graham Bell's telephone call when she checks her messages. The Doctor previously modified it for her so it could work anywhere in time and space. (TV: The End of the World, World War Three, Dalek, The Long Game).
The theory of time trying to fix the deaths of people (who were supposed to die) was introduced in PROSE: GodEngine.
The Doctor's insistence that adult Rose does not physically touch the infant Rose is consistent with the Blinovitch Limitation Effect; the 1977 and 1983 versions of Brigadier Lethbridge-Stewart did just that, resulting in a cataclysmic release of energy. (TV: Mawdryn Undead)
Even though the Doctor has met his different incarnations many times, this is only the second time that the Doctor has met a second version of his current incarnation. This previously happened to the Third Doctor. (TV: Day of the Daleks) The Eleventh Doctor would later meet a second version of himself several times. (TV: The Big Bang, Space/Time, Last Night)
The TARDIS interior had previously reverted to a regular police box in AUDIO: The Eternal Summer.
Rose shows frustration at "everyone" mistaking her and the Doctor for a couple. (TV: The End of the World, Aliens of London, Dalek)
St Christopher's Parish Church shared its name with a church introduced in PROSE: Timewyrm: Revelation ^[+]Loading...["Timewyrm: Revelation (novel)"], also by Paul Cornell.

Home video releases[[edit]]

Series 1 Volume 3 DVD Cover

This story was released on a vanilla DVD with The Long Game, The Empty Child and The Doctor Dances.
It was also released as part of the series 1 DVD box set.
This story was also released with Issue 4 of the Doctor Who DVD Files.
This episode and The Empty Child two parter were the focus of the Series 1 Volume 3 front cover.

External links[[edit]]

Footnotes[[edit]]

↑ REF: TCH 49, p. 167
↑ Doctor Who - consolidated ratings

[1] REF: TCH 49, p. 167

[2] Doctor Who - consolidated ratings

[1]

[2]

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Contents

Synopsis[[edit]]

Plot[[edit]]

Cast[[edit]]

Uncredited Cast[[edit]]

Crew[[edit]]

Worldbuilding[[edit]]

Locations[[edit]]

Individuals[[edit]]

References from the real world[[edit]]

Theories and concepts[[edit]]

Bad Wolf arc[[edit]]

Species[[edit]]

Notes[[edit]]

Ratings[[edit]]

Filming locations[[edit]]

Production errors[[edit]]

Continuity[[edit]]

Home video releases[[edit]]

External links[[edit]]

Footnotes[[edit]]

Navigation

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Community

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@@ Line 1: / Line 1: @@
-{{Infobox TV|
+{{title dab away}}
-story name=Father's Day|
+{{real world}}
-image= [[Image:Reaper_Fathers_Day.png|250px]] |
+{{ImageLinkTV}}
-series=[[Doctor Who]] -<br/>[[TV stories|TV Stories]] |
+{{Infobox Story SMW
-number= 27 |
+|image          = Rose and dad.jpg
-doctor=[[Ninth Doctor]] |
+|series         = [[Doctor Who television stories|''Doctor Who'' television stories]]
-companions= [[Rose Tyler]] |
+|season number  = Series 1 (Doctor Who 2005)
-enemy= [[Reapers]] |
+|series episode number = 8
-year= [[7th November]] [[1987]], [[Earth]] |
+|story number   = 163
-writer= [[Paul Cornell]] |
+|script         = The Shooting Scripts
-director= [[Joe Ahearne]] |
+|scripturl      = https://www.bbc.co.uk/writersroom/documents/doctor-who-s1-ep8-fathers-day-paul-cornell.pdf
-producer= [[Phil Collinson]] |
+|doctor         = Ninth Doctor
-broadcast date= [[14th May]] [[2005]] |
+|companions     = [[Rose Tyler|Rose]]
-format= 1 45-minute episodes |
+|featuring      = Pete Tyler
-production code= [[168]] |
+|featuring2     = Jackie Tyler
-next story= [[The Empty Child]] |
+|featuring3     = Mickey Smith
-previous story=[[The Long Game]] | }}
+|enemy          = [[Reaper]]s
+|setting        = [[St Christopher's Parish Church]], [[London]], [[7 November]] [[1987]]
+|writer         = Paul Cornell
+|director       = [[Joe Ahearne]]
+|producer       = [[Phil Collinson]]
+|broadcast date = 14 May 2005
+|network        = BBC One
+|format         = 1x45 minute episode
+|confidential   = Time Trouble (CON episode)
+|production code = 1.8
+|prev           = The Long Game (TV story)
+|next           = The Empty Child (TV story)
+|made prev      = Dalek (TV story)
+|made next      = The Long Game (TV story)
+|clip           = A wound in time - Dr Who - BBC sci-fi
+|clip2          = Rose Creates a Paradox! (HD) Father's Day Doctor Who
+|clip3          = Pete Tyler Saves The Day - Father's Day - Doctor Who - BBC
+|bts            = Rose's mum- Dr Who Confidential - BBC sci-fi
+}}
+'''''Father's Day''''' was the eighth episode of [[Series 1 (Doctor Who 2005)|series one]] of ''[[Doctor Who (TV series)|Doctor Who]]''.
-''"Time's been damaged, and they've come to sterilise the wound... by consuming everything in sight."''
+It introduced [[Rose Tyler|Rose]]'s father, [[Pete Tyler|Pete]], and established much of the back story for the Tyler family that would be used in future stories.
-==Synopsis==
+Furthermore, this story hugely contributed to one of the show's most omnipresent topics: the consequences of time travel, specifically meddling with [[Fixed point in time|fixed points]] in history. This story demonstrated one of the consequences of preventing or delaying a fixed occurrence in someone's timeline, through [[death]]. It also introduced the idea that one's actions also counted as fixed events and therefore could not be undone. The latter contribution did away with the question of why the Doctor does not repair his mistakes.
-Rose reminisces about her father, Peter Alan Tyler, whom she describes as "the most wonderful man in the world". When Rose is a little girl, her mother [[Jackie Tyler|Jackie]] tells her about how Pete died on [[November 7]] [[1987]], the day of Stuart Hoskins and Sarah Clarke's [[wedding]] and how she wishes Rose could have known her father. Jackie tells the young Rose that nobody was there for Pete when he died and that the hit-and-run driver was never found...
-==Plot==
+The Doctor explains that he and Rose could only go back to Pete's death twice; to avoid a temporal paradox by there being too many of them in one location. His [[Tenth Doctor|successor incarnation]] later reinforced this idea when he disabled [[Jack Harkness|Captain Jack]]'s [[Jack Harkness' vortex manipulator|vortex manipulator]], stating he could go anywhere in time twice - "second time to apologise".
-In the [[TARDIS]], Rose hesitantly asks the [[Doctor (Doctor Who)|Doctor]] if they can go back to the day her father died so that she can be there for him when he does. The Doctor says that he can do this, but he is more concerned if Rose can handle it emotionally. He tells her to be careful what she wishes for. In another flashback, we see that the Doctor and Rose have already witnessed Jackie and Pete's wedding.
-The TARDIS materialises in 1987 on the street where Pete died. They stand on the pavement, Rose describing what happened as they watch it. Pete was late getting the wedding gift, and when he stepped out of his car to cross the road, an oncoming car ran into him, killing him almost instantly. When this happens, the Doctor tells Rose to go to Pete, but she is unable to go to her father's fallen body. By the time she recovers, the ambulance has arrived and he is already dead. She asks the Doctor if she can try again, and while the Doctor looks doubtful, he agrees.
+Later stories elaborated on how fixed points in time worked. ''[[The Fires of Pompeii (TV story)|The Fires of Pompeii]]'' showed how a fixed point involves a natural disaster, instead of specific individuals, and the ability to rescue some people with no consequence. Further, ''[[The Wedding of River Song (TV story)|The Wedding of River Song]]'' revealed that creating a fixed point at a [[Still points in time|still point in time]], the event in question can be circumvented; however, if broken, it [[River Song's World|causes all of time to happen at once]], making society collapse.
-Travelling back to the same moment, they wait around the corner from their earlier selves. The Doctor warns Rose to wait until her earlier self has left before going to see her father, or else it will create a [[physical paradox|paradox]]. However, as Pete steps out of his car and the other car comes hurtling around the corner, Rose pulls away from the Doctor, passing their startled earlier selves and knocking Pete out of the way. The earlier Doctor and Rose vanish, and while Rose is overjoyed at having actually succeeded in saving her father, the Doctor looks on aghast. Rose introduces herself to Pete, who remarks on the coincidence of her name with his daughter's. When Rose says she is attending the Hoskins-Clarke wedding, Pete offers her and the Doctor a lift, while, above the city, [[Extraterrestrial life in culture|alien]] eyes scan the area hungrily.
+From a production standpoint, it was significant for being [[writer]] [[Paul Cornell]]'s first contribution to televised ''Doctor Who''.
-At Pete's flat, Rose looks around and remarks on all the various bits and pieces of entrepreneurship that her father was involved in, including health drinks and [[solar power]] panels, which he will now have the opportunity to do. The Doctor is angry with Rose, implying that she had planned this from the moment she heard that the TARDIS was a time machine. Rose says there was no plan, that she just saw a chance to stop it and did so, and questions why it is all right for the Doctor to save people but not for her to save her father. The Doctor calls her a selfish, "stupid ape" and says that he knows what he is doing while she does not; the presence of two sets of them made that location a vulnerable point. His whole world was destroyed — did she not think it had occurred to him to try to change history if he had been able to do so? Rose protests that she did not change history, because Pete was nothing special. The Doctor counters that there is a man alive now who is supposed to be dead: the world is different because of that. The argument grows more heated, and the Doctor demands the TARDIS key back, leaving in a huff. Pete looks out of the kitchen at this point, thinking it was a lover's quarrel. Rose denies that she and the Doctor are a couple, and — following a moment of panic on Rose's part when Pete appears to gently flirt with her — the two go to the wedding.
+== Synopsis ==
+[[Pete Tyler|Pete Alan Tyler]], the father of [[Rose Tyler|Rose]] and husband of [[Jackie Tyler|Jackie]], died on [[7 November]] [[1987]], the day of [[Stuart Hoskins]] and [[Sarah Clark]]'s [[wedding]]. Rose was just a baby at the time, Jackie told the young Rose that nobody was there for Pete when he died and that the hit-and-run driver was never found...
-As the Doctor walks back to the TARDIS, he is unaware that around the neighbourhood, things are swooping down from the skies and consuming people. He does, however, sense that something is wrong. When he gets back to the TARDIS and unlocks it with his key, he is startled to find out that it is just an empty box. He runs back to try and find Rose. In the meantime, Rose and Pete are driving to the [[church]], and Rose is puzzled when [[anachronism|anachronistic]] [[Hip hop music|hip-hop]] music from [[The Streets]] starts playing over the car radio, and her [[List of Doctor Who items#S|mobile phone]] voice mail is filled with copies of the same message, "Watson, come here, I need you," the very first thing said over a telephone by [[Alexander Graham Bell]]. They are almost at the church when a car nearly collides with their vehicle and then abruptly vanishes, a car Pete recognises as the same car that almost ran him down earlier. As their car runs off the road, Rose reflexively calls Pete "Dad", but brushes it off when Pete asks her what she meant by that.
+Now grown up, Rose asks the [[Ninth Doctor]] to take her to see him alive, but on a whim, ends up changing his fate, not realising the consequences of such a [[paradox]]. After all, the Doctor has saved so many lives...what could the real consequences be over a man alive in the world who wasn't alive before?
-At the church they meet Jackie, who is carrying an infant Rose. Jackie eyes the adult Rose suspiciously, thinking that she is another one of Pete's affairs. Jackie and Pete get into a shouting match, Jackie accusing Pete of being a failure with all of his business schemes that never succeed, and threatens to divorce him. Rose is upset when she realises that her parents' marriage was not the idyllic one she believed it to be. As Jackie and Pete make up slightly, her anxiety fades. However, it is at this moment that a young [[Mickey Smith|Mickey]] — who has witnessed all the children in a local play park disappear — runs around the corner, yelling about monsters. The Doctor runs towards Rose from the opposite end of the street, shouting for her to get in the church. Rose looks up and screams as she sees gigantic winged reptiles with multiple arms materialise in the sky above.
+== Plot ==
+"''Peter Alan Tyler, my dad. The most wonderful man in the world. Born [[15 September|15th September]] [[1954]]."''
-The creatures swoop downwards, killing the [[vicar]] and the groom's father before the Doctor manages to usher the rest of them into the church. He says that the walls of the church are old and will stop the creatures for a while. When Jackie demands to know what is going on, the Doctor explains that there has been a wound in time and the creatures are like bacteria taking advantage of it, to sterilise the wound by consuming everything in sight. With great satisfaction, the Doctor orders Jackie to do as he says and make sure all the doors and windows are secure. Rose asks if this is her fault, and the Doctor does not answer. Pete overhears this and looks concerned.
+When [[Rose Tyler|Rose]] was growing up, [[Jackie Tyler|her mother]] would tell her about [[Pete Tyler]], her father who was killed by a hit-and-run driver when she was only a baby. The driver was never found, and Pete died on the street alone before the ambulance could arrive.
-The Doctor looks out the back window of the church, and sees the car that was supposed to run Pete down appearing and disappearing as it circles the church, the driver repeating the actions he never got to complete. Pete notices the car, and the Doctor tells him quickly not to worry about it. Pete goes to talk to Rose, and wonders aloud why he instinctively seems to trust her. He remembers she called him "Dad" and when he looks at her, he observes that she has his eyes and Jackie's attitude. Pete deduces that Rose is really his daughter, all grown up. They tearfully embrace as the creatures continue to batter against the church doors, trying to get in.
+In [[the Doctor's TARDIS|the TARDIS]], [[Rose Tyler|Rose]] hesitantly asks the Doctor if they can go to see her father, Pete before he died. The Doctor says that he can do this, as "your wish is my command", but he is concerned Rose may not be able to handle it emotionally. He tells her to be careful what she wishes for. He takes her to Jackie and Pete's wedding, where they witness Pete get Jackie's middle names wrong during the vows much to her irritation. Back in the TARDIS, Rose then asks the Doctor for her to be there for him on the day he died, as she doesn't want him to have to die alone.
-The Doctor, meanwhile, is ensuring that the doors and windows are sealed when he is cornered by Stuart Hoskins and Sarah Clarke. They recognise that he is the only person in the church who appears to know what is going on and nervously enquire whether he can save them. Sarah (who is obviously [[pregnancy|pregnant]]) insists that they are nothing important, but the Doctor begs to differ once he hears the story of how they met. He has never had the lives these two people have; they are two ordinary people with a potentially happy future, and that makes them special. He promises he will do everything he can to save them.
+The TARDIS [[materialise]]s in [[1987]] on [[Jordan Road|the road]] where Pete died. They stand on the pavement, Rose describing to the Doctor what happened as they watch it. Pete is late getting a wedding gift for [[Stuart Hoskins]] and [[Sarah Clark]], and when he steps out of his car to cross the street, an oncoming car comes around the corner and runs into him, killing him almost instantly. When this happens, the Doctor tells Rose to go to Pete, but she is unable to approach her father's fallen body. By the time she recovers, the ambulance has arrived and he is already been pronounced dead. She asks the Doctor if she can try again, and while he looks doubtful, he agrees.
-Pete is delighted at how Rose has turned out. The two have a conversation in the vestry about the future and time travel, but Pete is worried when Rose is strangely vague about what he is like in the future. Jackie comes in with the young Mickey, and is jealous again when she thinks Pete is flirting with Rose. Pete tries to explain who Rose is, but Rose tells him not to let Jackie know. In the main hall of the church, the Doctor is looking after the infant Rose. The adult Rose shows up and is about to touch her infant self when the Doctor pushes her away, telling her that any new paradox would allow the creatures access. When Rose tells him she is not stupid, the Doctor apologises for snapping. He was not really going to abandon her, but confesses that he has no idea what to do. When the [[Time Lord]]s were still around, paradoxes like this could be repaired but now this church and places like it are probably the only places in the world where people are still alive, the creatures having eaten everyone else. Rose sincerely tells the Doctor she is sorry and the Doctor smiles, hugging her. In the midst of the hug, Rose feels the TARDIS key glowing hot in the Doctor's pocket. The Doctor realises that this means that although the TARDIS's interior dimensions were thrown out of the wound in time, the ship is still linked to the key and he can summon it back.
+Travelling back to the same moment, they wait around the corner from their earlier selves. The Doctor warns Rose to wait until her earlier self has left before going to see her father, and that it's the last time they can be here, lest it create a [[temporal paradox|paradox]]. However, as Pete steps out of his car and the other car comes hurtling around the corner, Rose pulls away from the Doctor, passing their startled earlier selves and tackles Pete out of the way. The earlier Doctor and Rose vanish, and while Rose is overjoyed at having actually succeeded in saving her father, the Doctor looks on in fury. Rose introduces herself to Pete, who remarks on the coincidence of her name being the same as his daughter's. When Rose says she is attending the Hoskins-Clark wedding, Pete offers her and the Doctor a lift. Above the city, [[Reaper|unseen creatures]] scan the area hungrily with alien eyes.
-The Doctor uses a mobile telephone battery in conjunction with the [[sonic screwdriver]] to charge up the key, and the shadowy shape of the TARDIS begins to materialise slowly around it. While this is still going on, he tells everyone not to touch or disturb the process — once the TARDIS has fully materialised, he can try to repair the damage.
+At Pete's flat, Rose looks around and babbles cheerfully on all the various bits and pieces of entrepreneurship that her father is involved in, including health drinks and [[solar power]] panels, which he will now have the opportunity to exploit. She notices that the Doctor is utterly silent, a coldly furious expression fixed on his face. He angrily accuses her of planning this from the moment she heard that the TARDIS was a time machine and that like Adam, she's just another person interested in what the universe can do for them. Rose insists there was no plan, that she just saw a chance to stop it and did so, and questions why it is all right for the Doctor to save people but not for her to save her father. He explains that he knows what he is doing while she does not; the presence of two sets of them made that location a vulnerable point. They argue, more and more heatedly, Rose claiming that the Doctor isn't the most important person in her life, the Doctor responds by demanding the TARDIS key back and leaves, telling her she's getting left behind. Rose hands over the key but tells the Doctor she knows he'll never leave without her. Pete looks out of the kitchen at this point, thinking it a lover's quarrel. Pete and she go to the wedding. At the wedding, the church is only a quarter full as Stuart Hoskin's dad tries to persuade him not to go through with it. Outside, Sarah arrives with Jackie and baby Rose, but is asked to drive around the block due to all the people who haven't turned up.
-Pete has another talk with Rose, asking her whether he was a good father. Rose lies, saying that Pete was always there for them, told her bedtime stories every night and took them on picnics in the country on weekends. Pete knows that he is not that kind of man, and begins to understand why Rose travelled back in time. The Doctor tells Rose that when time is sorted out again, everyone will forget what has happened, but what Rose changed will remain changed. Pete, by now, has realised that he is supposed to be dead and his survival is jeopardising everything. Rose tells Pete that the fault is hers, but Pete replies that he is her father — it is his job for it to be his fault.
+[[File:Empty tardis.jpg|thumb|The Doctor finds his TARDIS missing its interior.]]
+Across the city, the unseen alien creatures are seen from their vision to be stalking and attacking several people. As the Doctor walks back to the TARDIS, he senses that something is wrong. When he gets back to the TARDIS and unlocks it with his key, he just finds an empty box.
-Jackie overhears Pete, and demands to know how Pete can be the adult Rose's father. Pete tells her who Rose is, but Jackie does not believe him. Pete takes the infant Rose from Jackie to get her to compare the features. Before the Doctor can stop Pete, the infant Rose is thrust into the adult Rose's arms, causing a paradox, which allows one of the creatures to materialise within the church. The Doctor rushes forward, pushing the others behind him, saying that he is the oldest thing in the room. The creature swoops down and devours him instead. It then flies towards the still-materialising TARDIS, and when they meet, the two blink out of existence. Rose picks up the now cold TARDIS key and concludes that the Doctor is dead.
+In the meantime, Rose and Pete are driving to the [[church]]. Rose is puzzled when "[[Don't Mug Yourself]]", a piece of hip-hop music from the [[21st century]], plays [[anachronism|anachronistically]] over the car [[radio]], and her [[mobile phone]] voice mail is filled with copies of the message, "[[Thomas Watson|Watson]], come here, I need you," the very first thing said over a telephone by [[Alexander Graham Bell]]. They are almost at the church when a car nearly collides with them and abruptly vanishes, a car Pete recognises as the same car that almost ran him down earlier. As their car runs off the road, Rose reflexively calls Pete "Dad" but brushes it off when Pete asks her what she meant by that.
-Pete watches the car repeating its movement around the church through the window and knows what he must do. The Doctor had tried to spare him this, but with the Doctor gone, there is no longer any option. He tells Rose that he had these extra hours with her, and now he's going to do what a father is supposed to do to -- sacrifice himself for his child. He shows Rose to Jackie properly and Jackie finally recognises Rose as the grown up version of her daughter. Pete tells Jackie that she has to live to raise Rose, and the three embrace each other good-bye.
+At the church they meet Jackie, carrying the younger Rose. Jackie eyes the adult Rose suspiciously. Jackie and Pete get into a shouting match, and Rose realises that their marriage was far from perfect; it emerges that he's cheated on her in the past, and she is despairing of his constantly failing get-rich-quick schemes... it seems the two are well on the way to divorce. It is at this moment that a young [[Mickey Smith|Mickey]] — who has witnessed all the children and [[Mickey Smith's mother|his own mother]] in a local playground disappear — runs around the corner, yelling about monsters. The Doctor runs towards Rose from the opposite end of the street, shouting for her to get inside the church. Rose looks up and screams as she sees the creatures materialise in the sky above as winged reptilian monsters with multiple arms.
-Pete grabs the wedding gift and runs out of the church, watching for the car as it materialises in its never-ending loop and when it does, steps in front of it. As Pete crumples to the street, the creatures screech and vanish...
+[[File:800px-Fathersdaywho-1.jpg|thumb|left|Rose sees the consequences of her actions.]]
+The creatures swoop down, devouring the vicar and Stuart's father before the Doctor ushers the rest into the church; the walls of the church are old and will stop the creatures for a while. When Jackie demands to know what is going on, he explains that there has been a wound in time and the creatures are like bacteria taking advantage of it, to sterilise the wound by consuming everything in sight. With great satisfaction, the Doctor orders Jackie to do as he says and make sure all the doors and windows are secure. Rose asks if this is her fault, and the Doctor does not answer. Pete overhears this.
-By the church, the congregation, including Stuart's father, rushes out to see the aftermath of the accident. The Doctor, restored to life, tells Rose to go to Pete, and she does so. Rose cradles Pete's head and holds his hand as the driver of the car watches on, and Pete smiles up at her as he expires. The Doctor and Rose then walk, hand in hand, back to the TARDIS. Time has returned to normal, with only a few minor adjustments.
+Outside, the creatures continue to devour every human they come across, and Pete notes that the lack of other activity outside indicates that the creatures are probably everywhere. The Doctor looks out the back window of the church and sees the hit-and-run driver's car appearing and disappearing as it circles the church, the driver stuck in a continuous loop repeating the actions he never got to complete. Pete notices the car. The Doctor tells him quickly not to worry about it. Pete talks to Rose, and wonders aloud why he instinctively seems to trust her. He remembers she called him "Dad" and [[deduce]]s she is really his daughter, all grown up. They tearfully embrace as the creatures continue to batter against the church doors, trying to get in.
-:'' Jackie tells the young Rose that the driver, a young man, stopped and waited for the police. It was not his fault — for some reason Pete just ran out in front of the car. There was also a young girl there with him who stayed with him when he died, and then left. Nobody found out who she had been, leaving Rose to eulogise about Pete Tyler, her father... the most wonderful man in the world.''
+The Doctor is ensuring that the church doors and windows are sealed when he is cornered by Stuart and Sarah. They recognise that he is the only person in the church who knows what is going on and nervously enquire whether he can save them. Sarah, who is obviously [[pregnancy|pregnant]], insists that they are nothing important, but the Doctor begs to differ once he hears the story of how they met. He has never had the lives these two people have; they are two ordinary people with a potentially happy future, and that makes them special. He promises he will do everything he can to save them.
+[[File:Pete gets to know rose.jpg|thumb|Father and daughter get to know each other.]]
+Pete is delighted at how Rose has turned out. They talk in the vestry about the future and time travel, but Rose is strangely vague about what he is like in the future. Jackie comes in with the young Mickey and is jealous again. Pete tries to explain who Rose is, but Rose tells him not to let Jackie know. Jackie leaves with Mickey. Pete asks why Rose stopped him, to which she says Jackie can't even handle figuring out how to use a [[VCR]]. Pete explains that he just showed her last week, before getting what Rose means; "point taken" he says matter-of-factually.
+In the basilica, the Doctor is looking after the infant Rose. The adult Rose walks up to him and, after a brief spat, the Doctor apologises for snapping earlier; he was not really going to abandon her but confesses that he has no idea what to do and that nothing will stop the creatures forever. He remarks how, when the [[Time Lord]]s were still around, paradoxes were repairable, but now there is nothing to stop the creatures, who are continuing to sterilise the entire [[Earth]] of human life until pockets of survivors in old refuges like the church become all that's left of the human race. Rose is tearful and insists that she never meant any harm. The Doctor's asks her to say sorry and hugs her when he sees the apology is genuine, forgiving her completely. As they do, Rose feels heat coming from the Doctor's jacket. She feels inside, gasping as the TARDIS key flies out, glowing a bright yellow. Picking it up with his jacket, the Doctor realises it is still connected to the TARDIS, sparking hope. He deduces that, although the TARDIS's interior dimensions were thrown out of the wound in time, the ship is still linked to the key meaning he can summon it back.
+The Doctor uses a mobile telephone battery in conjunction with the [[The Doctor's sonic screwdriver|sonic screwdriver]] to charge up the key. The shadowy shape of the TARDIS begins to materialise slowly around it. He tells everyone not to touch or disturb the process — once the TARDIS has fully materialised, he can try to repair the damage.
+Pete has another talk with Rose, asking her whether he was a good father. She tells him that he was always there for them, told her bedtime stories every night and took them on picnics in the country on weekends. Pete realises she's lying; he knows he's the kind of man who will constantly let her down instead of the man who is there for her all the time. The Doctor tells Rose that when time is sorted out again, everyone will forget what has happened, but what Rose changed will remain changed. Pete has realised that he is supposed to be dead and his survival is jeopardising everything. Rose tells Pete that the fault is hers, but Pete replies that he is her father — it is his job for it to be his fault.
+[[File:Rose meets Rose.jpg|thumb|left|Rose holds her younger self.]]
+Jackie overhears Pete, who reluctantly admits to her who Rose is, but Jackie does not believe him. Pete takes the infant Rose from Jackie to get her to compare the features. Before the Doctor can stop him the infant Rose is thrust into the adult Rose's arms, causing a paradox and one of the creatures to materialise within the church. It devours the Doctor, then chases the remaining people around the church until it collides with the still-materialising TARDIS. This causes the creature to disappear, however, the TARDIS is also lost forever. When they meet, they blink out of existence. Rose runs to the key, which is now dead and is left stunned and distraught at the Doctor's death as Pete tries to comfort her. All hope is now lost, and everyone is left waiting in the church for the end to come as the church grows weaker against the creatures.
+Pete watches the car repeating its movement around the church through the window. He tells Rose that the Doctor had figured out that Pete's death could stop what is happening and tried everything to avoid putting her through it again, but now there are no more options... to undo the paradox and correct reality, he has to die like he was supposed to. Rose begs him not to sacrifice himself, but he tells Rose that he's happy he had these extra hours with her, and now he's going to do what a father is supposed to do. He shows Rose to Jackie properly and Jackie finally recognises Rose as the grown-up version of her daughter. Pete tells Jackie that she has to live to raise Rose and the three embrace.
+Pete grabs the wedding gift and runs out of the church, watching for the car as it materialises in its never-ending loop, and steps in front of it just as a creature starts towards him. As Pete crumples to the street, the creatures screech and vanish.
+[[File:Pete time.jpg|thumb|Rose comforts her father as he dies.]]
+The Doctor, restored to life with everyone else the creatures devoured, tells Rose to go to Pete, and she does so. By the church, the congregation, including Stuart's restored father, rushes out to see the aftermath of the accident. Rose cradles Pete's head and holds his hand as the driver of the car watches on, and Pete smiles up at her as he expires. The Doctor and Rose walk, hand in hand, back to the TARDIS.
+In the end, Rose did manage to [[Alternate timeline (Father's Day)|change history]] a little. Jackie tells the young Rose that [[Matt (Father's Day)|the driver]], a young man, stopped and waited for the police. It was not his fault — for some reason, Pete just ran out in front of the car. There was also a young girl there who stayed with Pete when he died and then left. Nobody ever learned her identity.
+''"Peter Alan Tyler, my dad. The most wonderful man in the world. Died the 7th of November, 1987."''
 == Cast ==
-*[[Ninth Doctor|The Doctor]] - [[Christopher Eccleston]]
+* [[Ninth Doctor|Doctor Who]] - [[Christopher Eccleston]]
-*[[Rose Tyler]] - [[Billie Piper]]
+* [[Rose Tyler]] - [[Billie Piper]]
-*[[Jackie Tyler]] - [[Camille Coduri]]
+* [[Jackie Tyler]] - [[Camille Coduri]]
-*[[Pete Tyler|Peter Alan 'Pete' Tyler]] - [[Shaun Dingwall]]
+* [[Pete Tyler]] - [[Shaun Dingwall]]
-*[[Registrar]] - [[Robert Barton]]
+* [[Registrar (Father's Day)|Registrar]] - [[Robert Barton]]
-*[[Rose Tyler|Young Rose Tyler]] - [[Julia Joyce]]
+* [[Rose Tyler|Young Rose]] - [[Julia Joyce]]
-*[[Stuart Hoskins]] - [[Christopher Llewellyn]]
+* [[Stuart Hoskins|Stuart]] - [[Christopher Llewellyn]]
-*[[Sonny]] - [[Frank Rozelaar-Green]]
+* [[Sonny Hoskins|Sonny]] - [[Frank Rozelaar-Green]]
-*[[Sarah]] - [[Natalie Jones]]
+* [[Sarah Clark|Sarah]] - [[Natalie Jones]]
-*[[Bev]] - [[Eirlys Bellin]]
+* [[Bev (Father's Day)|Bev]] - [[Eirlys Bellin]]
-*[[Suzie]] - [[Rhian James]]
+* [[Suzie (Father's Day)|Suzie]] - [[Rhian James]]
-*[[Mickey Smith|Young Mickey Smith]] - [[Casey Dyer]]
+* [[Mickey Smith|Young Mickey]] - [[Casey Dyer]]
-==Crew==
-*[[Writer]] - [[Paul Cornell]]
-*[[Director]] - [[Joe Ahearne]]
-==References==
+=== Uncredited Cast ===
-* The [[Reapers]] are not mentioned by name on screen, they are however similar to [[Chronovore]]s.
+* [[Matt (Father's Day)|Matt]] - [[Crispin Layfield]]
-*This shows a demonstration (though it doesn't name it) of the [[Blinovitch Limitation Effect]]; that crossing and affecting timestreams can have unforeseen effects.
+* [[Mickey Smith's mother|Mickey's Mum]] - [[Monique Ennis]]
+* [[Vicar (Father's Day)|Vicar]] - [[Lee Griffiths]]
+* [[Rose Tyler|Baby Rose]] - [[Abigail and Charlotte Nichols]]<ref>[[REF]]: [[TCH 49]], p. 167</ref>
-==Story Notes==
+== Crew ==
-*'''Father's Day''' had a working title of 'Wounded Time'.
+{{wales crew
+|1stAD=Gareth Williams (assistant director)
+|2ndAD=Sean Clayton
+|3rdAD=Dan Mumford
+|Runner=
+|Runner2=
+|FloorRunner=
+|FloorRunner2=
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+|LocationManager=Lowri Thomas
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+|UnitManager=Llyr Morus
+|ProductionManager=Tracie Simpson
+|ProductionCoOrdinator=Jess van Niekerk
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+|AssistantProductionAccountant=Debi Griffiths
+|AssistantProductionAccountant2=Kath Blackman
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+|ScriptEditor=Elwen Rowlands
+|Continuity=Pam Humphreys
+|CameraOperator=Martin Stephens
+|CameraOperator2=
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+|FocusPuller=Mark Isaac
+|FocusPuller2=
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+|Grip=John Robinson
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+|Gaffer=Mark Hutchings
+|BestBoy=Peter Chester
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+|Electrician2=
+|Electrician3=
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+|StuntCoOrdinator=Lee Sheward
+|StuntCoOrdinator2=
+|Choreographer=
+|Wires=
+|Stunt=Crispin Layfield
+|Stunt2=Seon Rogers
+|Stunt3=Bean Peel
+|Stunt4=
+|Stunt5=
+|Stunt6=
+|Stunt7=
+|Stunt8=
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+|Note=
+<!--There are note variables from Note2 to Note20, but these are probably only necessary for the odd case of "The End of Time".  This set of variables are the only ones which aren't automatically linked; it's just a freeform note field.  All Notes mass together in a single paragraph at the end of the table created by this template.  Thus, each individual note should be a full sentence ending with a period, and should have any links enclosed in [[brackets]].
+--><!--The following credits are generally more "American", and thus almost exclusively limited to the 1996 Paul McGann movie. -->
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-===Ratings===
+== Worldbuilding ==
-''to be added''
-===Myths===
+=== Locations ===
-*The dialogue heard by Rose has often been mis-interperated as part of (what is occasionally known as) the 'gay agenda', the phrase is''"Watson come here I need you"'' (or something to that affect.
+* Rose mentions [[Didcot]].
+* The Doctor parks the TARDIS on [[Walterley Street]].
-===Location Filming===
+=== Individuals ===
-*St Paul's Church in Grangetown, [[Cardiff]]. (For St Christopher's)
+* [[Sarah Clark]] met [[Stuart Hoskins]] in a London nightclub called the [[Beatbox Club]].
-*The boardroom of the HTV Wales building in Culvershouse Cross. (For the Registry Office)
+* Rose compares Pete to [[Del Boy]].
-*Hoel Trelai and Hoel Pennar in Ely, Loudoun Square in Butetown, Cardiff and Llanmales Street, Grangetown. (The street scenes)
+* A socialist poster says "No Third Term for Thatcher", a reference to [[Conservative Party|Conservative]] [[Prime Minister of the United Kingdom|Prime Minister]] [[Margaret Thatcher]].
-*Grange Gardens in Grangetown. (Playground scenes)
+* [[Jackie Tyler]] can't figure out how to use a [[VCR]].
-===Discontinuity, Plot Holes, Errors===
+=== References from the real world ===
-''to be added''
+* The songs "[[Never Gonna Give You Up]]" by [[Rick Astley]] and "[[Don't Mug Yourself]]" by [https://en.wikipedia.org/wiki/The_Streets the Streets] play on Pete's [[car]] [[radio]].
+* "[[Never Can Say Goodbye]]" by [https://en.wikipedia.org/wiki/The_Communards the Communards] is also played.
+* "The Lamb and Flag", a pub from the sitcom ''[https://en.wikipedia.org/wiki/Bottom_(TV_series) Bottom]'', is referenced.
+* Rose calls her dad a "regular [https://en.wikipedia.org/wiki/Del_Boy Del Boy]", a reference to the main character of the popular sitcom ''[[Only Fools and Horses]].'' Funnily enough, [[Shaun Dingwall]] would later play Del's father [https://onlyfoolsandhorses.fandom.com/wiki/Reg_Trotter Reg Trotter] in the prequel series ''[https://en.wikipedia.org/wiki/Rock_%26_Chips Rock & Chips].''
-==Continuity==
+=== Theories and concepts ===
-*Rose mentions meeting her dad in [[The Parting of the Ways]].
+* The [[Blinovitch Limitation Effect]] states that crossing and affecting timestreams can have unforeseen effects.
-*Pete Tyler (an alternate version) appears in [[Rise of the Cybermen]], [[The Age of Steel]] and [[Doomsday]].
-*The theory of time trying to fix the deaths of people (who were supposed to die) was introduced in [[GodEngine]].
-==DVD and Other Releases==
+=== Bad Wolf arc ===
-''to be added''
+* An "Energize" poster advertising an upcoming concert on [[20 November]] [[1987]] has the words "[[Bad Wolf meme|BAD WOLF]]" written across a smiley face.
-==See Also==
+=== Species ===
-===Stories with a similar time travel theme===
+* The Doctor mentions his [[Time Lord|own people]] when warning Rose about the dangers of changing a [[fixed point in time]].
-* [[The Space Museum (TV story) | The Space Museum]]
-* [[The Time Monster]]
-* [[Day of the Daleks]]
-* [[No Future]]
-==External Links==
+== Notes ==
-* [http://www.bbc.co.uk/doctorwho/episodes/2005/fathersday.shtml Official BBC  Website - Episode Guide for '''Father's Day''']
+* A working title for this episode was "Wounded Time".
-* [http://www.gallifreyone.com/episode.php?id=2005-08 Outpost Gallifrey Episode Guide: '''Father's Day''']
+* The [[Reaper]]s are not mentioned by name on screen.
-* [http://www.drwhoguide.com/who_tv07.htm The Doctor Who Reference Guide detailed synopsis of '''Father's Day''']
+* When the episode was in the editing stage, it was decided to apply a whitewash to all shots as it visually looked more creepy and dimmer. When it went to broadcast, many fans and critics were unhappy about it. The original 'whitewashed' episode was released in the vanilla DVD release, but full colour was restored for subsequent DVD and Blu-ray releases.
-*[http://www.shannonsullivan.com/drwho/serials/2005h.html A Brief History of Time (Travel): '''Father's Day''']
+* "[https://en.wikipedia.org/wiki/Rickrolling Rickrolling]", a popular meme in which someone is led to unintentionally witness the song "Never Gonna Give You Up" by Rick Astley in a switch-and-bait, originated a couple of years after the episode's airing.
-* [http://www.whoniverse.org/discontinuity/9H.php The Whoniverse Discontinuity Guide to '''Father's Day''']
+* This is one of few times the actual TARDIS prop is seen for what it is, having the exact same interior walls as exterior walls.
+* [[Christopher Eccleston]] and [[Billie Piper]] named this as their favourite episode.
+* [[Billie Piper]] was scared of holding the baby. Because the baby is present throughout the majority of the episode, but the number of hours they could work with the infant was limited, an "artificial baby" was used as a placeholder in some scenes.
+* [[Russell T Davies]] originally intended that the episode be a small budget-saver character piece investigating the death of Rose's father, but [[Paul Cornell]] suggested the addition of the Reapers and BBC Head of Drama [[Jane Tranter]] encouraged the additions of monsters to the new series.
+* In the original script, in the scene where the Doctor opens the TARDIS doors and discovers only a police box interior, the police box fell apart. This was changed for reasons of cost, and [[Paul Cornell]] has stated that he thinks the change is an improvement.
+* [[Simon Pegg]] was originally cast as Pete Tyler. Because of scheduling conflicts, he chose the role of [[the Editor]] in ''[[The Long Game (TV story)|The Long Game]]''.
+* The Reapers went through many designs. Originally, they were supposed to be "men in cowls" based on [[Grim Reaper|the Grim Reaper]], while [[Russell T Davies]] suggested that they resemble [https://deadlikeme.fandom.com/wiki/Gravelings the Gravelings] from ''[https://en.wikipedia.org/wiki/Dead_Like_Me Dead Like Me]''; the final design retains some of this image with its "scythe-like tail". At one point, they were mouths with tentacles. The original design was deemed too similar to creatures seen in ''[[The End of the World (TV story)|The End of the World]]'', and so were reworked into something more "otherworldly". They were not originally intended to fly. There was also discussion of how much they should resemble animals as opposed to the Grim Reaper; the end result is a mixture of the two approaches. The final design had a "shark quality", bat wings, and a mouth influenced by the praying mantis. Vulture sound effects were used for its screech.
+* One scene excised from the script would have featured younger versions of Jackie's [[Chinese]] neighbours, [[Bau]] and [[Ru]], who had appeared in ''[[Aliens of London (TV story)|Aliens of London]]''.
+* Originally, Pete was to take a swig of [[wine]] before sacrificing himself, but this was removed because a correlation between [[alcohol]] and bravery was not thought to be a positive message. However, in the wide shot, Pete can be seen in the background talking to someone and taking a drink immediately before he moves into the foreground to talk to Rose.
+* [[Russell T Davies]] and [[Paul Cornell]] debated whether it should have been Rose's plan all along to save her father; this is left ambiguous in the episode. [[Billie Piper]] felt that it did not occur to Rose until after she began travelling.
+* [[Paul Cornell]] stated that Pete Tyler is based on his own father, who attempted many different jobs and schemes (including, like Pete, selling health drinks) before eventually finding success running a betting shop. Pete's line "I'm your dad, it's my job for it to be my fault" is taken from something Cornell's father once said to him.
+* The weather changed frequently during filming, and the cast began to fall ill; [[Christopher Eccleston]] had a cold.
+* The set of the Tylers' flat was redressed for the time period.
+* For the 1980s style, members of the cast and crew brought in photographs of themselves from the 80s; for example, peach dresses and "big hair" were incorporated, but these elements were not meant to be distracting.
+* [[Camille Coduri]] wore a wig for this episode.
+* Some of the conversation between Rose and her father in the car was cut because the car had made the dialogue delivery too "bouncy".
+* The special effects team had two or three weeks to complete the "40-odd shots" of the completely CGI Reapers in the episode. The episode ended up being more expensive than intended because of the CGI.
+* When time is damaged, one of the effects is that mobile telephones all begin to repeat the message, "Watson, come here, I need you," purportedly [[Alexander Graham Bell]]'s first words ever spoken over a telephone. However, historical records indicate the words to be "Watson, come here, I want you." The error was not present in the original script, but crept in at some point during production. [[Phil Collinson]] speculated that it was because the line was rerecorded: it was originally recorded by someone who the production team felt put on too false a Scottish accent, and so it was rerecorded by a real Scot.
+* [[Christopher Eccleston]]'s father was undergoing surgery at the time of filming, with the actor travelling back and forth between the set and hospital. An alternative version in case Eccleston had to take time off would have seen the Doctor taken out of the action much sooner, communicating with Rose as a disembodied voice.
+* [[Russell T Davies]]' original idea was that Rose would repeatedly observing her Pete's death in 1987 while the Doctor, in 2005, heard the chronicle of the man's life from Jackie. Afraid that viewers would become numb to watching the father die again and again, [[Paul Cornell]] persuaded Davies that they should invert the plot by having Rose save her dad, creating a crisis in time.
+* Since this was intended to be the eighth episode, there was some discussion about keeping the Doctor out of the script altogether. This would provide [[Christopher Eccleston]] with a break approximately halfway through the production schedule, although the notion was not pursued.
+* In the original script, Pete died in 1987 after being struck by a lorry in the process of saving five-year-old Rose when she stepped off the pavement. The adult Rose saved her younger self instead, triggering [[Blinovitch Limitation Effect|the Blinovitch Limitation Effect]]. The Doctor, Rose and Pete retreated to a nearby [[pub]], where time was splintering. The building started displaying the architectures of different eras, while people from throughout history appeared. Warriors from the army of [[Boudica|Boadicea]] attacked, while the Reavers starting eliminating the patrons. When the Reavers created a duplicate of Pete, the Doctor lured it in front of the lorry, restoring the timeline. But although the real Pete survived, Rose discovered that, in the revised history, he had divorced her mother when she was a teenager, and was no longer a heroic figure in her childhood. In a later draft, Rose's presence at Pete's traffic accident was dropped and Boadicea's warriors were replaced with [[Neanderthal]]s.
+* A later draft had scenes at the house of Sonny Kay (who was originally Sarah's father). This changed to a house belonging to a woman named Ellie Pritchard. [[Russell T Davies]] felt that the settings were too limited and suggested a church.
+* At one point, the Reapers were named Vanishers, then Loken.
+* Sarah Clarke was originally named Kay.
+* At one point, Rose was a [[toddler]] in 1987.
+* [[Paul Cornell]] tried to retain more of the temporal havoc of his original storyline. Stuart underwent rapid aging, becoming an old man, while Sarah's unborn child suddenly appeared as a teenaged girl, first called Julia and then Jessica. The weird phenomena prompted Sonny to try to sacrifice Sarah to the Reapers, only to fall victim to them himself. The TARDIS was initially made inaccessible behind a time barrier. Later drafts had it collapse in on itself, before Cornell adopted the simpler approach of its transformation into an ordinary police box.
+* The Reapers provoked considerable disagreement amongst the production team, with some discussion about realising them practically rather than as computer animation. It was finally agreed to present the Reapers as flying animals, although their tails were made scythe-shaped to maintain an allusion to the Grim Reaper.
+*
+=== Ratings ===
+* 8.06 million viewers (UK final)<ref>[http://guide.doctorwhonews.net/info.php?detail=ratings&start=100&type=date&order= Doctor Who - consolidated ratings]</ref>
+=== Filming locations ===
+* St Paul's Church in Grangetown, [[Cardiff]]. (For St Christopher's)
+* The boardroom of the HTV Wales building in Culvershouse Cross. (For the Registry Office)
+* Hoel Trelai and Hoel Pennar in Ely, Loudoun Square in Butetown, Cardiff and Llanmales Street, Grangetown. (The street scenes)
+* Grange Gardens in Grangetown. (Playground scenes)
-'''Television'''
+{{discontinuity}}
+=== Production errors ===
+* During Pete's death, his eyelids briefly flicker slightly despite the fact that, at this point, he has already died.
+* When Rose kneels next to the dying Pete, the driver of the car who hit him disappears.
+* After the reapers appear, one attacks a bridesmaid. Although we don't fully see her, we can tell it is a bridesmaid because of her white dress. When she is attacked, her scream isn't that of a woman - but that of a man. ''(This error occurred during editing. As the actress' scream didn't sound good when the scene was shot, it was dubbed in, mistakenly with a man's scream.)''
+* After the Doctor and Rose argue in the flat, he starts to leave. She runs out into the hall and blocks his exit while she speaks. The Doctor then walks past her on her right. The camera angle reverses to follow him and suddenly he's walking past her on the other side.
+* When the reaper devours the Doctor, the materialising TARDIS is absent in the background when it should be clearly visible in the shot.
+* When everyone runs into the church, Jackie picks up what is obviously an empty baby carrier, as it swings back, showing no baby inside it. ''(Someone else could be carrying Baby Rose.)''
-{| class="browser"
+== Continuity ==
-|-
+* Rose later mentions meeting her dad to her mother. ([[TV]]: ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'')
-| class="prev" | '''Previous story''':<br />[[The Long Game]]
+* The Doctor references Rose at first declining to join him until he told her the TARDIS was a time machine. ([[TV]]: ''[[Rose (TV story)|Rose]]'') He also uses the phrase "stupid ape" to describe humans once again.
-|
+* The Doctor is quickly convinced that Rose has been travelling with him to get something out of it, and makes to leave her behind in the past as punishment. His scepticism of her intentions is somewhat justified; his most recent companion, [[Adam Mitchell]], tried to send himself information from the future, ([[TV]]: ''[[The Long Game (TV story)|The Long Game]]'') after the Doctor trusted him enough to invite him on as a full companion ([[AUDIO]]: ''[[The Other Side (9DC audio story)|The Other Side]]'') despite having reservations of doing so. ([[TV]]: ''[[Dalek (TV story)|Dalek]]'') He soon realises how wrong he was and genuinely regrets it; as his [[Sixth Doctor|sixth]] incarnation did when he realised how wrong about [[Gustave Lytton|Lytton]] he was, ([[TV]]: [[Attack of the Cybermen (TV story)|Attack of the Cybermen]]) and his [[Eleventh Doctor|eleventh]] would feel regret how wrong he was about [[Octavian (The Time of Angels)|Octavion]]. ([[TV]]: [[Flesh and Stone (TV story)|Flesh and Stone]])
-| class="next" | '''Next story''':<br />[[The Empty Child]]
+* The Doctor refers to the fact that his entire race, planet, and family, are gone ([[TV]]: ''[[The End of the World (TV story)|The End of the World]]'') and is unable to travel back in time to save them, alluding to the [[time lock]]ed nature of the [[Last Great Time War]]. ([[TV]]: ''[[The Stolen Earth (TV story)|The Stolen Earth]]'')
-|}
+* Pete is astonished by Rose's "Superphone", which picks up recordings of Alexander Graham Bell's telephone call when she checks her messages. The Doctor previously modified it for her so it could work anywhere in time and space. ([[TV]]: ''[[The End of the World (TV story)|The End of the World]]'', ''[[World War Three (TV story)|World War Three]]'', ''[[Dalek (TV story)|Dalek]]'', ''[[The Long Game (TV story)|The Long Game]]'').
+* The theory of time trying to fix the deaths of people (who were supposed to die) was introduced in [[PROSE]]: ''[[GodEngine (novel)|GodEngine]]''.
+* The Doctor's insistence that adult Rose does not physically touch the infant Rose is consistent with the [[Blinovitch Limitation Effect]]; the [[1977]] and [[1983]] versions of [[Alistair Gordon Lethbridge-Stewart|Brigadier Lethbridge-Stewart]] did just that, resulting in a cataclysmic release of energy. ([[TV]]: ''[[Mawdryn Undead (TV story)|Mawdryn Undead]]'')
+* Even though the Doctor has met his different incarnations many times, this is only the second time that the Doctor has met a second version of his current incarnation. This previously happened to the [[Third Doctor]]. ([[TV]]: ''[[Day of the Daleks (TV story)|Day of the Daleks]]'') The [[Eleventh Doctor]] would later meet a second version of himself several times. ([[TV]]: ''[[The Big Bang (TV story)|The Big Bang]], [[Space (TV story)|Space]]/[[Time (TV story)|Time]], [[Last Night (home video)|Last Night]]'')
+* [[The TARDIS]] interior had previously reverted to a regular [[police box]] in [[AUDIO]]: ''[[The Eternal Summer (audio story)|The Eternal Summer]]''.
+* Rose shows frustration at "everyone" mistaking her and the Doctor for a couple. ([[TV]]: ''[[The End of the World (TV story)|The End of the World]]'', ''[[Aliens of London (TV story)|Aliens of London]]'', ''[[Dalek (TV story)|Dalek]]'')
+* [[St Christopher's Parish Church]] shared its name with [[Saul|a church]] introduced in [[PROSE]]: {{cs|Timewyrm: Revelation (novel)}}, also by [[Paul Cornell]].
+== Home video releases ==
+[[File:Bbcdvd-s1-v3.jpg|thumb|Series 1 Volume 3 DVD Cover]]
+* This story was released on a vanilla DVD with ''[[The Long Game (TV story)|The Long Game]]'', ''[[The Empty Child (TV story)|The Empty Child]]'' and ''[[The Doctor Dances (TV story)|The Doctor Dances]]''.
+* It was also released as part of the series 1 DVD box set.
+* This story was also released with Issue 4 of the [[Doctor Who DVD Files]].
+* This episode and ''[[The Empty Child (TV story)|The Empty Child]]'' two parter were the focus of the Series 1 Volume 3 front cover.
-'''All Media'''
+== External links ==
+* {{bbcdw|episodes/2005/fathersday.shtml|Father's Day}}
+{{dwrefguide|who_tv07.htm|Father's Day}}
+* {{briefhistory|serials/2005h.html|Father's Day}}
+* {{whoniverse|s01_08|Father's Day}}
-{| class="browser"
+== Footnotes ==
-|-
+{{reflist}}
-| class="prev" | '''Previous story''':<br />[[The Long Game]]
-|
-| class="next" | '''Next story''':<br />''[[The Clockwise Man]]''
-|}
-{{Stub}}
+{{DWTV}}
+{{TitleSort}}
+[[es:Father's Day]]
+[[fr:Father's Day]]
+[[he:יום האב (סיפור טלוויזיה)]]
+[[pt:Father's Day]]
+[[ro:Father's Day]]
+[[ru:День отца]]
-[[Category:Ninth Doctor episodes]]
+[[Category:Doctor Who (2005) television stories]]
 [[Category:Stories set in 1987]]
 [[Category:Stories set in London]]
+[[Category:Stories set in the London Borough of Southwark]]
+[[Category:Series 1 (Doctor Who) stories]]
+[[Category:Stories set in alternate timelines]]
+[[Category:Stories set in the 1990s]]
+[[Category:Reaper sources]]
+[[Category:An Introduction To The Ninth Doctor television stories]]

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Father's Day (TV story): Difference between revisions

Latest revision as of 00:15, 8 November 2024

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Uncredited Cast[[edit]]

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References from the real world[[edit]]

Theories and concepts[[edit]]

Bad Wolf arc[[edit]]

Species[[edit]]

Notes[[edit]]

Ratings[[edit]]

Filming locations[[edit]]

Production errors[[edit]]

Continuity[[edit]]

Home video releases[[edit]]

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