The Scene Sync Story (documentary): Difference between revisions
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{{title | {{title dab away}} | ||
{{ | {{real world}} | ||
|image =SceneSyncStory.jpg | {{ImageLinkDoc}} | ||
|subject =An exploration of [[Scene Sync]] technology | {{Infobox Doc | ||
|image = SceneSyncStory.jpg | |||
|series = | |subject = An exploration of [[Scene Sync]] technology | ||
|original to DVD =Meglos | |series = | ||
|original to VHS = | |original to DVD = Meglos (TV story) | ||
|original to CD = | |original to VHS = | ||
|original to web = | |original to CD = | ||
|channel = | |original to web = | ||
|broadcast with = | |channel = | ||
|home video = | |broadcast with = | ||
|home audio = | |home video = | ||
|narrator | |home audio = | ||
|narrator = | |||
|interviewer | |interviewer = | ||
|interviewee = Peter Leverick | |||
|interviewee = | |interviewee2 = Roger Bunce | ||
|uncredited narrator = | |interviewee3 = Stephen Drewett | ||
|director = | |uncredited narrator = | ||
|producer = John Kelly | |director = | ||
|producer = John Kelly (producer){{!}}John Kelly | |||
|executive producer | |executive producer = | ||
|broadcast date = | |||
|broadcast date = | |release date = [[10 January (releases)|10 January]] [[2011 (releases)|2011]] | ||
|release date = | |runtime = 11'04" | ||
|runtime = 11' | }} | ||
'''''{{StoryTitle}}''''' was a documentary that explained the technology of [[Scene Sync]], a [[motion control]] process for improving the composition of shots involving [[CSO]]. It interviewed two [[camera operator]]s, [[Peter Leverick]] and [[Roger Bunce]], along with [[visual effects designer]], [[Stephen Drewett]]. It was included on the ''[[Meglos (TV story)|Meglos]]'' [[DVD]], since ''Meglos'' was the only ''[[Doctor Who]]'' [[serial]] to use Scene Sync. | |||
}}'''''{{ | |||
== Overview == | |||
The documentary followed a broad outline. First, it introduced [[CSO]] (or chroma key) and showed some examples of its use in 1970s ''[[Doctor Who]]''. Then it showed the key flaw in CSO filming that Scene Sync was meant to eliminate. Next it followed with an explanation of some of Scene Sync's flaws. Finally, it ended by explaining how Scene Sync eventually faded from use in the late 1980s, and gave an overall assessment of its efficacy while it was employed. | |||
The documentary was lightly narrated by an uncredited narrator. | |||
== Booklet synopsis == | |||
Meglos used a pioneering technique called Scene Sync to create of many of its shots. This documentary looks at the technology behind this precursor to today's virtual-studio productions. With visual effects designer Stephen Drewett, and studio cameramen Peter Leverick and Roger Bunce. | |||
== People interviewed == | |||
''to be added'' | |||
== Crew == | |||
''to be added'' | |||
{{DVDDOC}} | |||
{{TitleSort}} | {{TitleSort}} | ||
[[ | [[Category:Doctor Who DVD documentaries]] | ||
[[Category:SFX spotlight documentaries]] | |||
[[Category:2011 documentaries]] | |||
Latest revision as of 20:25, 3 November 2024
The Scene Sync Story was a documentary that explained the technology of Scene Sync, a motion control process for improving the composition of shots involving CSO. It interviewed two camera operators, Peter Leverick and Roger Bunce, along with visual effects designer, Stephen Drewett. It was included on the Meglos DVD, since Meglos was the only Doctor Who serial to use Scene Sync.
Overview[[edit] | [edit source]]
The documentary followed a broad outline. First, it introduced CSO (or chroma key) and showed some examples of its use in 1970s Doctor Who. Then it showed the key flaw in CSO filming that Scene Sync was meant to eliminate. Next it followed with an explanation of some of Scene Sync's flaws. Finally, it ended by explaining how Scene Sync eventually faded from use in the late 1980s, and gave an overall assessment of its efficacy while it was employed.
The documentary was lightly narrated by an uncredited narrator.
Booklet synopsis[[edit] | [edit source]]
Meglos used a pioneering technique called Scene Sync to create of many of its shots. This documentary looks at the technology behind this precursor to today's virtual-studio productions. With visual effects designer Stephen Drewett, and studio cameramen Peter Leverick and Roger Bunce.
People interviewed[[edit] | [edit source]]
to be added
Crew[[edit] | [edit source]]
to be added
