Template:Transmat:SJA: Difference between revisions
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| 8 = {{feature|title=Eye of the Gorgon (TV story)|image=Eye of the Gorgon (2)|lead='''''Eye of the Gorgon''''' was eventual ''SJA'' [[producer]] [[Phil Ford]]'s first effort in the [[DWU]]. Like many of his later efforts, it contained a strong central message in addition to the relatively fantastical elements common to [[DWU]] narratives. In this case, the piece centred on the effects of [[Alzheimer's disease]], and how young people might interact with an older person suffering from the condition. Like many stories of the [[Barry Letts]] and [[Philip Hinchcliffe]] [[producer]]ships on ''[[Doctor Who]]'', it attempted to explain [[Earth]] myths through scientific rationalism. In this case, the legend being demystified was that of the [[Gorgon]], a character from [[Greek]] mythology.}} | | 8 = {{feature|title=Eye of the Gorgon (TV story)|image=Eye of the Gorgon (2)|lead='''''Eye of the Gorgon''''' was eventual ''SJA'' [[producer]] [[Phil Ford]]'s first effort in the [[DWU]]. Like many of his later efforts, it contained a strong central message in addition to the relatively fantastical elements common to [[DWU]] narratives. In this case, the piece centred on the effects of [[Alzheimer's disease]], and how young people might interact with an older person suffering from the condition. Like many stories of the [[Barry Letts]] and [[Philip Hinchcliffe]] [[producer]]ships on ''[[Doctor Who]]'', it attempted to explain [[Earth]] myths through scientific rationalism. In this case, the legend being demystified was that of the [[Gorgon]], a character from [[Greek]] mythology.}} | ||
| 9 = {{feature|title=Whatever Happened to Sarah Jane? (TV story)|image=WHTSJ|lead='''''Whatever Happened to Sarah Jane?''''' was a critical episode of ''[[The Sarah Jane Adventures|SJA]]'' that explored Sarah's teenaged life in the [[1960s]] and at the same time introduced the series' main recurring enemy. Called "[[the Trickster]]" this enigmatic, hood-wearing baddie was revealed to be intent on causing chaos in what ''[[Doctor Who]]'' considers to be the "[[Web of Time]]". Perhaps made possible only because the [[Time Lord]]s were written out of the main series, this creature established himself as intent on tempting Sarah Jane and those around them to make different choices in their lives — choices that would end up destroying the fabric of time itself. In this story, Sarah came extraordinarily close to losing her entire existence, and was entirely dependent on [[Maria Jackson]] for bringing her back. Thus, this story had a markedly different feel to later episodes. As in ''[[Invasion of the Bane (TV story)|Invasion of the Bane]]'' and other Maria episodes, her relationship to [[Alan Jackson|her father]] was critical, and given much more screen time than would be the usual case with [[Rani Chandra|Rani]] and her dad. }} | | 9 = {{feature|title=Whatever Happened to Sarah Jane? (TV story)|image=WHTSJ|lead='''''Whatever Happened to Sarah Jane?''''' was a critical episode of ''[[The Sarah Jane Adventures|SJA]]'' that explored Sarah's teenaged life in the [[1960s]] and at the same time introduced the series' main recurring enemy. Called "[[the Trickster]]" this enigmatic, hood-wearing baddie was revealed to be intent on causing chaos in what ''[[Doctor Who]]'' considers to be the "[[Web of Time]]". Perhaps made possible only because the [[Time Lord]]s were written out of the main series, this creature established himself as intent on tempting Sarah Jane and those around them to make different choices in their lives — choices that would end up destroying the fabric of time itself. In this story, Sarah came extraordinarily close to losing her entire existence, and was entirely dependent on [[Maria Jackson]] for bringing her back. Thus, this story had a markedly different feel to later episodes. As in ''[[Invasion of the Bane (TV story)|Invasion of the Bane]]'' and other Maria episodes, her relationship to [[Alan Jackson|her father]] was critical, and given much more screen time than would be the usual case with [[Rani Chandra|Rani]] and her dad. }} | ||
| 10 = {{feature|title=Clani|image=Clani celebrate|lead='''Clani''' was a shipping term used by fans of ''[[The Sarah Jane Adventures]]''. It described a proposed romantic relationship between [[Clyde Langer]] — or '''Cla''' — and [[Rani Chandra]] — or '''Ni'''. Though many "ships" in fandom go ignored by the show's producers, this one was actually recognised by writer [[Gareth Roberts]] in his script for what became the final episode, ''[[The Man Who | | 10 = {{feature|title=Clani|image=Clani celebrate|lead='''Clani''' was a shipping term used by fans of ''[[The Sarah Jane Adventures]]''. It described a proposed romantic relationship between [[Clyde Langer]] — or '''Cla''' — and [[Rani Chandra]] — or '''Ni'''. Though many "ships" in fandom go ignored by the show's producers, this one was actually recognised by writer [[Gareth Roberts]] in his script for what became the final episode, ''[[The Man Who Never Was]]''. In that story, [[Luke Smith|Luke]] was said to have originated the term while he was away studding at [[University of Oxford|Oxford]]. The brevity of the term proved useful for [[Morse code]] messages with [[Mr Smith]] when the duo were undercover investigating the new [[SerfBoard]] [[computer]].}} | ||
| 11 = {{feature|title=|image=|lead=}} | | 11 = {{feature|title=|image=|lead=}} | ||
| 12 = {{feature|title=|image=|lead=}} | | 12 = {{feature|title=|image=|lead=}} | ||
Revision as of 03:58, 10 October 2013
Death of the Doctor was the third story in the fourth series of The Sarah Jane Adventures. It contained the first televised meeting between classic-era companions Sarah Jane and Jo Grant (through her marriage, now known as Jo Jones), and the first televised appearance of Jo since her 1973 swansong. It also contained the only appearance of the Eleventh Doctor on SJA, since he was never included in any flashbacks during the remaining serials the programme had yet to broadcast.
It was also narratively important for the changes it made to other stories. It added to The End of Time by stating that the Tenth Doctor had visited all his former companions, not just the original-to-BBC Wales companions seen in that story. It established something not strongly asserted in Sarah's first season: the Third Doctor and members of UNIT had vividly described Jo, such that Sarah was able to recognise her in this story without ever having met her before.
