31 March: Difference between revisions
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On [[Sunday (day)|Sunday]], '''31 March''' [[1963]], [[Susan Foreman]] witnessed [[First Doctor|her grandfather]] talking casually to [[The Cold (Time and Relative)|the Cold]] outside [[the TARDIS]]. He seemed unfazed about them wanting to wipe out the [[human]]s, still stuck to the [[Time Lord]]s' non-interference policy despite having escaped [[Gallifrey]] to get away from all that. This worried Susan. ([[PROSE]]: ''[[Time and Relative (novel)|Time and Relative]]'') | On [[Sunday (day)|Sunday]], '''31 March''' [[1963]], [[Susan Foreman]] witnessed [[First Doctor|her grandfather]] talking casually to [[The Cold (Time and Relative)|the Cold]] outside [[the TARDIS]]. He seemed unfazed about them wanting to wipe out the [[human]]s, still stuck to the [[Time Lord]]s' non-interference policy despite having escaped [[Gallifrey]] to get away from all that. This worried Susan. ([[PROSE]]: ''[[Time and Relative (novel)|Time and Relative]]'') | ||
In [[2040]], [[Imogen Quaye]] began to get into literature, [[Shakespeare]] in particular. As a result of this, she felt "[better] than [she'd] felt in years," "sort of bigger inside." ([[PROSE]]: ''[[Artificial Intelligence (short story)|Artificial Intelligence]]'') | In [[2040]], [[Imogen Quaye]] began to get into [[literature]], [[Shakespeare]] in particular. As a result of this, she felt "[better] than [she'd] felt in years," "sort of bigger inside." ([[PROSE]]: ''[[Artificial Intelligence (short story)|Artificial Intelligence]]'') | ||
{{#ifeq:{{PAGENAME}}|31 March|{{cat|Days of the year}}{{cat|DWU days}}{{DateSort}}|}} | {{#ifeq:{{PAGENAME}}|31 March|{{cat|Days of the year}}{{cat|DWU days}}{{DateSort}}|}} |
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On Sunday, 31 March 1963, Susan Foreman witnessed her grandfather talking casually to the Cold outside the TARDIS. He seemed unfazed about them wanting to wipe out the humans, still stuck to the Time Lords' non-interference policy despite having escaped Gallifrey to get away from all that. This worried Susan. (PROSE: Time and Relative)
In 2040, Imogen Quaye began to get into literature, Shakespeare in particular. As a result of this, she felt "[better] than [she'd] felt in years," "sort of bigger inside." (PROSE: Artificial Intelligence)