Jamie Robertson: Difference between revisions

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=== Big Finish Monthly ''Doctor Who'' audio stories ===
=== Big Finish Monthly ''Doctor Who'' audio stories ===
* ''[[The Judgement of Isskar]] - music
* ''[[The Judgement of Isskar]]'' - music
* ''[[The Chaos Pool]]'' - music
* ''[[The Chaos Pool]]'' - music
* ''[[Blue Forgotten Planet (audio story)|Blue Forgotten Planet]]'' - music & sound design
* ''[[Blue Forgotten Planet (audio story)|Blue Forgotten Planet]]'' - music & sound design
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* ''[[Black and White (audio story)|Black and White]]'' - music & sound design
* ''[[Black and White (audio story)|Black and White]]'' - music & sound design
* ''[[1001 Nights (audio anthology)|1001 Nights]]'' - music & sound design
* ''[[1001 Nights (audio anthology)|1001 Nights]]'' - music & sound design
* ''[[Signs and Wonders (audio story)|Signs and Wonders]]'' - music & sound design


=== Big Finish ''Doctor Who - The Lost Stories'' audio stories ===
=== Big Finish ''Doctor Who - The Lost Stories'' audio stories ===

Revision as of 21:16, 13 September 2014

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Jamie Robertson (born 30 May 1981) is a member of the post-production team of Big Finish Productions. He has mostly served as a composer for Big Finish but has also worked on sound design for many releases.

Each year he composes music for all different ranges from the spin-offs to the main range. Most notably in 2013 Jamie Robertson was the composer for the show's 50th anniversary official audio The Light at the End.

For the first time in Doctor Who audio history, he mixed and released The Light at the End in Dolby 5.1 as a download extra via the Big Finish site.

Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on Relative Dimensions.

Through his scores, Robertson has made original contributions to each era of the Doctor. A particular favourite is his leitmotif for the Eighth Doctor, There's a Man I Know.[source needed] It crops up in Blue Forgotten Planet when Charley Pollard mentions that incarnation to the Sixth Doctor.

Robertson has also scored a track known as "Across the Stars". This track debuted on The Chaos Pool. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, The Feast of Axos featured a new, choral version.

Robertson scored the theme tunes for the Eighth Doctor extras, Series 3 [statement unclear] and afterwards, Jago and Litefoot, Graceless and other Big Finish series, including Highlander and Sherlock Holmes.

Post-production

Doctor Who 50th Anniversary releases

The Fourth Doctor Adventures

Big Finish Monthly Doctor Who audio stories

Big Finish Doctor Who - The Lost Stories audio stories

Big Finish Doctor Who - The Fourth Doctor Adventures audio stories

Big Finish Doctor Who - The Eighth Doctor Adventures audio stories

Big Finish Doctor Who - The Companion Chronicles audio stories

Big Finish Dalek Empire audio stories

External links