Jamie Robertson: Difference between revisions
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[[Category:Big Finish post production]] | [[Category:Big Finish post production]] |
Revision as of 00:22, 18 February 2015
Jamie Robertson (born 30 May 1981) is a member of the post-production team of Big Finish Productions. He has mostly served as a composer for Big Finish but has also worked on sound design for many releases.
Each year he composes music for all different ranges from the spin-offs to the main range. Most notably in 2013 Jamie Robertson was the composer for the show's 50th anniversary official audio The Light at the End.
For the first time in Doctor Who audio history, he mixed and released The Light at the End in Dolby 5.1 as a download extra via the Big Finish site.
Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on Relative Dimensions.
Through his scores, Robertson has made original contributions to each era of the Doctor, including his leitmotif for the Eighth Doctor, There's a Man I Know. It crops up in Blue Forgotten Planet when Charley Pollard mentions that incarnation to the Sixth Doctor.
Robertson has also scored a track known as "Across the Stars". This track debuted on The Chaos Pool. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, The Feast of Axos featured a new, choral version.
Robertson scored the theme tunes for the Eighth Doctor extras in Series 3 and afterwards, Eighth Doctor theme for Mary Shelly adventures and for The Light at the End, and Jago and Litefoot, Graceless and other Big Finish series, including Highlander and Sherlock Holmes.
Post-production
Big Finish main range
- The Judgement of Isskar - music
- The Chaos Pool - music
- Blue Forgotten Planet - music & sound design
- The Architects of History - music & sound design
- Legend of the Cybermen - music & sound design
- The Feast of Axos - music & sound design
- Heroes of Sontar - music & sound design
- Robophobia - music & sound design
- The Silver Turk - music & sound design
- The Fourth Wall - music & sound design
- Black and White - music & sound design
- 1001 Nights - music & sound design
- Signs and Wonders - music & sound design
50th Anniversary
- The Light at the End - music & sound design
Destiny of the Doctor
- Death's Deal - music & sound design
Eighth Doctor Adventures
- Wirrn Dawn - music & sound design
- The Scapegoat - music & sound design
- The Cannibalists - music & sound design
- Worldwide Web - music & sound design
- The Eight Truths - music & sound design
- Situation Vacant - music & sound design
- Relative Dimensions - music & sound design
Fourth Doctor Adventures
- Destination: Nerva - music & sound design
- The Renaissance Man - music & sound design
- Phantoms of the Deep - music & sound design
- Night of the Stormcrow - music & sound design
- The King of Sontar - music & sound design
- White Ghosts - music & sound design
- The Darkness of Glass - music & sound design
Companion Chronicles
- Resistance - music
- The Magician's Oath - music
- Bernice Summerfield and the Criminal Code - music & sound design
- Peri and the Piscon Paradox - music & sound design
Lost Stories
- The Nightmare Fair - music & sound design
- The First Sontarans - music & sound design
- The Rosemariners - music & sound design
Novel Adaptations
- The English Way of Death - music & sound design
Dalek Empire
- The Fearless: Part 2 - sound design
- The Fearless: Part 3 - sound design
- The Fearless: Part 4 - sound design