Michael Imison: Difference between revisions
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'''Michael Imison''' (pronounced EYE-miss-on) [[director|directed]] the ''[[Doctor Who]]'' serial ''[[The Ark]]''. Because of this, he was involved in casting [[Jackie Lane]] in the part of [[Dodo Chaplet]]. He also claimed to have been responsible for the general visual style of the [[Monoid]]s. In an interview conducted around 2010, he said he had hoped that the [[British Broadcasting Corporation|BBC]] would be able to market the Monoids as they had done the [[Dalek]]s, suggesting he had a financial interest in their success. | '''Michael Imison''' (pronounced EYE-miss-on) [[director|directed]] the ''[[Doctor Who]]'' serial ''[[The Ark]]''. Because of this, he was involved in casting [[Jackie Lane]] in the part of [[Dodo Chaplet]]. He also claimed to have been responsible for the general visual style of the [[Monoid]]s. In an interview conducted around 2010, he said he had hoped that the [[British Broadcasting Corporation|BBC]] would be able to market the Monoids as they had done the [[Dalek]]s, suggesting he had a financial interest in their success. | ||
Revision as of 05:30, 1 July 2017
Michael Imison (pronounced EYE-miss-on) directed the Doctor Who serial The Ark. Because of this, he was involved in casting Jackie Lane in the part of Dodo Chaplet. He also claimed to have been responsible for the general visual style of the Monoids. In an interview conducted around 2010, he said he had hoped that the BBC would be able to market the Monoids as they had done the Daleks, suggesting he had a financial interest in their success.
Imison's contract with the BBC was not renewed during the recording of "The Bomb", which effectively meant that he was fired as he recorded the last episode of The Ark. He wasn't told face-to-face; he was simply handed a note informing him of the fact. (DOC: Riverside Story)
"The Bomb" was the last episode of television he ever directed. Immediately after its recording, he became a script editor in the BBC's Plays Department. However, the executive who had refused to extend his directing contract, Gerald Savory, followed him there, virtually ensuring that his career advancement prospects would be limited. He left the BBC and became an agent, first for actors and then literary, for the bulk of his thereon remaining career. (DCOM, INFO: "The Bomb")
