ERS: Difference between revisions
From Tardis Wiki, the free Doctor Who reference
No edit summary |
m (Spacing issues) |
||
Line 5: | Line 5: | ||
== Post Production == | == Post Production == | ||
=== Big Finish Monthly ''Doctor Who'' audio stories === | === Big Finish Monthly ''Doctor Who'' audio stories === | ||
* ''[[The Dark Flame (audio story)|The Dark Flame]]'' - music & sound design | * ''[[The Dark Flame (audio story)|The Dark Flame]]'' - music & sound design | ||
* ''[[Project Lazarus (audio story)|Project: Lazarus]]'' - music & sound design | * ''[[Project Lazarus (audio story)|Project: Lazarus]]'' - music & sound design |
Latest revision as of 14:03, 9 March 2023
ERS have worked on sound design and music for Big Finish Productions. They are comprised of Andy Hardwick and Gareth Jenkins.
Post Production[[edit] | [edit source]]
Big Finish Monthly Doctor Who audio stories[[edit] | [edit source]]
- The Dark Flame - music & sound design
- Project: Lazarus - music & sound design
- Zagreus - music
- The Axis of Insanity - music & sound design
- The Next Life - music & sound design
- The Game - music & sound design
- Catch-1782 - music & sound design
- Scaredy Cat - music & sound design
- Pier Pressure - music & sound design
- Night Thoughts - music & sound design
- Time Works - music & sound design
- The Kingmaker - music & sound design
- Red - music & sound design
- Year of the Pig - music & sound design
- Renaissance of the Daleks - music & sound design
- Exotron - music & sound design
- Urban Myths - music & sound design
- The Wishing Beast - music & sound design
- The Vanity Box - music & sound design
- Son of the Dragon - music & sound design
- 100 - music & sound design
- The Girl Who Never Was - music & sound design
- The Bride of Peladon - music & sound design
Notes[[edit] | [edit source]]
- The Big Finish website (last accessed 13th February 2012) wrongly credits ERS as contributing the music & sound design for The Twilight Kingdom & The Council of Nicaea. The booklet included with both CD releases credits Russell Stone as providing the music.