User:SOTO/Forum Archive/Inclusion debates/@comment-28743561-20191009174707/@comment-6032121-20191009191353: Difference between revisions
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Cough, cough, [[Shada (webcast)]] vs. [[Shada (audio story)]]. | Cough, cough, [[Shada (webcast)]] vs. [[Shada (audio story)]]. | ||
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What matters then is the production side of things, and from a production point of view, ''Mission to the Unknown'' the webcast is a very different beast from ''Mission to the Unknown'' the TV story, in much the same way that even the most slavish novelisation has its own writer, editor, publisher, release date, etc. | What matters then is the production side of things, and from a production point of view, ''Mission to the Unknown'' the webcast is a very different beast from ''Mission to the Unknown'' the TV story, in much the same way that even the most slavish novelisation has its own writer, editor, publisher, release date, etc. | ||
<noinclude>[[Category:SOTO archive posts]]</noinclude> | <noinclude>[[Category:SOTO archive posts|Inclusion debates/20191009174707-28743561/20191009191353-6032121]]</noinclude> | ||
Latest revision as of 14:26, 27 April 2023
Cough, cough, Shada (webcast) vs. Shada (audio story).
Also, novelisations. Surely you wouldn't have us cover a novelisation on the TV story's page even if there were no discrepancies whatsoever between the two? Even with the occasional differences that tend to crop up, the fact remains that through novelisations, we are very accustomed to the possibility that basically the same narrative information can be sourced to two works with the same title.
What matters then is the production side of things, and from a production point of view, Mission to the Unknown the webcast is a very different beast from Mission to the Unknown the TV story, in much the same way that even the most slavish novelisation has its own writer, editor, publisher, release date, etc.
