User:SOTO/Forum Archive/The Panopticon/@comment-4028641-20151008023030/@comment-6032121-20191105193632: Difference between revisions
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Sorry, didn't mean it to come across as such. It's a colloquial "come on now, fellow reader, you know as well as I do", not an angry "come ''on''" as I now realize it may have read as. | Sorry, didn't mean it to come across as such. It's a colloquial "come on now, fellow reader, you know as well as I do", not an angry "come ''on''" as I now realize it may have read as. | ||
In what way does it differ, though? In both cases, a story has Delgado go through a seemingly-irreversible, dire transformation of which no signs whatever are apparent in ''Doorway to Hell'', and we were speculating as to the possibility that through unknown offscreen mechanics, he could have restored himself to normal in time for ''Doorway''. | In what way does it differ, though? In both cases, a story has Delgado go through a seemingly-irreversible, dire transformation of which no signs whatever are apparent in ''Doorway to Hell'', and we were speculating as to the possibility that through unknown offscreen mechanics, he could have restored himself to normal in time for ''Doorway''. | ||
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Latest revision as of 23:21, 27 April 2023
Sorry, didn't mean it to come across as such. It's a colloquial "come on now, fellow reader, you know as well as I do", not an angry "come on" as I now realize it may have read as.
In what way does it differ, though? In both cases, a story has Delgado go through a seemingly-irreversible, dire transformation of which no signs whatever are apparent in Doorway to Hell, and we were speculating as to the possibility that through unknown offscreen mechanics, he could have restored himself to normal in time for Doorway.
