Robert Holmes: Difference between revisions

From Tardis Wiki, the free Doctor Who reference
m (enforcing T:CLEAN CODE)
No edit summary
Line 1: Line 1:
{{real world}}
{{real world}}
'''Robert Holmes''' ([[2 April]] [[1926]]-[[24 May]] [[1986]]) was [[script editor]] of ''[[Doctor Who]]'' from [[1975]] to [[1977]] and the author of many Doctor Who scripts, helping to create or reimagine many key elements of the programme's mythology.
'''Robert Holmes''' ([[2 April]] [[1926]]-[[24 May]] [[1986]]) was [[script editor]] of ''[[Doctor Who]]'' from [[1975]] to [[1977]] and the author of many Doctor Who scripts. He created or reimagined many key elements of the programme's mythology.


== Personal History ==
== Personal History ==
Holmes was, for a time at the end of the Second World War, the youngest serving officer in the British army. He became a police officer, graduating top of his class, but grew disillusioned with the job and became a journalist. By the 1960s he had branched out into writing screenplays for films and television series. In 1968 he received his first commission for ''Doctor Who'' and over the next few years became one of the series' lead writers.
Holmes was, at the end of World War Two, the youngest serving officer in the British army. He became a police officer, graduating top of his class. He grew disillusioned with the job and became a journalist. By the 1960s he had branched out into writing screenplays for films and television series. In 1968 he received his first commission for ''Doctor Who. O''ver the next few years, he became one of the series' lead writers.


When [[Terrance Dicks]] resigned as script editor in [[1974]], Holmes took over the position, continuing to write scripts as well. After leaving the post, he wrote a few more stories before taking an extended break from the series. In [[1983]], as one of the series' most celebrated writers Holmes was the first person asked to write the twentieth anniversary special, ''[[The Five Doctors]]''. He declined but expressed an interest in writing for the series again.
When [[Terrance Dicks]] resigned as script editor in [[1974]], Holmes took over the position. He cpntinued to write scripts. After leaving the post, he wrote a few more before taking an extended break from the series. In [[1983]], as one of the series' most celebrated writers, Holmes was the first person asked to write the twentieth anniversary special, ''[[The Five Doctors]]''. He declined but expressed an interest in writing for the series again.


Over the next three years Holmes contributed several more scripts and was heavily involved in the planning of [[Season 23]]. However, he passed away before he was able to complete his scriptwriting duties for [[The Ultimate Foe]], and the planned ending of the story was altered.
Over the next three years Holmes contributed several scripts and was heavily involved in the planning of [[Season 23]]. However, he passed away before he completed the script for ''[[The Ultimate Foe]]'' and the planned ending of the story was altered.


After his death, his estate licensed both the Autons and the Sontarans for use in several independent video spin-off productions by [[Reeltime Pictures]] and [[BBV Productions]], most notably for the ''[[Auton Trilogy]]'' and ''[[Shakedown: Return of the Sontarans]]''. Since 2005 the revived ''Doctor Who'' franchise has also featured the Autons in ''[[Rose (TV story)|Rose]]'', and the Sontarans in the two-parter ''[[The Sontaran Stratagem]]''/''[[The Poison Sky]]'' and a two-part storyline in ''[[The Sarah Jane Adventures]]'', ''[[The Last Sontaran]]''. They both appeared in [[The Pandorica Opens (TV story)|The Pandorica opens]].
After his death, his estate licensed the Autons and the Sontarans for use in independent video spin-off productions by [[Reeltime Pictures]] and [[BBV Productions]], most notably for the ''[[Auton Trilogy]]'' and ''[[Shakedown: Return of the Sontarans]]''. Since 2005 the revived ''Doctor Who'' has featured the Autons in ''[[Rose (TV story)|Rose]]'', and the Sontarans in the two-parter ''[[The Sontaran Stratagem]]''/''[[The Poison Sky]]'' and a two-part storyline in ''[[The Sarah Jane Adventures]]'', ''[[The Last Sontaran]]''. They both appeared in'' [[The Pandorica Opens (TV story)|The Pandorica Opens]]''.


In 2009, ''Doctor Who Magazine'' conducted a reader's poll that named Holmes' ''[[The Caves of Androzani]]'' the best Doctor Who story of all time.
In 2009, ''Doctor Who Magazine'' conducted a reader's poll that named Holmes' ''[[The Caves of Androzani]]'' the best Doctor Who story of all time.


== Analysis ==
== Analysis ==
Many of Holmes' scripts recycled essentially the same plot: a crippled (often deformed) villain is trapped in an underground or otherwise isolated lair, dependent upon the physical or mental strength of their servants. Their ultimate goal is to escape and/or restore themselves to their former power. This broad outline applies to some extent to both Holmes' first and last completed stories, as well as four of his most celebrated contributions, ''[[Pyramids of Mars]]'', ''[[The Deadly Assassin]]'', ''[[The Talons of Weng-Chiang]]'', and ''[[The Caves of Androzani]]''.
Many of Holmes' scripts recycled the same plot: a crippled (often deformed) villain is trapped in an underground or otherwise isolated lair, dependent upon the physical or mental strength of servants. Their ultimate goal is to escape and/or restore themselves to their former power. This broad outline applies to some extent to both Holmes' first and last completed stories, as well as four of his most celebrated contributions, ''[[Pyramids of Mars]]'', ''[[The Deadly Assassin]]'', ''[[The Talons of Weng-Chiang]]'', and ''[[The Caves of Androzani]]''.


However this is not to say Holmes was a formulaic writer, and the stories mentioned do not appear notably similar. This is probably due to the presence of another distinctive Holmes quality, a willingness to engage in deliberate pastiches of well-known films and fiction. This was particularly evident during his time as script editor. Gothic literature and pulp fiction provided Holmes with particularly rich pickings.
This is not to say Holmes was a formulaic writer. The stories mentioned do not appear notably similar. This is probably due to the presence of another distinctive Holmes quality, pastiches of well-known films and fiction. This was particularly evident during his time as script editor. Gothic literature and pulp fiction provided Holmes with particularly rich pickings.


Also running through Holmes' scripts are a love of colourful, often bizarre or esoteric language (he disinterred the arcane word [[Valeyard]], which means ''Doctor of Law'', for his final scripts), and a fondness for larger-than-life characterisation. He had a particularly good line in lovable rogues, who often came in pairs and whose by-play provides an ironic commentary on the events of the story.
Also running through Holmes' scripts are a love of colourful, often bizarre or esoteric language (he disinterred the arcane word [[Valeyard]], which means ''Doctor of Law'', for his final scripts), and a fondness for larger-than-life characterisation. He had a particularly good line in lovable rogues. They often came in pairs and their by-play provides an ironic commentary on the events of the story.


== Contributions to the Mythos ==
== Contributions to the Mythos ==
Line 37: Line 37:
* [[Romana I]]
* [[Romana I]]
* [[Key to Time|The Key to Time]]
* [[Key to Time|The Key to Time]]
* [[White Guardian|The White Guardian]]  
* [[White Guardian|The White Guardian]]
* [[The Valeyard]]
* [[The Valeyard]]
* [[Sabalom Glitz]]
* [[Sabalom Glitz]]
Line 62: Line 62:
* ''[[The Two Doctors]]''
* ''[[The Two Doctors]]''
* ''[[The Mysterious Planet]]''
* ''[[The Mysterious Planet]]''
* ''[[The Ultimate Foe]]'' - first episode (''[[The Trial of a Time Lord]]'' Episode 13) only  
* ''[[The Ultimate Foe]]'' - first episode (''[[The Trial of a Time Lord]]'' Episode 13) only


:''Robert Holmes was also commissioned to write ''[[Yellow Fever and How to Cure It]]'' for the original season 23 but this story was never made. Apparently it would have been set in [[Singapore]] and featured the Master, [[the Rani]] and the Nestenes.''
:''Robert Holmes was also commissioned to write ''[[Yellow Fever and How to Cure It]]'' for the original season 23 but this story was never made. Apparently it would have been set in [[Singapore]] and featured the Master, [[the Rani]] and the Nestenes.''
Line 74: Line 74:
* {{imdb name|id=0392025|name=Robert Holmes}}
* {{imdb name|id=0392025|name=Robert Holmes}}
{{NameSort}}
{{NameSort}}
[[Category:Novelisation writers]]
[[Category:Novelisation writers]]
[[Category:Doctor Who script editors]]
[[Category:Doctor Who script editors]]
[[Category:Doctor Who television writers]]
[[Category:Doctor Who television writers]]
[[Category:Worked on Blake's 7]]
[[Category:Worked on Blake's 7]]

Revision as of 20:44, 17 January 2012

RealWorld.png

Robert Holmes (2 April 1926-24 May 1986) was script editor of Doctor Who from 1975 to 1977 and the author of many Doctor Who scripts. He created or reimagined many key elements of the programme's mythology.

Personal History

Holmes was, at the end of World War Two, the youngest serving officer in the British army. He became a police officer, graduating top of his class. He grew disillusioned with the job and became a journalist. By the 1960s he had branched out into writing screenplays for films and television series. In 1968 he received his first commission for Doctor Who. Over the next few years, he became one of the series' lead writers.

When Terrance Dicks resigned as script editor in 1974, Holmes took over the position. He cpntinued to write scripts. After leaving the post, he wrote a few more before taking an extended break from the series. In 1983, as one of the series' most celebrated writers, Holmes was the first person asked to write the twentieth anniversary special, The Five Doctors. He declined but expressed an interest in writing for the series again.

Over the next three years Holmes contributed several scripts and was heavily involved in the planning of Season 23. However, he passed away before he completed the script for The Ultimate Foe and the planned ending of the story was altered.

After his death, his estate licensed the Autons and the Sontarans for use in independent video spin-off productions by Reeltime Pictures and BBV Productions, most notably for the Auton Trilogy and Shakedown: Return of the Sontarans. Since 2005 the revived Doctor Who has featured the Autons in Rose, and the Sontarans in the two-parter The Sontaran Stratagem/The Poison Sky and a two-part storyline in The Sarah Jane Adventures, The Last Sontaran. They both appeared in The Pandorica Opens.

In 2009, Doctor Who Magazine conducted a reader's poll that named Holmes' The Caves of Androzani the best Doctor Who story of all time.

Analysis

Many of Holmes' scripts recycled the same plot: a crippled (often deformed) villain is trapped in an underground or otherwise isolated lair, dependent upon the physical or mental strength of servants. Their ultimate goal is to escape and/or restore themselves to their former power. This broad outline applies to some extent to both Holmes' first and last completed stories, as well as four of his most celebrated contributions, Pyramids of Mars, The Deadly Assassin, The Talons of Weng-Chiang, and The Caves of Androzani.

This is not to say Holmes was a formulaic writer. The stories mentioned do not appear notably similar. This is probably due to the presence of another distinctive Holmes quality, pastiches of well-known films and fiction. This was particularly evident during his time as script editor. Gothic literature and pulp fiction provided Holmes with particularly rich pickings.

Also running through Holmes' scripts are a love of colourful, often bizarre or esoteric language (he disinterred the arcane word Valeyard, which means Doctor of Law, for his final scripts), and a fondness for larger-than-life characterisation. He had a particularly good line in lovable rogues. They often came in pairs and their by-play provides an ironic commentary on the events of the story.

Contributions to the Mythos

Major characters and concepts created for or debuting in a Robert Holmes script include:

Televised Scripts

Robert Holmes was also commissioned to write Yellow Fever and How to Cure It for the original season 23 but this story was never made. Apparently it would have been set in Singapore and featured the Master, the Rani and the Nestenes.

Books

External links