Night Terrors (TV story)

Night Terrors
Doctor:	Eleventh Doctor
Companion(s):	Amy, Rory
Main enemy:	Peg dolls
Main setting:	Earth, 2011
Key crew
Writer:	Mark Gatiss
Director:	Richard Clark
Producer:	Sanne Wohlenberg
Release details
Story number:	219
Premiere broadcast:	3 September 2011
Premiere network:	BBC One
Format:	1x45 minute episode
Production code:	2.4
Confidential:	[[confidential::About a Boy|About a Boy]]
← Previous	Let's Kill Hitler
Next →	The Girl Who Waited
Production order
← Previous	The Doctor's Wife
Next →	The Impossible Astronaut

Night Terrors was the ninth episode in the sixth series of Doctor Who. The episode is set an unknown amount of time after Let's Kill Hitler and again shows the Doctor's sympathy towards children in distress as in The Eleventh Hour and The Beast Below. Like Fear Her's Isolus, the chaos of the entire episode arises from a child's psychic powers. It also continued the second half of series 6's theme - the Doctor's impending death - through the contrast of the Eleventh Doctor's feeling of age and impending death and the fears of a child.

Synopsis

The Doctor receives a distress call from the scariest place in the Universe: a child’s bedroom. Every night George lies awake, terrified of every fear imaginable – fears that live in his bedroom cupboard. His parents are getting desperate – George needs a doctor. His pleas for help break through the barriers of all time and space and the Doctor makes a house call. Yet allaying his fears won’t be easy. George’s monsters are real.

Plot

In an apartment block on Earth, a young boy called George is being put to bed by his mother, Claire, before she leaves for work; however, George is terrified of everything and reluctant to go to sleep. He makes his mother turn the lights on and off five times -- a nightly ritual -- and Claire encourages him to put what he's afraid of in his cupboard. When she leaves, George starts whispering, "Please save me from the monsters," over and over. Through the crack in the door, he listens to his mother and father, Alex, talking. Claire insists that George needs to see a doctor about his problems. George thinks about this and continues his chanting.

Meanwhile, in the TARDIS -- which is floating in space at the other end of the universe -- Amy and Rory are enjoying a mug of some beverage as the Doctor works the console. The Doctor abruptly spins around and pulls out the psychic paper, and reads George's plea from it. He then begins setting the TARDIS on a new course, saying he hasn't done something in a while. When questioned by Amy what he means, the Doctor says "a house call".

The TARDIS materialises and Amy and Rory depart, being temporarily unimpressed with where they have ended up, expecting aliens and history. The Doctor says that it's like that most of the time, but they are not up to that today. Instead, they are answering a cry for help from the scariest place in the universe; a child's bedroom. The group splits up to search for George, each meeting a variety of characters, including the elderly Mrs Rossiter, the beefy landlord Jim Purcell, and a mother and her creepy twin daughters. All of the residents are suspicious of the strangers and slam the door in their faces.

As they pass by George's window, Rory jokes that they should let the monsters he's scared of eat him, scaring George even more. The Doctor notices George looking out the window at Amy and Rory. Meeting his companions, the Doctor diverts them to a lower floor while he goes to George's apartment and knocks at the door. He is greeted by Alex, who believes that he is a Child Services representative that Claire called. The Doctor confirms this easily given cover via his psychic paper.

Amy and Rory take an elevator to the lower floor, but the sound of the lift terrifies George, who continues chanting, "Please save me from the monsters." His mantra prompts the elevator to plummet downwards at an alarmingly high speed; once it reaches the ground floor, the doors open to reveal that Amy and Rory are no longer inside. They awake on the floor of a dark and unusual house, though Rory suspects they have died (again).

File:Alex.jpg

Alex explains George's fears to the Doctor.

The Doctor speaks to Alex about George's fears, though Alex insists that George is "scared to death of everything." Alex and Claire have created a tradition with George -- anything that scares him, they put in the cupboard. The Doctor meets George, who wonders if the Doctor has come to take him away. However, he dismissing this, saying he is only there to ask him about the monsters. Elsewhere, Amy and Rory have begun exploring their new environment. Rory changes his previous theory, suggesting that the TARDIS has malfunctioned and they have been transported to the 1700s; however, they later discover a lantern with an electric light bulb inside it, along with a wooden pan painted to look like it was made of copper. They are not it the past, but where are they.

Back in the flat, per the Doctor's suggestion, they prepare to open George's cupboard, but Purcell arrives and starts badgering Alex about the rent money he owes. George watches from his room, obviously terrified of Purcell and his dog. The Doctor tries to comfort George by activating all of his electronic toys with the sonic screwdriver; once George has calmed down, the Doctor scans his cupboard for "monsters," and is clearly shocked and terrified by the sonic's readings, which are "off the charts." When Alex returns and reaches for the cupboard door, the Doctor frantically stops him and declares, "George's monsters are real."

Elsewhere, Amy and Rory continue to explore the strange house in which they've landed, and become aware of a sinister giggling in a nearby closet. Their fears are temporarily allayed when they see the cupboard merely contains a human-sized wooden doll; however, when they leave the room to continue their exploring, the doll comes to life and begins to follow them.

The Doctor begins making tea, but Alex stops him, outraged that the Doctor has apparently fed George's fears. However, the Doctor tells him he's the ultimate expert and that whatever is in the cupboard is so evil and power, it made George's fear break the barriers of time and space to reach him. Alex can only look dumbfounded by the Doctor's explanation - "You're not from Social Services are you?"

Outside, Mrs Rossiter has taken out her trash, but sees something moving in the pile. Suspecting it may be George or another kid, she learns in to see who it is, but is "devoured" by the trash and ends up in the same house as Amy and Rory.

At the same time, the Doctor is looking through a photo album of Alex's family, enjoying a cup of tea. However, he then wonders if they should open the cupboard. At first he thinks it's the best idea so they know what it is, but then thinks it's a bad idea as he has no idea how powerful or evil the monsters are. Alex agrees with him both times; the Doctor ultimately decides to open the cupboard.

Elsewhere, Purcell is trying to find something to watch on television, but finds nothing he likes, telling his dog, Bernard, that they'll have to watch the same film again. Getting up from his chair, Purcell finds that his foot is stuck in the floor and is being sucked into it. Though he calls for help, Purcell is sucked in completely.

Inside the flat, the Doctor opens the cupboard to find nothing but old clothes and toys inside it. This makes him puzzled because of the readings he got. He then realises that he is missing something. Picking up one of the photo albums, the Doctor realises that in a photo taken mere weeks before George's birth, Claire does not appear to be pregnant. Pressured by the Doctor, Alex shouts that Claire can't have children and becomes confused as to how he just remembered that. As the Doctor wonders what George is, the cupboard doors swing open and a bright light begins to suck Alex and the Doctor inside; George watches, horrified while chanting, "Please save me from the monsters." Despite the Doctor's attempts to help George understand that he means no harm, he is sucked inside with Alex.

Elsewhere, Rory has begun panicking, but is quickly calmed by Amy. They run into Purcell, who begs them to keep "them" away from him. Much to their horror, they watch him be grabbed by a doll and turned into one. Amy tells Rory to panic now and they run into a room and block the door with a large spool of thread.

Inside the cupboard, the Doctor realises that they are in George's dollhouse. Alex is reluctant to believe this and demands the Doctor tell him how he could forget Claire couldn't have kids. The Doctor explains it's because of a powerful perception filter, which changed the memories of them and everyone around them. They pass a mirror, which shows another doll; it begins following them.

Back to Amy and Rory. They've decided to take control of the situation by surprising the dolls by letting them in. They open the door and run out. However, Amy is caught by a doll and, much to Rory's horror, becomes one of the dolls chasing him. All this while, the dolls sing a haunting rhyme.

In the meantime, the Doctor and Alex have found a toy that flashes on and off the same amount of times as George wants his bedroom light to be. The Doctor deduces that the dollhouse is a psychic repository for all the things that George fears; even the sound of the lift has been put in there. Outside, the lift and the other things in the building have begun working on their own. They are then surprised by the doll and use a pair of safety scissors to keep it at bay.

As they flee, the Doctor realises George is a Tenza, an alien species that are like cuckoo birds; they find foster parents are being born and adapt perfectly into what their parents want as their child. George instinctively sought out Claire and Alex because they could not have kids. However, something startled him and began this subconscious cycle of fear. The Doctor then begins shouting to George to make him aware that he is controlling everything that is happening in the dollhouse. However, George will not listen to him.

Forced up the stairs, the Doctor is happy to see Rory, who is also being chased by dolls, and is horrified to see Amy has been turned into one. He then yells to George again, telling him he is the only one who can save them from being in a "living death" - being one of the dolls. George opens the cupboard. George appears in the dollhouse and the dolls stop focusing on the Doctor, Rory, and Alex.

The peg dolls surround George

The Doctor congratulates George, but the dolls begin moving again, but this time towards George. This confuses the Doctor as he tries to get George to believe he can smash the world they're in. George is too scared to believe him. The Doctor then remembers George asking if he was going to take him away when he introduced himself. It was Alex and Claire's suggestion that George be sent somewhere for help that inspired George's fears; he misunderstood the suggestion as a rejection of him. The Doctor encourages Alex to tell George that he was wrong, and while Alex initially expresses some reluctance at accepting George as his son, when he sees the dolls surrounding him and hears George's cries, he pushes the dolls aside to protect him. Alex tearfully embraces George and promises to never send him away. All the dolls stop moving. The cupboard opens and brilliant light shines out.

All who were taken into the dollhouse wake on Earth the next morning, returned to their human forms. Amy is confused by what happened, though Rory insists that everything that she thinks happened is real.

Back at the apartment, Claire returns home, astonished to find her son happy and well. Alex lies that the Doctor came from Social Services and is the reason for George being better. The Doctor prepares to leave, but Alex runs after him, wondering what he should do since George isn't human. The Doctor commends Alex for his actions and insists that George will grow up like a normal boy, and will become whatever his parents want him to be. However, he promises to visit around George's puberty as it's "always a funny time".

The Doctor meets up with Amy and Rory and they return to the TARDIS, with the Doctor remembering that they previously requested aliens and history. Amy's mind is still having trouble focusing after her transformation into a doll and Rory says choosing a destination in the TARDIS is like having three wishes. The Doctor then gets an idea from this and goes on to explain it. As they set a course for their next destination, a nursery rhyme sounds: "Tick, tock, goes the clock, even for the Doctor," as the time and place of the Doctor's death appears onscreen.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams - Arthur Darvill
• Alex - Daniel Mays
• George - Jamie Oram
• Claire - Emma Cunniffe
• Jim Purcell - Andrew Tiernan
• Elsie Rossiter - Leila Hoffman
• Julie - Sophie Cosson

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

General production staff Production Executive - Julie Scott Line Producer - Diana Barton Production Manager - Steffan Morris Location Manager - Nicky James Location Assistant - Geraint Williams Unit Manager - Rhys Griffiths Production Co-ordinator - Claire Hildred Assistant Production Co-ordinator - Helen Blyth Production Assistant - Charlie Coombes Production Secretary - Scott Handcock Production Accountant - Dyfed Thomas A/Production Accountant - Rhys Evans Script department Script Executive - Lindsey Alford Camera and lighting department 1st Assistant Director - Mick Pantaleo 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Assistant Directors - Janine H Jones, Michael Curtis Script Supervisor - Caroline Holder Camera Operator - Bob Shipsey Focus Pullers - Steve Rees, Jonathan Vidgen Grip - John Robinson Assistant Grip - Owen Charnley Camera Assistants - Simon Ridge, Svetlana Miko, Matthew Lepper Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Bob Milton, Stephen Slocombe, Alan Tippets	Art department Supervising Art Directors - Stephen Nicholas, Karl Probert Assistant Art Director - Jackson Pope Production Buyer - Ben Morris Petty Cash Buyer - Kate Wilson Set Decorator - Julian Luxton Props Buyer - Adrian Anscombe Concept Artist - Richard Shaun Williams Dolls - Robert Allsopp Graphic Artist - Christina Tom Standby Props - Phil Shellard, Katherine Archer Standby Carpenter - Will Pope Standby Art Director - Ciaran Thompson Standby Rigger - Bryan Griffiths Standby Painter - Helen Atherton Store Person - Jayne Davies Props Master - Paul Aitken Props Chargehand - Rhys Jones Dressing Props - Martin Broadbent, Kristian Wilsher Props Driver - Medard Mankos Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Scott Fisher Practical Electrician - Albert James Graphics - BBC Wales Graphics Draughtsman - Julia Jones Costume department Costume Supervisor - Bobbie Peach Assistant Costume Designer - Caroline McCall Costume Assistants - Jason Gill, Yasemin Kascioglu, Emma Jones	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Vivienne Simpson, Allison Sing Movement Stunt Co-ordinator - Crispin Layfield Stunt Performers - Gordon Seed, Bean Peel, Danielle da Costa Choreographer - Ailsa Berk Casting Casting Associate - Alice Purser General post-production staff Post-production Supervisor - Nerys Davies Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Conform - Mark Bright On-line Editor - Jeremy Lott Special and visual effects Visual FX Producer - Beewan Athwal VFX Editor - Cat Gregory Colourist - Mick Vincent Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineers - Jeff Welch, Dafydd Parry Dialogue Editor - Paul McFadden Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Jamie Talbutt

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

Culture

• Rory suggests the message on the psychic paper could have been junk mail.
• The Doctor mentions pantophobia, the fear of everything.
• The Doctor plays with a Rubik's Cube. He gets bored of it easily.
• The Doctor mentions empires of glass and civilisations of pure thought.

The Doctor

• The Doctor mentions three of his favourite bedtime stories as a child: The Three Little Sontarans, The Emperor Dalek's New Clothes and Snow White and the Seven Keys to Doomsday.
• The Doctor says he was George's age "about a thousand years ago".
• The Doctor again says that he has old eyes.
• The Doctor again references his age, extending a common English idiom. "I've been around the block a few times. More than a few. They've knocked down the blocks I've been round and rebuilt them as bigger blocks. Super blocks. I've been round them as well."
• The Doctor finds a hatred of clowns understandable.

Foods and beverages

• The Doctor and Alex drink tea.
• The Doctor asks for Jammie Dodgers.
• Amy and Rory have mugs of beverage in the TARDIS control room.
• The Doctor and Alex prepare kippers for breakfast.

Species

• George is a Tenza. He is able to match himself to people's needs and create perception filters.

Individuals

• Mrs Rossiter mentions Sherpa Tenzing, likely a reference to Tenzing Norgay, who reached the top of Everest with Hilary. The name shares initial sounds with the name of George's species, Tenza.
• The Doctor is amused that a man in the building has ten cats.
• George thinks the old lady across the way is a witch.

Television series from the real world

• Rory mentions EastEnders.
• Bergerac was one of the shows Purcell briefly views whilst channel surfing.
• One of George's toys is Serpentera from Mighty Morphin Power Rangers.
• Another toy is Optimus Prime of Transformers.

Story notes

• This episode had the working titles House Call and What are Little Boys Made of?
• This was originally going to be the fourth episode of the series, but was moved to the second half as Steven Moffat felt that the first half was "too dark". This necessitated minor changes to the episode. A scene with Madame Kovarian was removed, and the ending with the data file from Let's Kill Hitler was added. This means Karen Gillan, when she filmed the episode, was in fact performing as the Ganger version of Amy. The Doctor's line at the end of the episode "Well, it's good to be all back together again, in the flesh" referring to Amy's recent turn into a peg doll was written with the intention of also applying to Amy being a Ganger.
• The scene where the Doctor and Alex are being sucked into the cupboard is very similar to the movie Poltergeist where the daughter is sucked into the spirit realm through her bedroom cupboard.
• The Doctor emphasises his age frequently in the episode, this is a thematic contrast with the core ideas of childhood fears and the toy imagery.
• When Alex is looking at pictures, an announcer from the television can be heard. She says that he is watching BBC One on Saturday night, the same channel and day Doctor Who is on.
• One of the children's stories the Doctor mentions, Snow White and the Seven Keys to Doomsday, shares its title with a story in the then-recently published Doctor Who The Official Annual 2012. Had Night Terrors aired as originally planned in the first half of the season, the story would have been published afterwards (suggesting a probable tie-in with the episode).
• As is routine for post-2005 Doctor Who, a "NEXT TIME" trailer for the next episode is shown at the end of the episode.

Ratings

• UK Overnight: 5.5 million
• UK Final: 7.07 million

Myths

• Amy will be turned into a doll. This was proven true.

Filming locations

• Dyrham House, Bristol

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

• When Amy and Rory are first exploring the dollhouse, their torch begins blinking. The shot cuts between Rory, Amy, and a closeup of the torch. In the closeup, the light is in Rory's left hand (you can see his wedding ring), but in the rest of the shots, it's in his right hand.
• When the Doctor and Alex are being sucked into the cupboard by George, the bedroom is seen to be wrecked (a bookcase falling over, stuff falling off his bedside table etc.). When we cut back to the bedroom shortly after, everything is perfectly normal. (This may or may not be intentional, i.e., George made it normal again.)
• While making tea, the Doctor clearly says, "You see these eyes? They're old eyes." The subtitles replace the last two words with "all lies".

Continuity

• Inside the dollhouse, Rory initially thinks he and Amy are "dead again". (TV: Amy's Choice, Cold Blood, The Pandorica Opens) He also believes at one point that the TARDIS is altering time and space again. (TV: The Doctor's Wife)
• The Doctor asks for a Jammie Dodger. (TV: Victory of the Daleks, The Impossible Astronaut)
• When the Doctor and Alex wake up in the dollhouse, Alex wonders how it can be bigger on the inside. The Doctor says, "More common than you'd think, actually", referring to the TARDIS.
• When the Doctor explains to Alex that George is using a perception filter, he stops in the hallway to look in a mirror and makes the same face he did when he first saw his reflection in TV: The Vampires of Venice.
• Rory fights the peg dolls with a mop. He saw the Doctor with a mop in The Big Bang.
• The Doctor performs his odd greeting kiss with Claire. (TV: The Lodger)
• The sonic screwdriver doesn't work on wood. (TV: Silence in the Library, The Hungry Earth, The Curse of the Black Spot)
• The information of the Doctor's death is shown (TV: Let's Kill Hitler) and the story arc involving his death is continued with the peg dolls' nursery rhyme.
• The Eighth Doctor was previously turned into a doll by the Celestial Toymaker in a manner similar to Amy. (AUDIO: Solitaire)
• The Doctor again shows a connection to and concern for children. (TV: The Eleventh Hour, The Beast Below, The Hungry Earth, A Christmas Carol, The Impossible Astronaut, The Curse of the Black Spot).
• The Doctor asks if there are any jelly babies he can have. (TV: Robot, et. al.)
• The Fourth Doctor was shrunken down and chased through a doll's house by peg dolls in AUDIO: The Dead Shoes.
• Rory suspects that George's message could be junk mail. Junk mail has made its way into the TARDIS before. (TV: The Greatest Show in the Galaxy)
• George puts everything that scares him into his cupboard. Rory Williams did the same thing with something he was scared of, Adolf Hitler (TV: Let's Kill Hitler)

Home video releases

Series 6, part 2 DVD cover

This episode, along with the rest of the second half of series 6, was released on DVD and Blu Ray on the 10 October 2011.

The episode was later released in the complete series 6, which included the first and second half of the series, was released on DVD and Blu Ray on the 21 November 2011.

External links

• Night Terrors at The Locations Guide
• Night Terrors at the Doctor Who Reference Guide

Footnotes