Jamie Robertson: Difference between revisions
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Most notably in 2013 Jamie Robertson was the composer for the show's 50th anniversary official audio ''The Light at the End''. | Most notably in 2013 Jamie Robertson was the composer for the show's 50th anniversary official audio ''The Light at the End''. | ||
For the first time in ''Doctor | For the first time in ''Doctor Who'' audio history, he mixed and released ''The Light at the End'' in Dolby 5.1 as a download extra via the Big Finish site. | ||
Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on ''[[Relative Dimensions]]''. | Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on ''[[Relative Dimensions]]''. | ||
Through his scores, Robertson has made original contributions to each era of the Doctor. A particular favourite is his leitmotif for the [[Eighth Doctor]].{{Fact}} It crops up in ''[[Blue Forgotten Planet]]'' when [[Charley Pollard]] mentions that incarnation to the [[Sixth Doctor]]. | Through his scores, Robertson has made original contributions to each era of the Doctor. A particular favourite is his leitmotif for the [[Eighth Doctor]], [[There's A Man I Know]].{{Fact}} It crops up in ''[[Blue Forgotten Planet]]'' when [[Charley Pollard]] mentions that incarnation to the [[Sixth Doctor]]. | ||
Robertson has also scored a track known as "Across the Stars". This track debuted on ''[[The Chaos Pool]]''. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, ''[[The Feast of Axos]]'' featured a new, choral version. | Robertson has also scored a track known as "Across the Stars". This track debuted on ''[[The Chaos Pool]]''. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, ''[[The Feast of Axos]]'' featured a new, choral version. |
Revision as of 06:46, 1 September 2014
Jamie Robertson (born 30 May 1981) is a member of the post-production team of Big Finish Productions. He has mostly served as a composer for Big Finish but has also worked on sound design for many releases.
Each year he composes music for all different ranges from the spin-offs to the main range. Most notably in 2013 Jamie Robertson was the composer for the show's 50th anniversary official audio The Light at the End.
For the first time in Doctor Who audio history, he mixed and released The Light at the End in Dolby 5.1 as a download extra via the Big Finish site.
Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on Relative Dimensions.
Through his scores, Robertson has made original contributions to each era of the Doctor. A particular favourite is his leitmotif for the Eighth Doctor, There's A Man I Know.[source needed] It crops up in Blue Forgotten Planet when Charley Pollard mentions that incarnation to the Sixth Doctor.
Robertson has also scored a track known as "Across the Stars". This track debuted on The Chaos Pool. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, The Feast of Axos featured a new, choral version.
Robertson scored the theme tunes for the Eighth Doctor extras, Series 3 [statement unclear] and afterwards, Jago and Litefoot, Graceless and other Big Finish series, including Highlander and Sherlock Holmes.
Post-production
Doctor Who 50th Anniversary releases
- The Light at the End - music & sound design
- Death's Deal - music & sound design
The Fourth Doctor Adventures
- Destination: Nerva - music & sound design
- The Renaissance Man - music & sound design
- Phantoms of the Deep - music & sound design
- Night of the Stormcrow - music & sound design
- The King of Sontar - music & sound design
- White Ghosts - music & sound design
Big Finish Monthly Doctor Who audio stories
- The Judgement of Isskar - music
- The Chaos Pool - music
- Blue Forgotten Planet - music & sound design
- The Architects of History - music & sound design
- Legend of the Cybermen - music & sound design
- The Feast of Axos - music & sound design
- Heroes of Sontar - music & sound design
- Robophobia - music & sound design
- The Silver Turk - music & sound design
- The Fourth Wall - music & sound design
- Black and White - music & sound design
- 1001 Nights - music & sound design
Big Finish Doctor Who - The Lost Stories audio stories
- The Nightmare Fair - music & sound design
- The First Sontarans - music & sound design
- The Rosemariners - music & sound design
Big Finish Doctor Who - The Fourth Doctor Adventures audio stories
- Destination: Nerva - music & sound design
Big Finish Doctor Who - The Eighth Doctor Adventures audio stories
- Wirrn Dawn - music & sound design
- The Scapegoat - music & sound design
- The Cannibalists - music & sound design
- Worldwide Web - music & sound design
- The Eight Truths - music & sound design
- Situation Vacant - music & sound design
- Relative Dimensions - music & sound design
Big Finish Doctor Who - The Companion Chronicles audio stories
- Resistance - music
- The Magician's Oath - music
- Bernice Summerfield and the Criminal Code - music & sound design
- Peri and the Piscon Paradox - music & sound design
Big Finish Dalek Empire audio stories
- The Fearless: Part 2 - sound design
- The Fearless: Part 3 - sound design
- The Fearless: Part 4 - sound design
External links
- Jamie Robertson at the Internet Movie Database
- Jamie Robertson - Official website
- Jamie Robertson Twitter Page - Some music is here
- Jamie Robertson - Facebook Fan Page - With music - Music also included here