Michael Hayes: Difference between revisions
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He was glad to find that his first Doctor Who story, the four part ''[[The Androids of Tara]]'' was mostly shot on location instead of on a soundstage made up to look like an alien planet. During the night shoot at Leeds Castle, Hayes' then 14 year old son helped out by navigating the little rowboat that [[K9]] ends up in at the very end of the serial. | He was glad to find that his first Doctor Who story, the four part ''[[The Androids of Tara]]'' was mostly shot on location instead of on a soundstage made up to look like an alien planet. During the night shoot at Leeds Castle, Hayes' then 14 year old son helped out by navigating the little rowboat that [[K9]] ends up in at the very end of the serial. | ||
According to his audio commentary, his second story, the six part ''[[The Armageddon Factor]]'' became quite tiresome for Hayes. This was because it was filmed back to back with the first | According to his audio commentary, his second story, the six part ''[[The Armageddon Factor]]'' became quite tiresome for Hayes. This was because it was filmed back to back with the first. He also did not enjoy the constant filming on dimly lit studio sets. | ||
For ''[[City of Death]]'', Hayes travelled to [[Paris]]. In this story, he made a "Hitchcock" style cameo appearance as the shifty-looking passenger wearing a cloth cap and carrying a metal case seen exiting the train at the Metro station Boissère after the Doctor and Romana — as well as dubbing one of the lines where a [[Police|gendarme]] tells the [[Fourth Doctor]] that the [[Mona Lisa]] has been stolen.{{Fact}} | For ''[[City of Death]]'', Hayes travelled to [[Paris]]. In this story, he made a "Hitchcock" style cameo appearance as the shifty-looking passenger wearing a cloth cap and carrying a metal case seen exiting the train at the Metro station Boissère after the Doctor and Romana — as well as dubbing one of the lines where a [[Police|gendarme]] tells the [[Fourth Doctor]] that the [[Mona Lisa]] has been stolen.{{Fact}} | ||
Revision as of 14:58, 29 December 2014
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Michael Hayes (3 April 1929-16 September 2014)[1] directed the Doctor Who serials The Androids of Tara, The Armageddon Factor and City of Death.
Hayes was initially reluctant to direct Doctor Who, which he thought of as "a children's show with dodgy effects". However, due to his friendship with head of serials Graeme MacDonald and thanks to the persuasion of producer Graham Williams, he agreed to do one, hoping it would never actually happen. He came to like the show, agreeing to do two more.
He was glad to find that his first Doctor Who story, the four part The Androids of Tara was mostly shot on location instead of on a soundstage made up to look like an alien planet. During the night shoot at Leeds Castle, Hayes' then 14 year old son helped out by navigating the little rowboat that K9 ends up in at the very end of the serial.
According to his audio commentary, his second story, the six part The Armageddon Factor became quite tiresome for Hayes. This was because it was filmed back to back with the first. He also did not enjoy the constant filming on dimly lit studio sets.
For City of Death, Hayes travelled to Paris. In this story, he made a "Hitchcock" style cameo appearance as the shifty-looking passenger wearing a cloth cap and carrying a metal case seen exiting the train at the Metro station Boissère after the Doctor and Romana — as well as dubbing one of the lines where a gendarme tells the Fourth Doctor that the Mona Lisa has been stolen.[source needed]
