Stairway to Heaven (comic story): Difference between revisions
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'''''Stairway to Heaven''''' was a [[Seventh Doctor]] comic published in ''[[Doctor Who Magazine]]''. | '''''Stairway to Heaven''''' was a [[Seventh Doctor]] comic published in ''[[Doctor Who Magazine]]''. | ||
== Summary == | == Summary == | ||
Hoping for the [[Chardaz Museum of Modern Art]], the [[Seventh Doctor]] finds himself within a domed [[park]]-like area, where giant [[eggs]] hatch polite, [[Species (Stairway to Heaven)|marsupial-like creatures]] capable of heat vision. Trying to get directions, the Doctor follows one such creature, which ages rapidly as it uses its heat vision to bake a lump of mud into a brick. It carries the brick to a staircase — its steps constructed of over such bricks — which spirals up to the roof of the dome. The staircase is also decorated with bones, which the Doctor finds out the creature gets from skeletons of its own kind, all of which appear to have died from a high fall. Crying "heavenwards", the creature scampers up the staircase, the Doctor realising not only where the creature's fellows fell from, but also guessing that [[the TARDIS]] ''did'' deliver him to the museum. | Hoping for the [[Chardaz Museum of Modern Art]], the [[Seventh Doctor]] finds himself within a domed [[park]]-like area, where giant [[eggs]] hatch polite, [[Species (Stairway to Heaven)|marsupial-like creatures]] capable of heat vision. Trying to get directions, the Doctor follows one such creature, which ages rapidly as it uses its [[heat vision]] to bake a lump of [[mud]] into a [[brick]]. It carries the brick to a staircase — its steps constructed of over such bricks — which spirals up to the roof of the dome. The staircase is also decorated with bones, which the Doctor finds out the creature gets from skeletons of its own kind, all of which appear to have died from a high fall. Crying "heavenwards", the creature scampers up the staircase, the Doctor realising not only where the creature's fellows fell from, but also guessing that [[the TARDIS]] ''did'' deliver him to the museum. | ||
Up above them, [[Garg Ardoniquist]], an obese humanoid and controversial "genetic sculptor", is being interviewed at a party for the unveiling of his latest masterpiece. Gathered around a small dome-like structure with a hinged top, Garg explains to the interviewer that this work represents the suffering an artist goes through to reach the top of their field. Beneath them, the creature has added its brick as the latest step on the staircase, and is narrowly prevented by the Doctor from stepping off the staircase to its death. Successfully guessing that the creatures are following a program, the Doctor reaches up and unlocks the hatch. Hauling himself and the creature into the museum, the Doctor is waylaid by the interviewer, asking what it's like to be part of a work of art, while the now-elderly creature adoringly beholds its creator, Garg Ardoniquist, who narcissistically invites it to embrace its creator, for having successfully built the Stairway to Heaven. | Up above them, [[Garg Ardoniquist]], an obese humanoid and controversial "genetic sculptor", is being interviewed at a party for the unveiling of his latest masterpiece. Gathered around a small dome-like structure with a hinged top, Garg explains to the interviewer that this work represents the suffering an artist goes through to reach the top of their field. Beneath them, the creature has added its brick as the latest step on the staircase, and is narrowly prevented by the Doctor from stepping off the staircase to its death. Successfully guessing that the creatures are following a program, the Doctor reaches up and unlocks the hatch. Hauling himself and the creature into the museum, the Doctor is waylaid by the interviewer, asking what it's like to be part of a work of art, while the now-elderly creature adoringly beholds its creator, Garg Ardoniquist, who narcissistically invites it to embrace its creator, for having successfully built the Stairway to Heaven. |
Revision as of 12:30, 31 December 2015
Stairway to Heaven was a Seventh Doctor comic published in Doctor Who Magazine.
Summary
Hoping for the Chardaz Museum of Modern Art, the Seventh Doctor finds himself within a domed park-like area, where giant eggs hatch polite, marsupial-like creatures capable of heat vision. Trying to get directions, the Doctor follows one such creature, which ages rapidly as it uses its heat vision to bake a lump of mud into a brick. It carries the brick to a staircase — its steps constructed of over such bricks — which spirals up to the roof of the dome. The staircase is also decorated with bones, which the Doctor finds out the creature gets from skeletons of its own kind, all of which appear to have died from a high fall. Crying "heavenwards", the creature scampers up the staircase, the Doctor realising not only where the creature's fellows fell from, but also guessing that the TARDIS did deliver him to the museum.
Up above them, Garg Ardoniquist, an obese humanoid and controversial "genetic sculptor", is being interviewed at a party for the unveiling of his latest masterpiece. Gathered around a small dome-like structure with a hinged top, Garg explains to the interviewer that this work represents the suffering an artist goes through to reach the top of their field. Beneath them, the creature has added its brick as the latest step on the staircase, and is narrowly prevented by the Doctor from stepping off the staircase to its death. Successfully guessing that the creatures are following a program, the Doctor reaches up and unlocks the hatch. Hauling himself and the creature into the museum, the Doctor is waylaid by the interviewer, asking what it's like to be part of a work of art, while the now-elderly creature adoringly beholds its creator, Garg Ardoniquist, who narcissistically invites it to embrace its creator, for having successfully built the Stairway to Heaven.
The Doctor, however, is having none of this, and berates Garg as a pompous fool, having abused genetic science for his own ego. When Garg defends himself, saying he had suffered greatly to bring art into the world, the Doctor outlines that it was his creations that did the real suffering, the latest creature having no more reason to exist now that its programming was completed. At this point, the creature then tackles Garg, wishing to be united with its creator, resulting in them falling through the hatch to their deaths. While the attending party-goers acclaim Garg for getting so involved with his work (or begin grabbing up bricks for collectors' items), the Doctor makes a hasty retreat back to the TARDIS. Lamenting that one small step sometimes proves to lead one downwards, he leaves as yet another egg cracks open.
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