|
|
| Line 1: |
Line 1: |
| {{retitle|"Clara" (song)}} | | {{real world}} |
| {{Infobox Object
| | '''''The Impossible Girl''''', written by [[Murray Gold]], was the theme that occasionally accompanied [[Clara Oswald]]'s appearances in episodes of ''[[Doctor Who]]''. The theme was characterised by a flute melody and a harp-like accompaniment. |
| |name = Clara
| |
| |type = [[Song]]
| |
| |made by =The [[Twelfth Doctor]]
| |
| |only = Hell Bent (TV story)
| |
| |clip =
| |
| }}
| |
| "'''Clara'''" was an instrumental song composed by the [[Twelfth Doctor]]. He performed the song several times for [[Clara Oswald]] in [[Clara's TARDIS|her TARDIS]], disguised as an American diner, during a visit to [[Nevada]]. This occurred after he erased most memories of his former [[companion]], so he was unaware that he was playing it for Clara herself.
| |
|
| |
|
| The Doctor didn't know the origin of the tune. However, after discussing the fact that the Doctor no longer had specific memories of Clara, and in particular had forgotten a private message she gave him while in the [[cloisters]] on [[Gallifrey]], Clara suggested that songs, such as this one, might represent those lost memories. The Doctor considered this and continued to play the song as Clara's TARDIS dematerialised around him. ([[TV]]: ''[[Hell Bent (TV story)|Hell Bent]]'')
| | This theme was also heard on several soundtrack CDs. |
|
| |
|
| == Behind the scenes ==
| | {{Real world stub}} |
| In reality, "Clara" was composed by series music composer [[Murray Gold]]. It is a very rare case of a soundtrack composition - as opposed to a vocal song - becoming [[diegetic]], or part of the narrative.
| | [[Category:Leitmotifs]] |
| | |
| Originally titled "Clara?" and also known as "The Impossible Girl" (the title it was performed under during the [[Doctor Who at the Proms (2013)]] concert and the [[Doctor Who Symphonic Spectacular (Melbourne)|Doctor Who Symphonic Spectacular]]), the composition was first heard briefly in [[TV]]: ''[[Asylum of the Daleks (TV story)|Asylum of the Daleks]]'' in 2012 during the sequence in which Oswin utters the phrase "Run you clever boy, and remember" for the first time.
| |
| | |
| A full arrangement of the song was first heard on [[Doctor Who - The Doctor, the Widow and the Wardrobe and The Snowmen (soundtrack)|the soundtrack]] to [[TV]]: ''[[The Snowmen (TV story)|The Snowmen]]'' in 2012, most notably during the sequence in which Clara Oswin Oswald ascends to where the Doctor's TARDIS is hidden; the soundtrack album for the special titles the track "Clara and the TARDIS". The "Snowmen" version incorporates a wordless choral vocal singing the melody, which is unique to this version of the leitmotif.
| |
| | |
| Prior to this, Gold had also composed "Oswin Oswald", a musical theme for the earlier character. This tune had a similar melody, but a number of noticable differences to the later track.
| |
| | |
| "Clara?", although introduced for Oswin and Clara Oswin Oswald, became the recurring leitmotif for Clara Oswald proper, beginning with [[TV]]: ''[[The Bells of Saint John (TV story)|The Bells of Saint John]]'' and was featured prominently in the opening minutes of the 50th anniversary special, [[TV]]: ''[[The Day of the Doctor (TV story)|The Day of the Doctor]]''. It was also borrowed for the Red Button spoof ''[[The Fiveish Doctors Reboot (TV story)|The Five(ish) Doctors Reboot]]'' for a sequence in which [[Jenna Coleman]], [[Matt Smith]] and [[Steven Moffat]] appear.
| |
| | |
| It continued to be a recurring theme for Clara during [[Series 8 (Doctor Who)|Series 8]] and [[Series 9 (Doctor Who)|9]], before becoming part of the narrative in ''Hell Bent''; a sombre variant was featured during her death scene in [[TV]]: ''[[Face the Raven (TV story)|Face the Raven]]''. Besides being played on camera during ''Hell Bent'' in an electric guitar version by [[Peter Capaldi]], the tune also was prominently featured in the Cloisters sequence where the camera pans away from the Doctor and Clara during their private moment. A narrative link is made between the use of the melody in that sequence and Clara later suggesting the song might represent what she said in the cloisters.
| |
| | |
| This is not the first piece of music attributed (in the fictional universe) to the Doctor; he previously conducted a fourth wall-breaking orchestral performance of another piece of music he created ([[TV]]: ''[[Music of the Spheres (TV story)|Music of the Spheres]]''). It is also, after "[[Love Don't Roam]]", the second diegetic song to refer (albeit in this case instrumentally) to a lost companion, although "Love Don't Roam", in-universe, just happened to be a song the [[Tenth Doctor|Doctor]] heard being played in a night club with lyrics that invoked memories of [[Rose Tyler]].
| |
| | |
| {{OrigSongs}} | |
| [[Category:Songs]] | |
| [[Category:Doctor Who music]]
| |
