Matte painting: Difference between revisions
From Tardis Wiki, the free Doctor Who reference
(Adding categories) Tag: categoryselect |
m (manually forcing a stub category so that there's something to work with after the original stub emplacement is withdrawn.) Tag: apiedit |
||
| Line 17: | Line 17: | ||
[[Category:Special effects]] | [[Category:Special effects]] | ||
[[Category:Matte painters| ]] | [[Category:Matte painters| ]] | ||
[[Category:Terminology stubs]] | |||
Revision as of 02:47, 5 June 2017
A matte painting is a special effects device.
Procedure
If action requires a larger, more elaborate, or simply different environment than is available for filming, said environment could be produced by creating a painting of the scene with a certain area left blank. The blank area is later filled in with the actual filmed footage, creating the illusion that the action is taking place within the painted environment.
The procedure evolved to include the use of photographs and later digital artwork and CGI, not just traditional paintings. The term "matte painting" is still used. The artists are called digital matte painters.
Notable examples
- In Rose, when the Doctor first appears at Rose's flat, the background is a matte painting. Russell T Davies said that it looked so terrible that in special effects, they blurred the background so it looked slightly better. [source needed]
- Silence in the Library won a prestigious Video Effects Society award for its digital matte paintings by Simon Wicker, Charlie Bennett, Arianna Lago, and Tim Barter. It was the only visual effects award won by Doctor Who during the Russell T Davies era, despite several nominations.
External links
