Emotional amplifier: Difference between revisions
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'''Emotional amplifiers''' were devices capable of detecting [[emotion]]s and amplifying them over distances. [[Owen Harper]] compared them to [[mobile phone]]s which transmitted emotions rather than | '''Emotional amplifiers''' were devices capable of detecting [[emotion]]s and amplifying them over distances. [[Owen Harper]] compared them to [[mobile phone]]s which transmitted emotions rather than [[sound]]s. | ||
== Design == | == Design == | ||
The amplifiers were deep-[[lavender]] | The amplifiers were deep-[[lavender]] [[metal]]lic objects, the size of paperback [[book]]s, but ovoid in shape. They were criss-crossed with raised ribbons of metal, which broadened out at random intervals to encircle two buttons. At the broad end, they had three irregular holes. The narrower end of the amplifiers was different in texture, like [[ceramic]], but the same colour of lavender. | ||
The colour and curvature reminded [[Toshiko Sato|Toshiko]] of [[Japan]]ese art, with the surface incised with pattern like formal [[calligraphy]]. The colour reminded her of [[Hokusai]] etchings. | The colour and curvature reminded [[Toshiko Sato|Toshiko]] of [[Japan]]ese art, with the surface incised with pattern like formal [[calligraphy]]. The colour reminded her of [[Hokusai]] etchings. | ||
The inner circuitry produced an emotional amplification effect, capable of transmitting emotions including [[hunger]]. It contained a picture within the circuitry of a [[face]] | The inner [[circuitry]] produced an emotional amplification effect, capable of transmitting emotions including [[hunger]]. It contained a picture within the circuitry of a [[face]]. There were also symbols incised into the circuitry. ([[PROSE]]: ''[[Slow Decay (novel)|Slow Decay]]'') | ||
== Origin == | == Origin == | ||
It was theorised that they might be used by an [[alien]] race which communicated via a short-range [[empath]]ic sense. The amplifiers were built with artistry and care | It was theorised{{who}} that they might be used by an [[alien]] race which communicated via a short-range [[empath]]ic sense. The amplifiers were built with artistry and care. To this species, art was more important than power conservation. | ||
The face within the circuitry was differently proportioned to that of a human, more closely resembling a [[hammerhead shark]]. It had two | The face within the circuitry was differently proportioned to that of a [[human]], more closely resembling a [[hammerhead shark]]. It had two [[eye]]s placed at the extremes of the [[head]]. ([[PROSE]]: ''[[Slow Decay (novel)|Slow Decay]]'') | ||
[[Category:Communications technology]] | [[Category:Communications technology]] | ||
[[Category:Works of art]] | [[Category:Works of art]] | ||
Revision as of 13:08, 23 August 2018
Check the behind the scenes section, the revision history and discussion page for additional comments on this article's title.
Emotional amplifiers were devices capable of detecting emotions and amplifying them over distances. Owen Harper compared them to mobile phones which transmitted emotions rather than sounds.
Design
The amplifiers were deep-lavender metallic objects, the size of paperback books, but ovoid in shape. They were criss-crossed with raised ribbons of metal, which broadened out at random intervals to encircle two buttons. At the broad end, they had three irregular holes. The narrower end of the amplifiers was different in texture, like ceramic, but the same colour of lavender.
The colour and curvature reminded Toshiko of Japanese art, with the surface incised with pattern like formal calligraphy. The colour reminded her of Hokusai etchings.
The inner circuitry produced an emotional amplification effect, capable of transmitting emotions including hunger. It contained a picture within the circuitry of a face. There were also symbols incised into the circuitry. (PROSE: Slow Decay)
Origin
It was theorised[who?] that they might be used by an alien race which communicated via a short-range empathic sense. The amplifiers were built with artistry and care. To this species, art was more important than power conservation.
The face within the circuitry was differently proportioned to that of a human, more closely resembling a hammerhead shark. It had two eyes placed at the extremes of the head. (PROSE: Slow Decay)
