Day One (TV story): Difference between revisions
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:''For the [[Series 3 (Torchwood)|Series 3]] Torchwood episode ''[[Children of Earth: Day One]]'', see separate entry.'' | :''For the [[Series 3 (Torchwood)|Series 3]] Torchwood episode ''[[Children of Earth: Day One]]'', see separate entry.'' | ||
{{Template:Infobox Torchwood| | {{Template:Infobox Torchwood| | ||
story name = Day One | | story name = Day One | | ||
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next story = [[Ghost Machine]] }} | next story = [[Ghost Machine]] }} | ||
==Synopsis== | ==Synopsis== | ||
Gwen's first day on the job sees Cardiff's nightlife at the mercy of an alien who consumes its victims during | Gwen's first day on the job sees Cardiff's nightlife at the mercy of an alien who consumes its victims during orgasm, leaving behind only dust. Torchwood tracks the alien to a sperm bank, but too late for the patrons within. Gwen tricks it into leaving its host and captures it within a portable cell, where it peters out, turning itself to dust. | ||
==Plot== | ==Plot== | ||
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While the team tries to track Carys by cross-checking video from the surveillance cameras with a database containing the faces of the UK population, Carys is feeling the effects of the alien in her body, which is causing her pain. The postman arrives, and Carys pulls him into her house for sex, but the team manages to arrive before she can do the deed. | While the team tries to track Carys by cross-checking video from the surveillance cameras with a database containing the faces of the UK population, Carys is feeling the effects of the alien in her body, which is causing her pain. The postman arrives, and Carys pulls him into her house for sex, but the team manages to arrive before she can do the deed. | ||
Whilst in a holding cell in the Hub a consciousness takes over Carys momentarily, explaining to Gwen that it is not here for conquest, but to feed off human orgasmic energy. | Whilst in a holding cell in the Hub a consciousness takes over Carys momentarily, explaining to Gwen that it is not here for conquest, but to feed off human orgasmic energy. | ||
Toshiko discovers the alien presence in Carys is producing an ultra-powerful cloud of pheromones around her, turning her into a walking aphrodisiac. They realise, too late, that Owen might be affected, and they find him naked and cuffed in the cell. | Toshiko discovers the alien presence in Carys is producing an ultra-powerful cloud of pheromones around her, turning her into a walking aphrodisiac. They realise, too late, that Owen might be affected, and they find him naked and cuffed in the cell. | ||
Owen demonstrates the results of his biosscan of Carys on a rat showing that the physiological effects of the gaseous creature will make the body literally explode. | Owen demonstrates the results of his biosscan of Carys on a rat showing that the physiological effects of the gaseous creature will make the body literally explode. | ||
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*[[Carys Fletcher]] — [[Sara Lloyd Gregory]] | *[[Carys Fletcher]] — [[Sara Lloyd Gregory]] | ||
*[[Banksy]] — [[Ceri Mears]] | *[[Banksy]] — [[Ceri Mears]] | ||
*[[Matt (Day One)|Matt]] — [[Justin McDonald]] | *[[Matt (Day One)|Matt]] — [[Justin McDonald]] | ||
*PC [[Andy Davidson]] — [[Tom Price]] | *PC [[Andy Davidson]] — [[Tom Price]] | ||
*[[Ivan Fletcher]] — [[Brendan Charleson]] | *[[Ivan Fletcher]] — [[Brendan Charleson]] | ||
| Line 58: | Line 58: | ||
==Crew== | ==Crew== | ||
{|width="75%" | {|width="75%" | ||
|-valign="top" | |-valign="top" | ||
|width="25%"| | |width="25%"| | ||
*[[Executive Producer]]s - [[Russell T Davies]], [[Julie Gardner]], [[Marcus Prince]] | *[[Executive Producer]]s - [[Russell T Davies]], [[Julie Gardner]], [[Marcus Prince]] | ||
*[[Assistant Producer]] - [[Sophie Fante]] | *[[Assistant Producer]] - [[Sophie Fante]] | ||
*[[Co-Producer]] – [[Chris Chibnall]] | *[[Co-Producer]] – [[Chris Chibnall]] | ||
*[[Producer]] – [[Richard Stokes]] | *[[Producer]] – [[Richard Stokes]] | ||
*[[Script Editor]] - [[Brian Minchin]] | *[[Script Editor]] - [[Brian Minchin]] | ||
*Casting Director - [[Andy Pryor]] | *Casting Director - [[Andy Pryor]] | ||
*Unit Manager - [[Geraint Havard Jones]] | *Unit Manager - [[Geraint Havard Jones]] | ||
*Senior Production Accountant - [[Endaf Emyr Williams]] | *Senior Production Accountant - [[Endaf Emyr Williams]] | ||
*Production Accountant – [[Ceri Tothill]] | *Production Accountant – [[Ceri Tothill]] | ||
*Sound Recordist - [[Jeff Matthews]] | *Sound Recordist - [[Jeff Matthews]] | ||
*Costume Designer - [[Ray Holman]] | *Costume Designer - [[Ray Holman]] | ||
*Make-Up Designer - [[Marrie Dorris]] | *Make-Up Designer - [[Marrie Dorris]] | ||
*Music – [[Ben Foster]], [[Murray Gold]] | *Music – [[Ben Foster]], [[Murray Gold]] | ||
*Visual Effects - [[The Mill]] | *Visual Effects - [[The Mill]] | ||
*Visual FX Producer - [[Will Cohen]] | *Visual FX Producer - [[Will Cohen]] | ||
*Visual FX Supervisor – [[Dave Houghton]] | *Visual FX Supervisor – [[Dave Houghton]] | ||
*On-Set Visual FX Supervisor - [[Barney Curnow]] | *On-Set Visual FX Supervisor - [[Barney Curnow]] | ||
*[[Prosthetics]] – [[Neill Gorton]] | *[[Prosthetics]] – [[Neill Gorton]] | ||
*[[Production Designer]] - [[Edward Thomas]] | *[[Production Designer]] - [[Edward Thomas]] | ||
*[[Editor]] - [[William Webb]] | *[[Editor]] - [[William Webb]] | ||
*[[Director of Photography]] – [[Mark Waters]] | *[[Director of Photography]] – [[Mark Waters]] | ||
*[[First Assistant Director]] - [[Peter Bennett]] | *[[First Assistant Director]] - [[Peter Bennett]] | ||
*[[Second Assistant Director]] - [[Steffan Morris]] | *[[Second Assistant Director]] - [[Steffan Morris]] | ||
*[[Third Assistant Director]] - [[Lynsey Muir]] | *[[Third Assistant Director]] - [[Lynsey Muir]] | ||
*[[Location Manager]] - [[Paul Davies]] | *[[Location Manager]] - [[Paul Davies]] | ||
*[[Production Coordinator]] - [[Carmelina Palumbo]] | *[[Production Coordinator]] - [[Carmelina Palumbo]] | ||
*[[Continuity]] - [[Llinos Wyn Jones]] | *[[Continuity]] - [[Llinos Wyn Jones]] | ||
*[[Camera Operator]] - [[Gareth Huges]] | *[[Camera Operator]] - [[Gareth Huges]] | ||
*[[Camera Assistant]] – [[Mani Paliwala-Blaxter]] | *[[Camera Assistant]] – [[Mani Paliwala-Blaxter]] | ||
|width="25%" style="border-left: 1px solid #E0E0E0; padding-left:1em;"| | |width="25%" style="border-left: 1px solid #E0E0E0; padding-left:1em;"| | ||
*[[Focus Puller]] - [[Duncan Fowlie]] | *[[Focus Puller]] - [[Duncan Fowlie]] | ||
*[[Grip]] - [[Dai Hopkins]] | *[[Grip]] - [[Dai Hopkins]] | ||
*[[Boom Operator]] - [[Jeff Welch]] | *[[Boom Operator]] - [[Jeff Welch]] | ||
*[[Gaffer]] - [[Dave Fowler]] | *[[Gaffer]] - [[Dave Fowler]] | ||
*[[Best Boy]] - [[Steve Slocombe]] | *[[Best Boy]] - [[Steve Slocombe]] | ||
*[[Stunt Coordinator]] - [[Gary Connery]] | *[[Stunt Coordinator]] - [[Gary Connery]] | ||
*[[Stunt Performer]]s - [[Maxine Whittaker]], [[Curtis Rivers]] | *[[Stunt Performer]]s - [[Maxine Whittaker]], [[Curtis Rivers]] | ||
*[[Art Department Coordinator]] - [[Matthew North]] | *[[Art Department Coordinator]] - [[Matthew North]] | ||
*[[Concept Artist]] - [[Peter McKinstry]] | *[[Concept Artist]] - [[Peter McKinstry]] | ||
*[[Production Buyer]] - [[Ben Morris]] | *[[Production Buyer]] - [[Ben Morris]] | ||
*[[Supervising Art Director]] - [[Keith Dunne]] | *[[Supervising Art Director]] - [[Keith Dunne]] | ||
*[[Stand-by Art Director]] - [[Dafydd Shurmer]] | *[[Stand-by Art Director]] - [[Dafydd Shurmer]] | ||
*[[Property Master]] - [[Nick Thomas]] | *[[Property Master]] - [[Nick Thomas]] | ||
*[[Construction Manager]] - [[Matthew Hywel-Davies]] | *[[Construction Manager]] - [[Matthew Hywel-Davies]] | ||
*[[Stand-by Props]] - [[Brian Henry]] | *[[Stand-by Props]] - [[Brian Henry]] | ||
*[[Costume Supervisor]] - [[Debra Haggett]] | *[[Costume Supervisor]] - [[Debra Haggett]] | ||
*[[Costume Assistant]]s – [[Sam Benbow]], [[Bobbie Peach]] | *[[Costume Assistant]]s – [[Sam Benbow]], [[Bobbie Peach]] | ||
*[[Make-Up Supervisor]] - [[Claire Pritchard]] | *[[Make-Up Supervisor]] - [[Claire Pritchard]] | ||
*[[Make-Up Artist]]s - [[Sarah Astley]], [[Kate Roberts]] | *[[Make-Up Artist]]s - [[Sarah Astley]], [[Kate Roberts]] | ||
*[[Casting Associate]] - [[Andy Brierley]] | *[[Casting Associate]] - [[Andy Brierley]] | ||
*[[Assistant Editor]] - [[Matt Mullins]] | *[[Assistant Editor]] - [[Matt Mullins]] | ||
*[[Post Production Coordinator]] - [[Marie Brown]] | *[[Post Production Coordinator]] - [[Marie Brown]] | ||
*[[On-Line Editor]] - [[Matthew Clarke]] | *[[On-Line Editor]] - [[Matthew Clarke]] | ||
*[[Colourist]] - [[James Bamford]] | *[[Colourist]] - [[James Bamford]] | ||
*[[2D VFX Artist]]s - [[Sara Bennett]], [[Bronwyn Edwards]] | *[[2D VFX Artist]]s - [[Sara Bennett]], [[Bronwyn Edwards]] | ||
*([[3D VFX Artist]]s - [[Paul Burton]], [[Andrew Guest]], [[Nick Webber]] | *([[3D VFX Artist]]s - [[Paul Burton]], [[Andrew Guest]], [[Nick Webber]] | ||
*[[Dubbing Mixer]] - [[Peter Jeffreys]] | *[[Dubbing Mixer]] - [[Peter Jeffreys]] | ||
*[[Sound FX Editor]] - [[Howard Eaves]] | *[[Sound FX Editor]] - [[Howard Eaves]] | ||
|} | |} | ||
==References== | ==References== | ||
*A picture of [[Torchwood House]] can be seen in the background in the Hub. | *A picture of [[Torchwood House]] can be seen in the background in the Hub. | ||
==Story Notes== | ==Story Notes== | ||
| Line 128: | Line 128: | ||
*This story had a working title of; '''New Girl'''. | *This story had a working title of; '''New Girl'''. | ||
*The alien is never given a name in the episode, although in Torchwood Declassified Russell T. Davies refers to it as the "sex monster" or the "sex gas orgasm eating monster". | *The alien is never given a name in the episode, although in Torchwood Declassified Russell T. Davies refers to it as the "sex monster" or the "sex gas orgasm eating monster". | ||
*This episode has the distinction of featuring the first explicit sex scene in the ''Doctor Who'' franchise. | *This episode has the distinction of featuring the first explicit sex scene in the ''Doctor Who'' franchise. | ||
*[[Russell T Davies]] says in [[Torchwood Declassified]] that this episode reflects how sexualized our community is and the scene when Carys is in the city surrounded in sexual images, Davies says this is his favorite scene because it best defines it. | *[[Russell T Davies]] says in [[Torchwood Declassified]] that this episode reflects how sexualized our community is and the scene when Carys is in the city surrounded in sexual images, Davies says this is his favorite scene because it best defines it. | ||
| Line 156: | Line 155: | ||
==Continuity== | ==Continuity== | ||
*The severed hand seen in [[TW]]: ''[[Everything Changes]]'', which is from [[DW]]: ''[[The Christmas Invasion]]''. When Jack cradles the hand, a few instrumental notes of "Flavia's Theme" can be heard. | *The severed hand seen in [[TW]]: ''[[Everything Changes]]'', which is from [[DW]]: ''[[The Christmas Invasion]]''. When Jack cradles the hand, a few instrumental notes of "Flavia's Theme" can be heard. | ||
*The blue energy of the portable prison cell resembles the technology used by Jack in ''[[The Empty Child]]'' to rescue Rose and to stop the bomb in ''[[The Doctor Dances]]'' and also the lift in [[Forest of the Dead]]. | *The blue energy of the portable prison cell resembles the technology used by Jack in ''[[The Empty Child]]'' to rescue Rose and to stop the bomb in ''[[The Doctor Dances]]'' and also the lift in [[Forest of the Dead]]. | ||
*The first episode of the [[Children of Earth|the third series]] is also called [[Children of Earth: Day One|Day One]]. | *The first episode of the [[Children of Earth|the third series]] is also called [[Children of Earth: Day One|Day One]]. | ||
Revision as of 19:20, 23 January 2010
- For the Series 3 Torchwood episode Children of Earth: Day One, see separate entry.
Synopsis
Gwen's first day on the job sees Cardiff's nightlife at the mercy of an alien who consumes its victims during orgasm, leaving behind only dust. Torchwood tracks the alien to a sperm bank, but too late for the patrons within. Gwen tricks it into leaving its host and captures it within a portable cell, where it peters out, turning itself to dust.
Plot
The Torchwood team arrives at an asteroid crash site the Army is already there. The team use their Torchwood authority to get through the troops. As the others move into action, taking samples and readings, Gwen feels inexperienced and out of place. When Owen taunts her, calling her the "New Girl", Gwen tosses a chisel at him and misses, puncturing the skin of the meteor. A purplish gas hisses out of the meteor, coalescing and rising into the air.
At a night club in Cardiff a young woman, Carys, is leaving a voice mail to her boyfriend when she is confronted by the gaseous creature. It backs her against a wall, then flows into her body. Suddenly sexually aggressive, she regains entry into the club by kissing the bouncer, and picks up a man, Matt, and takes him into the women's toilet. They proceed to have sex, and at the moment of climax Matt dissolves into a glowing cloud of dust, the energy portion of which Carys absorbs.
Ianto informs them of the incident at the nightclub. Arriving, the team finds the CCTV tapes that show Carys and Matt having their deadly sex, and then the alien taking her over in the alley. Jack arranges for a body to be taken out of storage to fake a suicide for Matt, the concept of which horrifies Gwen.
While the team tries to track Carys by cross-checking video from the surveillance cameras with a database containing the faces of the UK population, Carys is feeling the effects of the alien in her body, which is causing her pain. The postman arrives, and Carys pulls him into her house for sex, but the team manages to arrive before she can do the deed.
Whilst in a holding cell in the Hub a consciousness takes over Carys momentarily, explaining to Gwen that it is not here for conquest, but to feed off human orgasmic energy.
Toshiko discovers the alien presence in Carys is producing an ultra-powerful cloud of pheromones around her, turning her into a walking aphrodisiac. They realise, too late, that Owen might be affected, and they find him naked and cuffed in the cell.
Owen demonstrates the results of his biosscan of Carys on a rat showing that the physiological effects of the gaseous creature will make the body literally explode.
Checking her background, the team discovers that Carys had temporarily worked as a receptionist at a fertility clinic, an ideal source of orgasmic energy. They also determine that the alien takes hosts because Earth's atmosphere is poisonous to it. Carys is already at the clinic, dragging the sperm donors into rooms. When the team arrives, there are piles of dust everywhere. When they surround her, Carys collapses, too weak to fight the alien any more. Jack kisses her, giving up some of his life force to revitalise her.
Gwen then offers to take the host into herself, asking the alien to spare Carys. When the alien flows out of Carys's body, Gwen drops a portable prison cell and traps it inside. Separated from its host, the alien dies, falling into a pile of dust. Gwen and Jack then take Carys back to her father.
Cast
- Captain Jack Harkness —John Barrowman
- Gwen Cooper — Eve Myles
- Owen Harper — Burn Gorman
- Toshiko Sato — Naoko Mori
- Ianto Jones — Gareth David-Lloyd
- Rhys Williams — Kai Owen
- Private Moriarty — Adrian Christopher
- Sgt. Johnson — Ross O'Hennessey
- Carys Fletcher — Sara Lloyd Gregory
- Banksy — Ceri Mears
- Matt — Justin McDonald
- PC Andy Davidson — Tom Price
- Ivan Fletcher — Brendan Charleson
- Gavin — Rob Störr
- Mikey - Lloyd Everitt
- Eddie Gwynne — Alex Parry
- Bethan — Felicity Rhys
- Receptionist — Naomi Martell
- Mr Weston — David Longden
Crew
References
- A picture of Torchwood House can be seen in the background in the Hub.
Story Notes
- This story had a working title of; New Girl.
- The alien is never given a name in the episode, although in Torchwood Declassified Russell T. Davies refers to it as the "sex monster" or the "sex gas orgasm eating monster".
- This episode has the distinction of featuring the first explicit sex scene in the Doctor Who franchise.
- Russell T Davies says in Torchwood Declassified that this episode reflects how sexualized our community is and the scene when Carys is in the city surrounded in sexual images, Davies says this is his favorite scene because it best defines it.
Ratings
- BBC3 - 2.5 million viewers
- BBC2 - 3.0 million viewers
Myths
to be added
Filing Locations
Cyncoed Consulting Rooms - Cyncoed Road
Discontinuity, Plot Holes, Errors
- As Matt dissolves to dust, Cary's legs disappear under the knee. It's just the particles of the guy that makes her legs hard to see. If you look closely you can still see them.
- Jack teaches Gwen how to shoot firearms, and she displays clear unfamiliarity with guns, yet she's a trained police officer who presumably should know how to do this. In the UK, not all police officers undergo the same sort of firearms training received by cops in the US and elsewhere. In fact it was only relatively recently that London "bobbies" were even allowed to be armed.
- In the scene when Cary's is raping the men at the clinic, in a small clip, one says he is gay, meaning he - in theory - he would not be aroused by Carys. Despite of this, when Torchwood arive, all the men are dust. The pheromones are overwhelming; after all, they were able to affect the normally-straight Gwen Cooper.
- When Jack is ordering for a dead body to be mutilated, and made to look like it commited suicide, two legs are seen sticking up from the bin in on right hand side. The legs seem too 'fleshy' to be plastic, and - strangely - Jack and no one else notices them. Irony may also creep in here, since a possible dead body, is actually next to him. Looking back back through the episode, and during the CCTV footage of Carys in the alley outside the club when the alien approaches her (invisible on the screen), if you look past her, you can see mannequins. It's likely that the place next to the club is a clothing store, and they just dump broken mannequins in the alley.
- When Carys knocks out the receptionist, she isn't seen again when Torchwood arrives.
Continuity
- The severed hand seen in TW: Everything Changes, which is from DW: The Christmas Invasion. When Jack cradles the hand, a few instrumental notes of "Flavia's Theme" can be heard.
- The blue energy of the portable prison cell resembles the technology used by Jack in The Empty Child to rescue Rose and to stop the bomb in The Doctor Dances and also the lift in Forest of the Dead.
- The first episode of the the third series is also called Day One.
DVD Releases
- Included in the Series 1 DVD box set.
See also
to be added
External Links
- Day One at the Doctor Who Reference Guide
- Day One at Shannon Sullivan's A Brief History of Time (Travel)
- Day One at The Locations Guide
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