Tardis:Stub

Stand well clear, Jo!

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A stub is a fundamentally incomplete article, often — but not always — only a few sentences in length. A stub is so obviously missing information that it practically screams for information to be added to it.

It is important to stress that a stub is not only a short article. Many articles on this wiki are about minor subjects, of which not more than a few sentences can be written. And some longer articles may be classed as stubs if they're obviously lacking major points.

Stubs are identified through the placement of stub templates on pages which lack enough information to be considered proper articles. Because these templates automatically add pages to various lists of articles needing improvement, editors must exercise sound judgment when deciding to use these templates. If stub templates are used indiscriminately — for instance, placed on articles just because they are short — the lists will become useless to those editors who choose to use them to prioritize their work on this wiki.

Types of stub

Character stub

Articles about characters are often the hardest to judge in terms of their "stubbiness". Beyond the major televised characters like the Doctor, his companions, and perhaps the main guest stars, most characters require special effort to notice. Characters who appear in a medium other than television are particularly hard for most editors to assess, because they're more expensive in terms of pure cost and time required to research.

Additionally, the bulk of characters on this wiki are in fact minor ones. For most character articles, two or three sentences is the maximum that can be written. A good example is the unseen character of H. P. Wilson from the televised episode Rose. While one could argue that the article could be stylistically tweaked, or that a word or two might be added or subtracted, there's never going to be any more information forthcoming on him.

A good rule of thumb is that you should assume that articles about characters are not stubs. Only when you are certain that major details are missing should you mark it as a stub.

The question then becomes what constitutes "major details". This where an editor's personal judgment comes into play. Imagine an article about a person who met the Doctor, had a romanic relationship with another character and was key to an effort to defeat an enemy. If the article didn't at least mention all three of these things, it's probably a stub. But if the article could merely use greater amplification about those points, it's probably not a stub.

Astronomical object stub

The overwhelming majority of articles about stars, planets, asteroids and other astronomical phenomena are going to be short. This is because, aside from planets on which the Doctor has an adventure, these objects are only incidentally mentioned in most stories. Even planets that the Doctor has visited generally are not described in any great detail. We don't know all that much about the planet of Frontios, for instance, despite the fact that the the Fifth Doctor had a significant adventure there. We know relatively more about the culture and people of Frontios than we do about any of its geologic or astronomic details.

However, it is precisely the articles about planets that have served as the backdrop for the Doctor's adventures which harbor the greatest potential for "stubiness". If such an article fails to even mention the known inhabitants of that world, it is immediately a stub. If it doesn't characterize any known geography vital to the progress of a story — such as major cities, land masses, bodies of water, geologic formations, forests, or the like — it's also a stub. But if it merely fails to give as much detail as is possible, it is likely not a stub.

Story stub

Story stubs are fairly easily identified, although the sheer size of a "blank" or "placeholding" story page can fool the eye into believing there's more information on a page than there actually is. Whether a television, audio, comic, prose, or stage play story, they all require the same basic level of information to avoid being a stub.

All these pages begin with a pre-defined format, that automatically places a series of subeheads onto a page. This format can be set on a page by pushing a button above the editing window when starting a new page. Subheads like plot, timeline, continuity and the like appear on the page. You can see what this structure is like by going to almost any story page; Fury from the Deep is as good as any to examine the basic format of a story page. When the format is added to the page, the subheads all appear with the phrase to be added underneath them. This phrase persists until information is added. Thus, a story page can be immediately deemed a stub if one of two conditions is present:

• There is no automatic formatting present.
• Most of the subheads are still empty

However, a story page can still be a stub, if certain subheads remain unfilled. In particular, a story without a plot section, or with one that has very few plot details included, is automatically a stub. The main point of a story page is to give the plot of a story, so its absence means the page is missing its essential element.

If the infobox is completely empty, an article can also be considered a stub — although this information is easily added.

For stories which are performed, like televised and audio stories, the complete absence of cast information can also reduce a page to stub status. The lack of audience reception and home video availability can also be a barrier to a stub graduating to full article status. Some attention to crew information is also necessary for performed stories, though the advent of BBC Wales productions, with their extremely long credit rolls, has made this more challenging. As long as main department heads — such as producer, director, director of photography, executive producer, writer, production designer, visual effects, and the like — are included, the article can likely avoid being classed a stub. On BBC Wales productions, these "major players" are identified in the credit roll as having their titles in ALL CAPS. Though crew information as complete as on the article Rose should be added, that level of detail isn't necessary for the article to graduate from being a stub.

Generally, though, the lack of information in other subheads is not, in itself, enough to judge a page a stub. For instance, not all stories actually have that much in the way of continuity with other stories. Some stories, especially short stories and stage plays, are quite independent of others. Some make no references to popular culture. And the discontinuity section does not usually contain information that is vital to understanding what the story is about.

Real world stub

Real world stubs are the most varied kind of stub, because they can be applied to an article about anything in the real world super-category, aside from stories. Production personnel, games, companies, merchandise and many other things can be slapped with the real world stub tag.

People

Sadly, most articles about production personnel are currently stubs on this wiki. The vast majority merely give the stories on which a person worked, or might additionally tell the roles an actor played. This is the very minimum a real world personnel article requires to avoid deletion, but is the very definition of a real world stub.

To avoid being a stub, a personnel article should give the birth (and, if applicable, death) dates of the individual. They should give at least a broadly complete accounting of that person's work in the Whoniverse. They should also have some kind of coverage of the person's career outside their Doctor Who-related work. There should also be at least some coverage of their non-Whoniverse collaborations with other veterans of the Whoniverse. For example, an article about Matt Smith should mention the fact that he co-starred with Billie Piper on The Ruby in the Smoke and Diaries of a Call Girl. It might also include information about an individual's personal life, if those details are relevant to the Doctor Who universe. For instance, an article about Peter Davison should mention that Georgia Moffett is his daughter, or one about Steven Moffat should point out that Sue Vertue is his wife. (Care, however, should be taken not to include merely rumored or informal relationships without citation. For instance, it would be relevant to Katy Manning's page that she was romantically attracted to David Troughton, but only because she can be cited as giving this information on the DVD releases of The Three Doctors and The Curse of Peladon.) Finally, as a matter of formatting, all personnel pages should have a link to that person's IMdB page.

As always, a stub is wholly or almost entirely missing some of these details. It's not something that is just missing a few of these details.

Merchandise

An article about a line of merchandise should explain what the merchandise is and give an accounting of the various specific products within that range. Any article which is just a listing of the items (unless the article's title is prefaced with the words List of or Gallery of) is a stub. Likewise an article which just has a few sentences that characterize the product is also a stub. An article need not list every single product in th range, nor must it give all the details in the range to be a full article. But it must at least attempt to give both a general range description and provide specific examples.

Things that are important to develop a full merchandise article include, but are not limited to:

• History of the range. When did it start? When did it end?
• The physical characteristics of the members of that range. What are their dimensions? What materials were they made out of? If printed, how many pages did they typically contain? If audio or video, what was their general runtime and format?
• Intended age range of the product's consumers.
• Relation to other ranges. How does the range under discussion compare to others? Is it a "young person's version", as with Quick Reads versus the New Series Adventures? Is it for more mature audiences, as with the Virgin New Adventures versus the Target novelisations?
• Country of origin. While most Doctor Who products have been historically British, this is no longer the case. It would be important to the any of the IDW Publishing comic ranges to note their American origin, for instance.
• Any evidence of the relative commercial success of the range.
• If about the company that makes the range, as opposed to the range itself, some details about the company might be important. How Polystyles got and lost the license for Doctor Who comics will be important to ensuring that that article is not a stub. Likewise, in the same way that an article about a product range will need to include examples of the individual members of that range, a company article should incorporate details about the various ranges that it produced. The Polystyle article, for instance, should mention TV Comic, TV Action and the various holiday issues and annual of those publications. Company articles should endeavor to also mention competitors, to give a sense of the marketplace in which they operated. The Polystyle article should include some mention of City Magazines and Marvel Comics UK, for example.
• If about a product that has incidental relation to Doctor Who some details about the broader nature of the product might be required. For instance some context about what the Radio Times' is would be pertinent to explaining the RT's importance to Doctor Who.
• Graphics. Articles about merchandise should strive to include pictures of the company/range logo. They should also try to include pictorial representations of the product. However, they need not include a picture of every product in that range. Such full catalogues are usually spun off into a separate "Gallery of" article.

Note that an article doesn't have to answer all these questions to avoid being classed as a stub. But a proper article will attempt to give a sort of context for the range that a stub lacks.

Behind-the-scenes jobs and terminology

Articles which focus defining like "best boy" can also be stubs. These are usually seen as pages which merely give a list of all the people who have held that title. Such pages are actually just lists, not proper articles. A "job" page should endeavor to describe what the job is. Lists of the people holding those jobs are incidental, and often should be spun out into a page, like the as-yet-unwritten, List of best boys.

Exactly how much information would be required to transfer a page from a "stub" to an "article" is another area where the editor's judgment is key. Generally, if you read an article about a job title, and you still don't really understand what the position is, or you know that the definition is lacking fundamental details, then it's a stub.

The same is true of articles that attempt to define production terminology, like CSO.

See also

• The master listing of all stubs