User:SOTO/Forum Archive/Inclusion debates/@comment-4028641-20170306172600/@comment-4028641-20170306205556: Difference between revisions

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'''User:SOTO/Forum Archive/Inclusion debates/@comment-4028641-20170306172600/@comment-4028641-20170306205556'''
There's a difference between breaking the fourth wall and addressing the reader and morphing the segment into the real world in the middle without any break. If you want to debate that administrative decision, start a new thread.
There's a difference between breaking the fourth wall and addressing the reader and morphing the segment into the real world in the middle without any break. If you want to debate that administrative decision, start a new thread.


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I've read through the stories, and even the Short Trips PROSEs seem to take the characters very seriously in writing about ''what happens next.'' This is an important distinction to discussing what the authors meant in writing these stories.
I've read through the stories, and even the Short Trips PROSEs seem to take the characters very seriously in writing about ''what happens next.'' This is an important distinction to discussing what the authors meant in writing these stories.
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<noinclude>[[Category:SOTO archive posts|Inclusion debates/20170306172600-4028641/20170306205556-4028641]]</noinclude>

Latest revision as of 14:52, 27 April 2023

There's a difference between breaking the fourth wall and addressing the reader and morphing the segment into the real world in the middle without any break. If you want to debate that administrative decision, start a new thread.

For the most part, these sequels aren't built heavily on the original in terms of context. Rather they'll mostly just re-use characters and settings. So stories will use 6 and Tegan or 7, Ace and K9. Rescue merely shows how the Rani met her companion in that story, while the other two stories listed just show adventures after the stories that we have deemed as invalid.

I've read through the stories, and even the Short Trips PROSEs seem to take the characters very seriously in writing about what happens next. This is an important distinction to discussing what the authors meant in writing these stories.