User:SOTO/Forum Archive/The Panopticon/@comment-4139960-20130129190934/@comment-188432-20130129222452: Difference between revisions
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Martha Jones' myspace blog is an exception, too. A very tricky exception, because it's one of the few stories in any medium that is no longer publicly-accessible, even via the Wayback Machine. Its broader legitimacy comes from the fact it was referenced in ''[[The Pirate Loop]]''. See [[Keisha Jones#Behind the scenes]]. | Martha Jones' myspace blog is an exception, too. A very tricky exception, because it's one of the few stories in any medium that is no longer publicly-accessible, even via the Wayback Machine. Its broader legitimacy comes from the fact it was referenced in ''[[The Pirate Loop]]''. See [[Keisha Jones#Behind the scenes]]. | ||
(That said, it's maybe ''not'' an exception, exactly, in that it was genuinely narrative — if first person stream of consciousness.) | (That said, it's maybe ''not'' an exception, exactly, in that it was genuinely narrative — if first person stream of consciousness.) | ||
<noinclude>[[Category:SOTO archive posts]]</noinclude> | <noinclude>[[Category:SOTO archive posts|The Panopticon/20130129190934-4139960/20130129222452-188432]]</noinclude> | ||
Latest revision as of 23:29, 27 April 2023
Martha Jones' myspace blog is an exception, too. A very tricky exception, because it's one of the few stories in any medium that is no longer publicly-accessible, even via the Wayback Machine. Its broader legitimacy comes from the fact it was referenced in The Pirate Loop. See Keisha Jones#Behind the scenes.
(That said, it's maybe not an exception, exactly, in that it was genuinely narrative — if first person stream of consciousness.)
