Mother (Vincent and the Doctor): Difference between revisions
I am rufus (talk | contribs) (Adding categories) |
Liamodwyer14 (talk | contribs) (fixed link) |
||
| Line 8: | Line 8: | ||
|home planet = [[Earth]] | |home planet = [[Earth]] | ||
|home era = [[1890]] | |home era = [[1890]] | ||
|appearances = [[DW]]: ''[[Vincent and the Doctor]]'' [[DW]]: ''[[The Pandorica Opens (TV story)]] | |appearances = [[DW]]: ''[[Vincent and the Doctor]]'' [[DW]]: ''[[The Pandorica Opens (TV story)|The Pandorica Opens]] | ||
|actor = [[Chrissie Cotterill]] | |actor = [[Chrissie Cotterill]] | ||
}} | }} | ||
'''Madame Vernet''' was the Mother of a young woman who became a victim of the [[Krafayis]] in Provence, 1890. When the Doctor, Amy Pond and [[Vincent van Gogh]] went to the scene of the crime, the Mother felt Vincent was at hand to her daughter's death and called him a 'madman' and blamed his madness for the death. She immediately told him to leave while other onlookers threw items at him, the Doctor and Amy, thus making them leave. Later on, when on the way to paint, Vincent, the Doctor and Amy encountered the Mother again who this time was walking alongside the coffin of her daughter. On top of the coffin were some Sunflowers, a flower that would in the future become synonymous with Vincent van Gogh. | '''Madame Vernet''' was the Mother of a young woman who became a victim of the [[Krafayis]] in Provence, 1890. When the Doctor, Amy Pond and [[Vincent van Gogh]] went to the scene of the crime, the Mother felt Vincent was at hand to her daughter's death and called him a 'madman' and blamed his madness for the death. She immediately told him to leave while other onlookers threw items at him, the Doctor and Amy, thus making them leave. Later on, when on the way to paint, Vincent, the Doctor and Amy encountered the Mother again who this time was walking alongside the coffin of her daughter. On top of the coffin were some Sunflowers, a flower that would in the future become synonymous with Vincent van Gogh. | ||
Later on in the same year, her name is then identifyed by Dr. [[Gachet]] as he was treating Vincent, who was in insuffrable agony. Madame Vernet then pointed out that Vincent's most recent painting was odd even for his standards. She, and Dr. Gatchet then looked on at the painting of [[The Pandorica Opens]] while Vincent's agony contuined. | Later on in the same year, her name is then identifyed by Dr. [[Gachet]] as he was treating Vincent, who was in insuffrable agony. Madame Vernet then pointed out that Vincent's most recent painting was odd even for his standards. She, and Dr. Gatchet then looked on at the painting of [[The Pandorica Opens]] while Vincent's agony contuined. | ||
[[Category:19th century individuals]] | [[Category:19th century individuals]] | ||
[[Category:Human parents]] | [[Category:Human parents]] | ||
[[Category:Humans with unknown names]] | [[Category:Humans with unknown names]] | ||
Revision as of 02:58, 27 July 2010
It's unclear what's wrong with the article, because the editor who placed this tag here didn't enumerate the page's problems.
These problems might be so great that the article's factual accuracy has been compromised. Talk about it here or check the revision history or Manual of Style for more information.
Check the behind the scenes section, the revision history and discussion page for additional comments on this article's title.
Madame Vernet was the Mother of a young woman who became a victim of the Krafayis in Provence, 1890. When the Doctor, Amy Pond and Vincent van Gogh went to the scene of the crime, the Mother felt Vincent was at hand to her daughter's death and called him a 'madman' and blamed his madness for the death. She immediately told him to leave while other onlookers threw items at him, the Doctor and Amy, thus making them leave. Later on, when on the way to paint, Vincent, the Doctor and Amy encountered the Mother again who this time was walking alongside the coffin of her daughter. On top of the coffin were some Sunflowers, a flower that would in the future become synonymous with Vincent van Gogh. Later on in the same year, her name is then identifyed by Dr. Gachet as he was treating Vincent, who was in insuffrable agony. Madame Vernet then pointed out that Vincent's most recent painting was odd even for his standards. She, and Dr. Gatchet then looked on at the painting of The Pandorica Opens while Vincent's agony contuined.
