Douglas Camfield: Difference between revisions
No edit summary |
No edit summary |
||
| Line 5: | Line 5: | ||
He was production assistant on ''Doctor Who'''s earliest serials, ''[[The Pilot Episode]]'', ''[[An Unearthly Child]]'' and ''[[Marco Polo (TV story)|Marco Polo]]''. Camfield went on to direct many other stories in the series' first thirteen years: | He was production assistant on ''Doctor Who'''s earliest serials, ''[[The Pilot Episode]]'', ''[[An Unearthly Child]]'' and ''[[Marco Polo (TV story)|Marco Polo]]''. Camfield went on to direct many other stories in the series' first thirteen years: | ||
*''[[Planet of Giants]]''; | *''[[Planet of Giants]]'' (Camfield directed half of part 3); | ||
*''[[The Crusade]]'' (possibly the most well realised historical tale of the era) | *''[[The Crusade]]'' (possibly the most well realised historical tale of the era) | ||
*''[[The Time Meddler]]'' (notable for its imaginative use of effects to overcome studio confines); | *''[[The Time Meddler]]'' (notable for its imaginative use of effects to overcome studio confines); | ||
*''[[The Daleks' Master Plan]]'' ( | *''[[The Daleks' Master Plan]]'' (Camfield's direction adds notable visual inventiveness to this 12 part epic); | ||
*''[[The Web of Fear]]''; | *''[[The Web of Fear|The Web of Fear ]]''(in which he creates a particularly strong suspenseful atmosphere); | ||
*''[[The Invasion]]'' (which became the most expensive ''Doctor Who'' serial up to that time); | *''[[The Invasion]]'' (which became the most expensive ''Doctor Who'' serial up to that time); | ||
*''[[Inferno]]'' (he became ill during the recording of the ''Doctor Who'' serial ''Inferno'', and the remaining studio scenes were directed by the series' producer, [[Barry Letts]], but he was still credited for these scenes); | *''[[Inferno]]'' (he became ill during the recording of the ''Doctor Who'' serial ''Inferno'', and the remaining studio scenes were directed by the series' producer, [[Barry Letts]], but he was still credited for these scenes); | ||
*''[[Terror of the Zygons]]''; | *''[[Terror of the Zygons]]''; | ||
*''[[The Seeds of Doom]]'' | *''[[The Seeds of Doom]]''. | ||
It is reputed that he declined the offer to become producer of ''Doctor Who'' in [[1969]], after the departure of [[Derrick Sherwin]]. The job instead went to [[Barry Letts]]. He also sought to get [[Philip Hinchcliffe]] to commission his script for the programme, which involved aliens, the French Foreign Legion and would have killed off the character of [[Sarah Jane Smith]]. However, this story was not produced, and Sarah left the programme quite alive in ''[[The Hand of Fear]]''. | It is reputed that he declined the offer to become producer of ''Doctor Who'' in [[1969]], after the departure of [[Derrick Sherwin]]. The job instead went to [[Barry Letts]]. He also sought to get [[Philip Hinchcliffe]] to commission his script for the programme, which involved aliens, the French Foreign Legion and would have killed off the character of [[Sarah Jane Smith]]. However, this story was not produced, and Sarah left the programme quite alive in ''[[The Hand of Fear]]''. | ||
Revision as of 06:44, 21 October 2010
Douglas Camfield (8th May 1931-27th January 1984) was an accomplished director for television from the 1960s to the 1980s. In addition to Doctor Who, his programme credits include Z Cars, Paul Temple, Van der Valk, The Sweeney, Shoestring, The Professionals, and the BBC dramatisation of Beau Geste.
He was production assistant on Doctor Who's earliest serials, The Pilot Episode, An Unearthly Child and Marco Polo. Camfield went on to direct many other stories in the series' first thirteen years:
- Planet of Giants (Camfield directed half of part 3);
- The Crusade (possibly the most well realised historical tale of the era)
- The Time Meddler (notable for its imaginative use of effects to overcome studio confines);
- The Daleks' Master Plan (Camfield's direction adds notable visual inventiveness to this 12 part epic);
- The Web of Fear (in which he creates a particularly strong suspenseful atmosphere);
- The Invasion (which became the most expensive Doctor Who serial up to that time);
- Inferno (he became ill during the recording of the Doctor Who serial Inferno, and the remaining studio scenes were directed by the series' producer, Barry Letts, but he was still credited for these scenes);
- Terror of the Zygons;
- The Seeds of Doom.
It is reputed that he declined the offer to become producer of Doctor Who in 1969, after the departure of Derrick Sherwin. The job instead went to Barry Letts. He also sought to get Philip Hinchcliffe to commission his script for the programme, which involved aliens, the French Foreign Legion and would have killed off the character of Sarah Jane Smith. However, this story was not produced, and Sarah left the programme quite alive in The Hand of Fear.
Douglas Camfield served as an officer in the British Army during his younger years.
In later life he suffered from a heart ailment, and died of a heart attack. He was married to the actress Sheila Dunn, whom he cast in Inferno as Dr. Petra Williams.
