Colourist: Difference between revisions
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A '''colourist''' (more often called a '''color grader''' or '''grader''' in the [[United States]]) is a post-production artist that provides one of the final steps in completing an episode of ''[[Doctor Who]]''. Because [[principal photography]] occurs during a variety of lighting circumstances, individual scenes can have obviously different tonalities. It's the job of the colourist to achieve a colour balance, or "match", across all the scenes. The colourist will usually work closely with the [[director]] to achieve a particular colour "palate" for an episode. Some episodes will tend to hue towards warm reds and yellows, while others will require a darker blue or green palate. The choice of palate greatly affects the overall mood of the story. | A '''colourist''' (more often called a '''color grader''' or '''grader''' in the [[United States]]) is a post-production artist that provides one of the final steps in completing an episode of ''[[Doctor Who]]''. Because [[principal photography]] occurs during a variety of lighting circumstances, individual scenes can have obviously different tonalities. It's the job of the colourist to achieve a colour balance, or "match", across all the scenes. The colourist will usually work closely with the [[director]] to achieve a particular colour "palate" for an episode. Some episodes will tend to hue towards warm reds and yellows, while others will require a darker blue or green palate. The choice of palate greatly affects the overall mood of the story. | ||
It is well documented in ''[[Doctor Who Confidential]]'' and various episodic [[commentary|commentaries]] that [[producer]] [[Phil Collinson]] asked his grader to generally push up the reds and yellows so that ''Doctor Who'' would appear bright and inviting to a viewer flipping through channels on her television set. Nevertheless, certain episodes produced by Collinson, notably ''[[Tooth and Claw]]'' have an obviously darker tonality. Judging from the [[Series 5|2010 series]] preview aired on [[1st January]] [[2010]], it would appear that the first [[Matt Smith]] series may well be moving to a more muted color palate. | It is well documented in ''[[Doctor Who Confidential]]'' and various episodic [[commentary|commentaries]] that [[producer]] [[Phil Collinson]] asked his grader to generally push up the reds and yellows so that ''Doctor Who'' would appear bright and inviting to a viewer flipping through channels on her television set. Nevertheless, certain episodes produced by Collinson, notably ''[[Tooth and Claw]]'' have an obviously darker tonality. Judging from the [[Series 5 (Doctor Who)|2010 series]] preview aired on [[1st January]] [[2010]], it would appear that the first [[Matt Smith]] series may well be moving to a more muted color palate. | ||
Colourists were not commonplace or credited on the [[1963]] version of ''Doctor Who''. In fact, the practice of recording on film whilst on location, and video whilst in studio made full color grading impossible. However, each episode of the [[BBC Wales]] version makes extensive use of color grading, and an artist has been credited for every episode since [[Rose (TV story)|''Rose'']]. | Colourists were not commonplace or credited on the [[1963]] version of ''Doctor Who''. In fact, the practice of recording on film whilst on location, and video whilst in studio made full color grading impossible. However, each episode of the [[BBC Wales]] version makes extensive use of color grading, and an artist has been credited for every episode since [[Rose (TV story)|''Rose'']]. | ||
{{wikipediainfo|Color grading|Color grading}} | {{wikipediainfo|Color grading|Color grading}} | ||
[[Category:Production team titles]] | [[Category:Production team titles]] | ||
Revision as of 22:56, 14 November 2010
A colourist (more often called a color grader or grader in the United States) is a post-production artist that provides one of the final steps in completing an episode of Doctor Who. Because principal photography occurs during a variety of lighting circumstances, individual scenes can have obviously different tonalities. It's the job of the colourist to achieve a colour balance, or "match", across all the scenes. The colourist will usually work closely with the director to achieve a particular colour "palate" for an episode. Some episodes will tend to hue towards warm reds and yellows, while others will require a darker blue or green palate. The choice of palate greatly affects the overall mood of the story.
It is well documented in Doctor Who Confidential and various episodic commentaries that producer Phil Collinson asked his grader to generally push up the reds and yellows so that Doctor Who would appear bright and inviting to a viewer flipping through channels on her television set. Nevertheless, certain episodes produced by Collinson, notably Tooth and Claw have an obviously darker tonality. Judging from the 2010 series preview aired on 1st January 2010, it would appear that the first Matt Smith series may well be moving to a more muted color palate.
Colourists were not commonplace or credited on the 1963 version of Doctor Who. In fact, the practice of recording on film whilst on location, and video whilst in studio made full color grading impossible. However, each episode of the BBC Wales version makes extensive use of color grading, and an artist has been credited for every episode since Rose.
