The Idiot's Lantern (TV story)

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The Idiot's Lantern was the seventh episode of the second series of Doctor Who.

Synopsis

1953, the Coronation of Queen Elizabeth II - but there are rumours of monsters on the streets of London.

Plot

The Wire is a creature/entity that escaped the death penalty of its own world, by becoming living energy. In that form, it arrives on Earth in 1953 and is electrically transferred into the television signal system to stay alive. The Wire then makes a deal with a television repairman, Mr. Magpie. It will spare him if he sells televisions for extremely cheap- to maximize the amount of viewers (and therefore potential victims). The victims of The Wire are those unlucky television viewers who are subjected to alien radiations from their television sets; through this process their brain waves are robbed and their faces disappear and are captured onto the screens in the shop. The Wire steals this energy, which it feeds on to survive.

About then, the Doctor and Rose land in Muswell Hill, London, in 1953, yet expecting to be in New York. Dressed in an Elvis Presley vibe, they expected to attend a performance of the Ed Sullivan Show. However, the different skyline, a red double decker bus, and a Union Flag tells them that, actually, they are in northern London on the eve of Queen Elizabeth II's coronation.

By chance, the Doctor witnesses a person covered in a blanket being abducted. The Doctor and Rose hop on a scooter and race after the car. The car passes through a gated doorway which slam shut and a pushcart is arranged in front of the gate making it look like a dead end (ala Indiana Jones). The Doctor and Rose arrive shortly after, mystified by the car's disappearance. They decide to investigate. Posing as Royal inspectors, with the help of the Doctor's psychic paper, they canvas the neighborhood and find the Connolly family. The father prohibits his son, Tommy, from asking about his grandmother. Gran Connolly has lost her face and is being kept isolated in her room. Just as the family shows the Doctor their faceless grandma, secret agents intrude, knock the Doctor out and take Gran away covered in a blanket. The Doctor gives chase but Rose stays behind. She notices the television set is giving off electrical sparks.

File:Magpiedoctorrose.jpg
The Doctor and Rose with Magpie

Rose reads the name on the television's tag: Magpie. She decides to investigate. At the shop, the technician locks Rose in, trapping her insid. The talking representation of The Wire, a female television presener, appears and promptly subjects Rose to the lethal radiation of The Wire ("I'm The Wire... and I'm hungry!"). Rose loses her face and it appears on one of the screens in the shop.

At the dumpsite, the Doctor finds people milling about whose faces have been robbed. The Detective Inspector Bishop detaines him then in order to interrogate him. The Doctor learns that they have been secretly bringing the people to the depot. He finally persuades Bishop that he can help. Also, Rose's body is brought to the police department after it has been found on a street. The now entirely committed Doctor gets them to the repair shop with Tommy Connolly and Bishop. The Wire attacks them. Bishop becomes a victim but The Doctor stops the radiations before he and Tommy become victims.

Magpie takes advantage of their temporary paralysis though. He takes The Wire out of the shop in a portable television to the giant Alexandra Palace antenna. There, The Wire could drain the energy of three million viewers of the coronation and regain its corporeal form. The Doctor races after Magpie's van while Tommy stays in the shop, managing some devices under the Doctor's instructions. At Alexandra Palace, the Doctor manages to tap into the transmission. He diverts The Wire's signal with Tommy's help of Tommy. The Wire is trapped in a Betamax video tape. The Doctor comments that it would be enough, but just in case, he would erase the tape. All the victims regain their faces and minds.

Cast

Crew

General production staff

Script department

Camera and lighting department

Art department

Costume department

Make-up and prosthetics

Movement

Casting

General post-production staff

Special and visual effects

Sound



Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.


References

  • The Doctor and Rose try to arrive in 1956 to see Elvis Presley's performance on the Ed Sullivan Show in New York City, but arrive mistakenly in London, three years earlier.
  • Torchwood is mentioned by the police officer (though the mention doesn't appear to be noticed by the Doctor).
  • The Doctor drives a Vespa out of the TARDIS. This is the second time a vehicle has been shown leaving the TARDIS; the first time was in the TV Movie. This is the first time that a vehicle was shown to be kept inside the TARDIS (although the Eighth Doctor had a Volkswagen Beetle at one point)
  • Just before the Doctor climbs Alexandra Palace, the script originally included a line alluding to the Doctor's fear of transmitter towers because he "fell off one once", a reference to the Fourth Doctor's death.

Story notes

  • This story had working titles of: Mr Sandman, Sonic Doom, The One-Eyed Monster.
  • The Idiot's Lantern was originally to have been the ninth episode of Series 2.
  • Originally, The Doctor was supposed to have a line about having trouble with radio transmitters, which was supposed to be a reference to Logopolis, where the Fourth Doctor fell from the Pharos Project transmitter.
  • The Doctor quotes Kylie Minogue's song "Never Too Late." Minogue would later appear as a guest star in the episode Voyage of the Damned, playing Astrid Peth.
  • All the television aerials seem to resemble Nazi swastikas. On the DVD commentary one of the set designers mentions that this was done to evoke the post-war era.
  • The scene where the Doctor flips his interrogation with Detective-Inspector Bishop is similar to the scene with the Seventh Doctor and the Chief Caretaker in DW: Paradise Towers.
  • Overnight viewing figures for the initial broadcast of this episode were 6.32 million, peaking at 7.78 million, an audience share of 32.2%.
  • The final rating was 6.76 million, making it the most watched programme of the day.

Myths

  • This episode is frequently mistakenly cited as taking place in 1952, the year Elizabeth ascended to the throne upon the death of her father; her official coronation ceremony, however, did not occur until nearly 18 months later, in June 1953. (In addition, the episode itself states that it is 1953.)
  • It is often erroneously claimed that footage of Rose calling out from the TV set was recycled for her brief cameos in the Season 4 episodes The Poison Sky and Midnight.

Filming locations

  • Alexandra Palace, Wood Green, London
  • Florentia Street in Cathays, Cardiff
  • Blenheim Road in Pen-y-lan, Cardiff
  • Cardiff Royal Infirmary
  • Veritair Limited tarmac at the Cardiff Heliport on Cardiff Bay

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
  • David Tennant mentioned on the DVD commentary that he accidentally hit the button on the sonic screwdriver prop while putting it into his pocket, causing the light to flicker on and "sonic-ing" himself. This is clearly visible on the episode itself.
  • The episode's last scene in Magpie Electricals ends with the Doctor exiting the shop and looking towards Alexandra Palace. It was achieved by dropping in a matte painting of Ally Pally on a hill into a location foreground actually filmed in Cardiff. According to David Tennant on the DVD commentary for the episode, however, the composition of the shot violates the narrative of the story. Magpie is said to be in Muswell Hill, but in order to have that particular view of Ally Pally, one would actually have to be filming from the vantage point of Crouch End. Whether this is a production error or not depends on one's point of view. To those unfamiliar with London, there's nothing wrong with the technical set-up or execution of the scene. But given the episode's otherwise meticulous attempts to capture a the reality of a particular moment in history, it is a glaring error to anyone who knows London.
  • When the Doctor is climbing the transmitter, there's a moment where David Tennant's right foot disappears due to a compositing error.

Continuity

  • Magpie Electricals apparently continues to exist beyond the death of Mr. Magpie; Martha Jones had a Magpie brand television in DW: The Sound of Drums, and a Magpie brand microphone can be seen in Voyage of the Damned. The new TARDIS interior, after it repaired itself following the events of DW: The End of Time has some parts made by Magpie Electricals. Magpie apparently continues to thrive into the future, as a large sign with the company's logo can be seen aboard Starship UK in DW: The Beast Below.
  • The Wire shares many things with the Abzorbaloff (Love & Monsters, also of the second series). Both absorb their victims, whose faces are visible somewhere around the creature and whose consciousnesses are preserved somehow in such medium of captivity. However, The Wire expected to be fed and to regain its corporeal form. The Abzorbaloff wanted to absorb the Doctor's memories.
  • Lara Phillipart, who played Jasmine Pierce in TW: Small Worlds can be seen briefly as a girl in the Connolly's living room watching the coronation.
  • The Wire's repeated demand "FEED ME!" is reminiscent of a similar demand made, to comic effect, by the killer plant Audry Jr. in the classic horror-comedy film (and later musical) The Little Shop of Horrors. Also when the faces are shown on the screens in the TVs, it is also similar in the orginal film when Audry Jr. finally bloomed showing the faces of all its victims.
  • Grandma refers to Eddie Connolly as "Our lord and master" in the opening scene. The same phrase had previously been used to describe John Lumic and the Bad Wolf Corporation. It would later be used about The Master.

Timeline

Home video releases

Series 2 Volume 3 DVD Cover

External links

Template:Series 2