The Punchdrunk Encyclopaedia

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Revision as of 17:14, 21 June 2023 by Epsilon (talk | contribs) (Created page with "{{title dab away}} {{non-fiction}} {{Infobox Reference Book |image = The Punchdrunk Encyclopaedia.jpg |writer = Josephine Machon |publisher = Routledge |release date = 19 December (releases) 2018 (releases) (first edition) |format = Paperback & hardback, 310 pages |isbn = 978-1138556799 |cover = Stephen Dobbie }} {{Non-fiction stub}} '''''The Punchdrunk Encyclopaedia''''' is an encyclopaedia published on 19 Decembe...")
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This is a work of non-fiction.

Unlike other fictional universes, the Doctor Who universe is created solely by fiction. To us, this is not a valid source. Information from this source can only be used in "behind the scenes" sections, or on pages about real world topics.

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The Punchdrunk Encyclopaedia is an encyclopaedia published on 19 December 2018 by Routledge. The encyclopaedia, written by Josephine Machon, extensively covered the history of the immersive experience company Punchdrunk.

The Punchdrunk Encyclopaedia is relevant to this Wiki given it covers the 2011 Doctor Who immersive experience The Crash of the Elysium.

Publisher's summary

The Punchdrunk Encyclopaedia is the definitive book on the company's work to date, marking eighteen years of Punchdrunk's existence. It provides the first full-scale, historical account of one of the world's foremost immersive theatre companies, drawn from unrivalled access to the collective memory and archives of their core creative team.

The playful encyclopaedic format, much like a Punchdrunk masked show, invites readers to create their own journey through the ideas, aesthetics, contexts, and practices that underpin Punchdrunk's work. Interjections from Felix Barrett, Stephen Dobbie, Maxine Doyle, Peter Higgin, Beatrice Minns, Colin Nightingale and Livi Vaughan, among others, fill out the picture with in-depth reflections.

Charting Punchdrunk's rise from the fringe to the mainstream, this encyclopaedia records the founding principles and mission of the company, documenting its evolving creative process and operational structures. It has been compiled to be useful to scholars and students from a variety of backgrounds and disciplines, from secondary level through to doctoral research, and is intended for those with a fascination for theatre in general and immersive work in particular. Ultimately it is written for those who have dared to come play with Punchdrunk across the years. It is also offered to the curious; those adventurers ready and waiting to be immersed in Punchdrunk worlds.

Contents

  • Acknowledgements
  • Introduction
  • List of abbreviations
  • List of figures and tables
  • Timeline
  • Encyclopaedia
  • Punchdrunk personnel
  • References and further reading
  • Index

Subject matter

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Notable features

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Notes

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External links

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