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a little finetuning
(added a little more info) Tag: 2017 source edit |
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Both TARDISes are in a featureless place. Jo thinks they're dead, but the Doctor isn't sure. Suddenly a large female face appears. She is Kronos, and she was freed when the two TARDISes collided. She is grateful for the Doctor's help and plans to keep the Master to torment him. The Doctor asks to take the Master with them, and Kronos agrees. However, the Master makes a run for his TARDIS and escapes. | Both TARDISes are in a featureless place. Jo thinks they're dead, but the Doctor isn't sure. Suddenly a large female face appears. She is Kronos, and she was freed when the two TARDISes collided. She is grateful for the Doctor's help and plans to keep the Master to torment him. The Doctor asks to take the Master with them, and Kronos agrees. However, the Master makes a run for his TARDIS and escapes. | ||
Back in the lab, Stu takes care of baby Benton while Ruth works on the machine. The TARDIS lands back in Cambridge. The machine finally releases the Brigadier and his men, then it overloads. The soldiers enter the room, believing the Master is still there, only to find him long gone. The Brigadier questions Jo's strange Atlantean getup, a spontaneous change from his point of view. However, Stu goes to check on the baby Benton, finding nothing but the clothes he shrank out of. Then, a | Back in the lab, Stu takes care of baby Benton while Ruth works on the machine. The TARDIS lands back in Cambridge. The machine finally releases the Brigadier and his men, then it overloads. The soldiers enter the room, believing the Master is still there, only to find him long gone. The Brigadier questions Jo's strange Atlantean getup, a spontaneous change from his point of view. However, Stu goes to check on the baby Benton, finding nothing but the clothes he shrank out of. Then, a familiar figure rises up from the floor. To everyone's surprise, Benton has returned to his original age... only he's no longer sporting his uniform, but his [[Naked|birthday suit]]! | ||
== Cast == | == Cast == | ||
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* A notable scene dropped before the recording of Episode Five depicted the Doctor activating a device in the TARDIS which permitted Jo to speak the language of the ancient Atlanteans; the series had never before attempted to explain how the Doctor's companions could speak foreign and alien tongues. | * A notable scene dropped before the recording of Episode Five depicted the Doctor activating a device in the TARDIS which permitted Jo to speak the language of the ancient Atlanteans; the series had never before attempted to explain how the Doctor's companions could speak foreign and alien tongues. | ||
* It was [[Paul Bernard|Paul Bernard']]s idea to have Kronos' final form be that of a young woman. | * It was [[Paul Bernard|Paul Bernard']]s idea to have Kronos' final form be that of a young woman. | ||
* The historical setting was suggested by the Official ''Doctor Who'' Fan Club, an organisation which had recently been reinvigorated when it was put in the hands of a | * The historical setting was suggested by the Official ''Doctor Who'' Fan Club, an organisation which had recently been reinvigorated when it was put in the hands of a teenage fan named Keith Miller. | ||
* This was the first time the series had visited Earth's past since ''[[The Abominable Snowmen]].'' | * This was the first time the series had visited Earth's past since ''[[The Abominable Snowmen]].'' | ||
* Inspiration came to [[Robert Sloman]] during a walk outdoors, when he heard an airplane flying overhead and was reminded of the sound of German bombers during the Second World War. From this experience came the idea of “time slippages”, and Sloman envisaged a fleet of World War One biplanes descending on a modern-day aircraft. As Sloman developed his narrative, it was realised that budgetary considerations would prevent the First World War element from featuring prominently. Instead, it was decided to emphasise the Atlantis strand of the plot. | * Inspiration came to [[Robert Sloman]] during a walk outdoors, when he heard an airplane flying overhead and was reminded of the sound of German bombers during the Second World War. From this experience came the idea of “time slippages”, and Sloman envisaged a fleet of World War One biplanes descending on a modern-day aircraft. As Sloman developed his narrative, it was realised that budgetary considerations would prevent the First World War element from featuring prominently. Instead, it was decided to emphasise the Atlantis strand of the plot. | ||
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* The Doctor's supposedly backwards dialogue when played backwards is still gibberish. | * The Doctor's supposedly backwards dialogue when played backwards is still gibberish. | ||
* In episode three, the Doctor states that the Master is using the crystal to bring enemies "back in time". However, these characters are clearly from the past, and therefore were brought ''forward'' in time. | * In episode three, the Doctor states that the Master is using the crystal to bring enemies "back in time". However, these characters are clearly from the past, and therefore were brought ''forward'' in time. | ||
* When the UNIT team attempt to pull the TARDIS out of the crater the bomb has made, a | * When the UNIT team attempt to pull the TARDIS out of the crater the bomb has made, a castor wheel on the bottom of the prop can be seen. | ||
* Dave Prowse (Minotaur) is credited for episode five, though he does not appear. | * Dave Prowse (Minotaur) is credited for episode five, though he does not appear. | ||