Donald Baverstock
Donald Baverstock was the Controller of BBC One who ordered Sydney Newman to create the Saturday tea time show that became Doctor Who. Much is known about Baverstock's involvement with the creation of Doctor Who because of the sheer volume of memos and minutes that were archived.
Newman once summed up Baverstock's attitude towards Doctor Who as being "very keen" but "worried about money". (REF: The First Doctor Handbook)
History with Doctor Who
Baverstock was actively engaged in the creation of the programme. He had several well-documented meetings and written exchanges with Sydney Newman in the run-up to the series' premiere, dating back to at least 1962. On or about 20 May 1963 he personally signed off on the format document prepared by Newman, Donald Wilson and C. E. Webber, saying that series was "looking great". (REF: The First Doctor Handbook)
After much internal discussion over the course of several months, it was Baverstock who eventually personally decided on 5 July 1963 that Doctor Who episodes would be 25 minutes long, as they would remain until 1989.
Money man
Ultimately, Baverstock was Doctor Who's commissioning executive, the person who decided the final budgets for the programme and whether it would even get aired. He had to be satisfied that things were progressing satisfactorily. At first green lighting only a four epsiode commitment, he extended it to thirteen on the strength of what eventually became known as "The Pilot Episode". He almost immediately reversed his decision, however, after he started looking at the numbers harder.
Within days of giving the go-ahed to the 13-week commitment, he fired off a memo to Donald Wilson that nearly cancelled Doctor Who before it had remounted "An Unearthly Child". He claimed to have been deceived about the cost per episode and flatly said that he could not justify the apparent "true" expenses of Serial A.
Last week I agreed to an additional £200 to your budget of £2,400 for the first four episodes. This figure is now revealed to be totally unrealistic. The costs of these four will be more than £4,000 each ... Such a costly serial is not one that I can afford for this space in this financial year. You should not therefore proceed any further with the production of more than four episodes.
This forced a week-long "crisis" in which all manner of BBC executives, along with Verity Lambert and Donald Wilson seriously re-examined the financial assumptions of the show. Baverstock re-instated his 13-week commitment after Lambert and Wilson demonstrated that they could produce the show at a lower cost. The major sacrifice was that Doctor Who was not able to avail themselves of the BBC Visual Effects department on a regular basis. This forced visual effects to be sub-contracted. Thus Baverstock was somewhat directly responsible for the Daleks and other significant props being created by Shawcraft Models rather than the BBC itself.
Having now satisfied Baverstock as to the seriousness of their financial intent, Wilson and Lambert successfully pressed for extensions to their commission. Wilson received a thirteen-week extension on 22 November 1963, in which Baverstock signalled that he'd probably give an additional thirteen weeks in early 1964. In the event, though — and almost certainly influenced by the December success of The Daleks, he extended Doctor Who again on 31 December 1963, and yet again in February 1964. By April, he was ready to renegotiate contracts with the regulars and move into a second production block.
Baverstock was a part of those negotiations, in the sense that he had ordered Lambert to attempt to get the regulars back under contract at the same rate, but to advise him if they didn't accept that arrangement. Jacqueline Hill, William Russell and William Hartnell all refused Lamberts initial offer, so Baverstock became directly involved in the situation. Briefly, he tied the whole future of Doctor WHo to whether the artists would resign on meagre rises. However, he quickly sensed himself in a situation where he would likely be perceived as having a conflict of interest, and sent Lambert to another BBC executive for negotiation assistance. THey agreed to Hartnell's demands and came to a successful conclusion with the other two, whereupon Baverstock finally gave a long term commitment to Doctor Who that would last until the end of season 2.
Other challenges
Though his defence of the budget was clearly a significant event, he used his office in other ways that affected the early production of Doctor Who.
He was a key figure in the long-running dispute over whether the show could move from what Donald Wilson and later Verity Lambert considered the wholly inappropriate Lime Grove Studio D. In June 1963, he denied a request to move Doctor Who's specialised recording equipment to Riverside Studios so that his own pet project, That Was the Week That Was, could enjoy the superior facility. He was involved in several other meetings with various BBC executives and department heads about the headaches caused by Lime Grove's inadequate facilities.
Later, Donald Wilson and he clashed after Baverstock withdrew a commitment for Unearthly to be featured on the cover of Radio Times in November 1963. (DWMS Summer 1994)
After the BBC
When Hugh Greene, Director-General of the BBC, decided to make Baverstock switch places with his BBC2 counterpart in early 1965, Baverstock saw it as a demotion and resigned from the BBC. In accordance with half of Greene's original plan, he was replaced by Michael Peacock.
He then went on to Yorkshire Television where he helped to create, amongst other programmes, Emmerdale Farm, the soap opera that would long employ Doctor Who actors from Frazer Hines to Jenna-Louise Coleman.
Fictional portrayals
A caricature of him, called "Mr Borusa", was played by Mark Gatiss in The Pitch of Fear, a broad fictionalisation of Newman's pitch meeting for Doctor Who.
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