Destination: Skaro (TV story)
Destination: Skaro,[1] also titled Doctor Who Children in Need Special 2023,[2] was a televised minisode broadcast on 17 November 2023 on BBC One and written by Russell T Davies[3] as part of the 60th anniversary celebrations and Children in Need.
It featured the Fourteenth Doctor arriving on Skaro, which was hinted at in the final instalment of the Doctor Who Magazine comic strip Liberation of the Daleks [+]Loading...["Liberation of the Daleks (comic story)"].
While mainly comedic in tone as part of Children in Need, Destination: Skaro is notable for showing the creation of the first Mark III Travel Machine or Dalek, as well as the Doctor unintentionally being a part of their creation by giving their name and war cry of "Exterminate" to the co-creator Mr Castavillian. This origin is explicitly contradictory to the one established in Genesis of the Daleks [+]Loading...["Genesis of the Daleks (TV story)"], explained by the Doctor noting "ruptures" in the timelines and canon.
This story marked the first time an adult Davros is shown before his disfigurement, and the second instance Davros has been seen on-screen without the need for his life support chair and before his disfigurement overall, after his appearance as a child in The Magician's Apprentice [+]Loading...["The Magician's Apprentice (TV story)"] and The Witch's Familiar [+]Loading...["The Witch's Familiar (TV story)"].
Most notably, much like the 2005 Children in Need special Born Again [+]Loading...["Born Again (TV story)"] had done with the Tenth Doctor, this special marked the first full appearance of the Fourteenth Doctor on screen in a proper story following his introduction, and chronicled the very first hour of this incarnation's life after his predecessor's regeneration and following his first full adventure and appearance in the comic story Liberation of the Daleks [+]Loading...["Liberation of the Daleks (comic story)"].
Publisher's summary
In this special Children in Need episode, the Doctor hurtles through space and time to a crucial point in the Daleks’ history.
Plot
A pre-disfigured Davros and his assistant, Mr Castavillian, are building the first iteration of a mutant-housing Mark III Travel Machine. The assistant tries coming up with a new name for this machine, using different anagrams of Kaled, none of which Davros likes. Hearing a request from Nyder, Davros leaves. There is an inexplicable wheezing, groaning sound.
Suddenly, the TARDIS crashes into the room, smashing into a wall. The Fourteenth Doctor opens the door and says "Hello!". He mentions that he regenerated from a brilliant woman sixty minutes ago and has somehow ended with an old face. He realises his violent landing has accidentally smashed off a part of the Machine, a multi-dextrous claw, and apologises. Then he sees the machine, and says in terror, "That's a Dalek!" The assistant notes down this name approvingly. He notes that he was lucky that he wasn't "exterminated" before realizing that he must have accidentally traveled to the "genesis of the Daleks". Hurriedly, he legs it back to the TARDIS, retrieves a plunger, and throws it to Castavillian. The Doctor runs back into the TARDIS and tells the assistant he was "never here." The TARDIS dematerialises. Panicking, the assistant sticks the plunger on to the machine in place of the claw.
Davros re-enters and sees the plunger stuck on to the Dalek. The assistant looks at his boss nervously, yet he approves: "I like it."
Cast
- The Doctor - David Tennant
- Mr Castavillian - Mawaan Rizwan
- Davros - Julian Bleach
- Voice of the Daleks/Nyder - Nicholas Briggs
- Dalek Operator - Barnaby Edwards
Crew
Executive Producers Russell T Davies, Julie Gardner and Jane Tranter with Phil Collinson and Joel Collins |
Written by Russell T Davies |
Produced by Scott Handcock |
Directed by Jamie Donoughue
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General production staff Script department Camera and lighting department |
Art department Costume department |
Make-up and prosthetics
General post-production staff Special and visual effects Sound |
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Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources. |
Worldbuilding
Kaleds and Daleks
- Davros mentions that the war caused the Kaleds to mutate.
- Davros identifies the bonded polycarbide shell, multi-dextrous claw and ruby ray blaster as part of the Travel Machine's arsenal.
Temporal theory
- When the Doctor realised that he was creating a bootstrap paradox, he exclaimed that the "timelines and canon are rupturing."
more to be added
Notes
- The title "Destination: Skaro" was only given by Russell T Davies on a post on his Instagram.[1]
- This is the first time an adult Davros is seen prior to his disfigurement in live action, as this time of his life had previously been heard in Big Finish Productions' I, Davros audio dramas Davros [+]Loading...["Davros (audio story)"], Purity [+]Loading...["Purity (audio story)"] and Corruption [+]Loading...["Corruption (audio story)"]. He had previously been shown as a child in The Magician's Apprentice [+]Loading...["The Magician's Apprentice (TV story)"] and The Witch's Familiar [+]Loading...["The Witch's Familiar (TV story)"]. Russell T Davies stated on Doctor Who: Unleashed that he did not want to depict Davros as he looked in the past to avoid associating a disfigured wheelchair user with evil.
- According to Doctor Who: Unleashed, the special was filmed on David Tennant's birthday a year after he had wrapped production on the 60th anniversary specials.
- This story contradicts elements of the audio dramas Davros and I, Davros, such as the scene where Davros constructs the Mark 1 Travel Machine, which was done after he was confined to his wheelchair. The Doctor's remark about rupturing timelines implies that the events of this story occurs in an different timeline.
Continuity
- This minisode references the fact that, in-universe, an hour has passed since his regeneration; this aligns with Davies' intent that Liberation of the Daleks [+]Loading...["Liberation of the Daleks (comic story)"], set after The Power of the Doctor [+]Loading...["The Power of the Doctor (TV story)"], takes places over the course of a single hour.
- The Doctor mentions being "a really brilliant woman" and having "this old face back again."
- This story is a prequel to Genesis of the Daleks [+]Loading...["Genesis of the Daleks (TV story)"], positing that several parts of Dalek culture were introduced by the Doctor via a bootstrap paradox. This story also refers to the creation of the Daleks as the "genesis of the Daleks", a name for the event that had previously been used in various spin-offs.
- One of the anagrams Castavillian proposes is "Klade"; the Klade, as seen in several BBC Eighth Doctor Adventures novels such as Father Time [+]Loading...["Father Time (novel)"], were often hinted at being the future evolutions of the Daleks.
- This is not the only time they've been alluded to on-screen, as the episode The Satan Pit [+]Loading...["The Satan Pit (TV story)"] mentioned the Kaled God of War, a god which the Klade were also shown to worship in Father Time.
- Notably, there's a discrepancy in the subtitles between BBC iPlayer, which offer the potential name "Klade", and YouTube, which instead uses the anagram "Klaed".
- The Doctor mentions the concept of canonicity as a concept similar to a timeline; many sources have also referenced canonicity in this way, such as the BBC Eighth Doctor Adventures novel The Blue Angel [+]Loading...["The Blue Angel (novel)"] establishing that the Time Lords have a Tower of Canonicity.
- The view of Skaro from space closely resembles its appearance in Doctor Who [+]Loading...["Doctor Who (TV story)"].
- Dalek casings being created from polycarbide was established in Remembrance of the Daleks [+]Loading...["Remembrance of the Daleks (TV story)"].
Home media releases
to be added
Gallery
- Main article: /Gallery
Footnotes
External links
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