This article is very . . . confused. "Tonight's the Night" is not the name of the sketch. It's the name of the television show. There should be one article about the TV show and another about the sketch, which should be at Untitled (Tonight's the Night). This isn't a special, a mini-ep or anything like that. It's an untitled segment on a regularly scheduled TV show called Tonight's the Night
These omissions are so great that the article's factual accuracy has been compromised. Check out the discussion page and revision history for further clues about what needs to be updated in this article.
Tonight's the Night was a BBC talent series hosted by John Barrowman which aired in the spring of 2009. In a promotion connected with the series, a contest winner was given a chance to play a villain in a specially written Doctor Who scene featuring Jack Harkness and a surprise guest which was broadcast during the 23rd May 2009 episode of Tonight's the Night.
The mini-episode itself carries no on-screen title, however Russell T. Davies referred to it by the title Tonight's the Night in his June 2009 column in Doctor Who Magazine #410.
Plot
Jack Harkness enters the Doctor's TARDIS and discovers a blue-headed alien who claims to be a regenerated Doctor. The alien gives the game away when Jack notices that he's armed, something the real Doctor would never be. The alien identifies himself as Sao Til, a literal arms dealer who trades in limbs. Jack draws his gun and the two enter into a Mexican standoff before ... David Tennant comes in through the TARDIS doors and asks John what he's doing. John introduces Tim Ingham of Stoke-on-Trent, who is pretending to be Sao Til. David then exits the set via the 'fourth wall', pausing briefly before he leaves to chide John for being in "my TARDIS". After a moment of giddiness at having seen David Tennant, John and Tim then carry on from where they left off, resuming their characters and pretending to shoot at each other as they run around the TARDIS set.
Cast
- Jack Harkness / Himself - John Barrowman
- Sao Til / Himself - Tim Ingham
- Himself - David Tennant
Crew
No crew are credited on-screen. However, Alice Troughton can be clearly seen directing the episode in the behind-the-scenes featurette that accompanied it.
References
- Jack mentions having been to a party on Alpha Centauri that had something to do with "organ donation" (given the nature of the skit, it's doubtful this has any bearing on canon).
Story notes
- The skit has no opening or closing credits.
- Running just over 3 minutes in length, this is the shortest televised Doctor Who-related production of all time. (The shortest canonical television story remains as SJA:From Raxacoricofallapatorius With Love, while the 2009 webisode A Ghost Story for Christmas, running 3.5 minutes, stands as the shortest Doctor Who-related storyline that could fall within canon.)
- As Tennant does not appear as the Doctor in this skit, it is the first Doctor Who story since Mission to the Unknown in which the character does not appear. It is the first and only time a televised story has featured the TARDIS, but no Doctor. Given the acknowledged non-canon nature of this skit, Mission to the Unknown remains as the only DW story to not feature the Doctor (when viewed as a stand-alone story independent of The Daleks' Master Plan.)
- There was no Doctor Who Confidential for the episode but there was a behind-the-scenes look at the making of the skit followed its broadcast (on Tonight's The Night).
- Although it was broadcast after Planet of the Dead (the first High Definition Doctor Who episode), the skit was the first time that the TARDIS interior was shown in High Definition. The TARDIS interior didn't feature in Planet of the Dead.
- At the time this was written, Davies believed it would be the final Doctor Who story he would ever write (as he relates in DWM 410 and Doctor Who: The Writer's Tale - The Final Chapter); ultimately, this ended up not being the case as it was announced in April 2010 that he would be writing an episode of The Sarah Jane Adventures featuring an appearance by the Eleventh Doctor as played by Matt Smith; that episode was SJA: Death of the Doctor.
- Davies also said in DWM that he was originally going to have this story as "canon" with the Doctor in it – but changed his mind.
- The complete script for the skit is reproduced in REF: Doctor Who: The Writer's Tale - The Final Chapter.
- As he was playing himself, not the Doctor, David Tennant spoke in his natural Scottish accent; he previously used his natural accent in DW: Tooth and Claw.
Ratings
to be added
Myths and Rumours
- When first announced it was thought the skit would be a potentially canonical mini-episode along the lines of Music of the Spheres and Time Crash, but this turned out not to be the case. According to Davies in his column Doctor Who Magazine #410, he did initially intend to write such a mini-episode, but on realising this would be the last Doctor Who story he'd likely ever write, he couldn't bring himself to create something canonical in this context.
Continuity
- Barrowman and Ingham break character and Tennant appears as himself, and we see the equipment surrounding the TARDIS set at Upper Boat Studios. This renders the story completely non-canonical and thus it doesn't fit into any timeframe of the series. Davies also explicitly indicates in DWM #410 that the story is not canonical. This is actually only the second BBC-made Doctor Who production, after the Scream of the Shalka webcast, to be officially disqualified from canon (the Dimensions in Time mini-serial of 1993 has been "decanonised" by fan opinion, but the BBC has never itself given an opinion).
Home video releases
- No DVD release of this skit has to date occurred. Although reference to the skit is made in David Tennant's Video Diaries, a special feature in the 2009 Specials DVD/Blu-Ray box set, the skit itself is omitted. There has likewise been no announcement of a home video release of the Tonight's the Night series. Unless this happens, the skit will join the interactive mini-episode Attack of the Graske as the only Tennant-era productions to not see home video release.