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* [[Innes Lloyd]] suggested the moon setting in order to tap into the ongoing space race. | * [[Innes Lloyd]] suggested the moon setting in order to tap into the ongoing space race. | ||
* [[Peter Hawkins]] was given a modified dental palate originally designed for use by patients who had undergone the surgical removal of their larynx, which produced electronic sounds just by shaping the mouth and lips appropriately. Unfortunately, the persistent vibration induced by the device gave Hawkins headaches and made him nauseous. | * [[Peter Hawkins]] was given a modified dental palate originally designed for use by patients who had undergone the surgical removal of their larynx, which produced electronic sounds just by shaping the mouth and lips appropriately. Unfortunately, the persistent vibration induced by the device gave Hawkins headaches and made him nauseous. | ||
* Episode four marks the final appearance of the show's original title sequence for | * Episode four marks the final appearance of the show's original title sequence for 46 years; it would next appear in ''[[The Day of the Doctor (TV story)|The Day of the Doctor]]'' in 2013. | ||
* [[Gerry Davis]] wanted the story to take place predominantly on one large set, with just a handful of smaller subsidiary sets and a limited supporting cast in order to save money. | * [[Gerry Davis]] wanted the story to take place predominantly on one large set, with just a handful of smaller subsidiary sets and a limited supporting cast in order to save money. | ||
* The production team wanted the Cybermen to look more robotic and streamlined, and so costumer designer [[Sandra Reid]] crafted three alternative designs from which [[Innes Lloyd]] and [[Morris Barry]] made their selection. | * The production team wanted the Cybermen to look more robotic and streamlined, and so costumer designer [[Sandra Reid]] crafted three alternative designs from which [[Innes Lloyd]] and [[Morris Barry]] made their selection. | ||
* During rehearsals, it was discovered that Fauré and Benoit had both been given the first name Jules, so the latter was named Roger. However, the name plate for [[Andre Maranne]]'s outfit had already been prepared bearing the initial ‘J’, and there was no way to change it in a timely manner. To compensate, Maranne was given a neckerchief to wear to cover the offending letter. | * During rehearsals, it was discovered that Fauré and Benoit had both been given the first name Jules, so the latter was named Roger. However, the name plate for [[Andre Maranne]]'s outfit had already been prepared bearing the initial ‘J’, and there was no way to change it in a timely manner. To compensate, Maranne was given a neckerchief to wear to cover the offending letter. | ||
* | * This was the last serial to be recorded at [[Riverside Studios]]. The series moved back to [[Lime Grove Studios]], much to [[Innes Lloyd]]'s disappointment. | ||
* The final scene leading into ''[[The Macra Terror (TV story)|The Macra Terror]]'' was filmed by that serial's director [[John Davies (director)|John Davies]] as part of filming for the next story. | * The final scene leading into ''[[The Macra Terror (TV story)|The Macra Terror]]'' was filmed by that serial's director [[John Davies (director)|John Davies]] as part of filming for the next story. | ||
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