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In [[November]] [[1854]], he was put in charge of [[Ace]], whom he believed to be a [[British]] spy. He fell in love with her and was annoyed when she was transferred to another prison. Before she left, she kissed him. She then took him hostage and travelled to [[St Petersburg]]. When she left him, she called him 'writer man' because she knew that he would write ''[[War and Peace]]'' in the near future. ([[AUDIO]]: ''[[The Angel of Scutari (audio story)|The Angel of Scutari]]'') | In [[November]] [[1854]], he was put in charge of [[Ace]], whom he believed to be a [[British]] spy. He fell in love with her and was annoyed when she was transferred to another prison. Before she left, she kissed him. She then took him hostage and travelled to [[St Petersburg]]. When she left him, she called him 'writer man' because she knew that he would write ''[[War and Peace]]'' in the near future. ([[AUDIO]]: ''[[The Angel of Scutari (audio story)|The Angel of Scutari]]'') | ||
He wrote a book which, after its [[title]] was transformed by [[the most canon man|<nowiki>[[the most canon man]]</nowiki>]], was called ''[[War and Noodles]]''. ([[PROSE]]: {{cs|How to Appear Noodles in Several Uneasy Lessons (short story)}}) | |||
In the centuries that followed [[Gavin Oliver Scott|some]] would differentiate him from [[Dostoyevski]] by saying "that Russian who wasn't Tolstoy". ([[PROSE]]: ''[[The Least Important Man]]'') | In the centuries that followed [[Gavin Oliver Scott|some]] would differentiate him from [[Dostoyevski]] by saying "that Russian who wasn't Tolstoy". ([[PROSE]]: ''[[The Least Important Man]]'') |
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