Editing The Doctor's Wife (TV story)

{{ImageLinkTV}}
{{real world}}
{{title dab away}}
{{Infobox Story
| name            = The Doctor's Wife
| image           = Doctor's-wife.jpg
| series          = [[Doctor Who television stories|''Doctor Who'' television stories]]
| season number   = [[Series 6 (Doctor Who)|6]]
| story number    = 216
| doctor          = Eleventh Doctor
| companions      = [[Amy Pond|Amy]], [[Rory Williams|Rory]]
| featuring       = [[Idris]], [[The Doctor's TARDIS|the TARDIS]]
| enemy           = [[House (The Doctor's Wife)|House]]
| setting         = [[Bubble universe]], [[The Doctor's TARDIS|the TARDIS]]
| writer          = [[Neil Gaiman]]
| director        = [[Richard Clark]]
| producer        = [[Sanne Wohlenberg]]
| confidential= Bigger on the Inside (CON episode)
| broadcast date  = [[14 May (releases)|14 May]] [[2011 (releases)|2011]]
| network         = [[BBC One]]
| format          = 1x45 minute episode 
| production code = 2.3
| prev            = The Curse of the Black Spot (TV story)
| next            = The Rebel Flesh (TV story)
| made prev       = A Christmas Carol (TV story)
| made next       = Night Terrors (TV story)
| trailer         = The Doctor's Wife Doctor Who Episode 4 Trailer
| clip            = DOCTOR WHO CLIP 8 2
| clip2           = Talking to the TARDIS - Doctor Who - The Doctor's Wife - Series 6 - BBC
| clip3           = I just wanted to say Hello - Doctor Who - The Doctor's Wife - Series 6 - BBC
| bts             = Charlie McDonnell interviews Neil Gaiman - Doctor Who Confidential - BBC Three
| bts2            = Neil Gaiman on his Doctor Who episode, "The Doctor's Wife."
| bts3            = You Sexy Thing Doctor Who - Insider Ep. 4. 1
}}{{you may|River Song|n1=River Song, the Doctor's wife}}
'''''The Doctor's Wife''''' was the fourth episode in the [[Series 6 (Doctor Who)|sixth series]] of ''[[Doctor Who]]''. It was notable for being the first episode of the series to be written by famed fantasy and comic book writer, [[Neil Gaiman]]. Such was the notoriety of Gaiman writing an episode of ''Doctor Who'' that he was given some of the prerequisites of a [[head writer]] — he wrote the production diary section in ''[[Doctor Who Magazine]]'' and hosted on ''[[Doctor Who Confidential]]''.  The story received an exceptional amount of pre-broadcast hype in part because of the length of time it had to wait to be released.  Originally scheduled as a part of [[series 5 (Doctor Who)|series 5]], it was not produced until [[series 6 (Doctor Who)|the 2011 series]], and rumours of Gaiman being recruited to write an episode for [[Steven Moffat]] dated back as early as 2008 when then-incoming showrunner was preparing to take over from [[Russell T Davies]].

Like ''[[Love & Monsters]]'' and ''[[Utopia (TV story)|Utopia]]'' before it, ''The Doctor's Wife'' was significant for its connection to a ''[[Blue Peter]]'' competition.  Teenager [[Susannah Leah]]'s [[Junk TARDIS|winning design]] for a [[TARDIS console]] was prominently featured in this episode, and subsequently turned into a [[Character Options action figure sets|Character Options action figure set]].  

Narratively, ''Wife'' was important because it depicted [[the Doctor's TARDIS]] in [[human]] form, and offered revelations about the relationship of the two time travellers. It was also the first episode of [[BBC Wales]] ''Doctor Who'' to extensively feature the corridors of the TARDIS — a setting common to several stories of the [[1963]] version of the show. It also contained the first appearance of the [[Ood]] in the [[Steven Moffat]] era, and was thus the first time that [[Russell T Davies]] was formally credited as their creator. 

''Wife'' would win the show's first Hugo award not won by a showrunner when it received the 2012 Dramatic Presentation, Short Form Award. 

The story was further remarkable for its unmistakable similarity to ''[[Nineveh (comic story)|Nineveh]]'', an obscure [[Seventh Doctor]] comic story from the pages of ''[[The Incredible Hulk Presents]]''.                     

== Synopsis ==
The [[Eleventh Doctor]] receives a message from an old [[Time Lord]] friend. The message brings him, [[Rory Williams]] and [[Amy Pond]] to another [[universe]] where they meet an [[House (The Doctor's Wife)|alien]] who eats [[TARDIS]]es.

== Plot ==
In [[Bubble universe|another universe]], a woman named [[Idris]] is led down a corridor by [[Auntie (The Doctor's Wife)|Auntie]], with Idris admitting that she is afraid of what's about to happen to her. Auntie tells her that she is right to be afraid, as it will hurt, but that her actions will serve a greater purpose. A green-eyed [[Ood]] brings her onto a platform and drains her mind and soul in preparation for the arrival of a [[Time Lord]].

In the [[universe|main universe]], the [[Eleventh Doctor]]'s [[The Doctor's TARDIS|TARDIS]] is floating in deep space; regardless of this, however, there is a knock at the door, thoroughly puzzling [[Amy Pond|Amy]] and [[Rory Williams|Rory]]. The Doctor, confused and intrigued, opens the door to find a small white cube, which flies into the TARDIS and whizzes about wildly before he is finally able to catch it. When Amy and Rory wonder what it is, the Doctor excitedly responds that he has mail. He refers to the object as a [[hypercube]] — a form of communication for Time Lords. This one is from the Doctor's old friend, [[the Corsair]], and comes from outside the universe. They follow the signal, deleting the TARDIS rooms for fuel, and succeed in breaking the barriers of their [[universe]], landing on an unfamiliar [[planet]] in a bubble universe. Upon landing, the TARDIS loses total power; the Doctor worriedly explains that the matrix — the heart and soul of the TARDIS — has completely vanished. He then wonders where it could have gone. Elsewhere, Idris awakens with the sound of the TARDIS whooshing coming from her as golden light emanates from her mouth and hands. Auntie and [[Uncle (The Doctor's Wife)|Uncle]] watch as Idris looks at her glowing hands.

Elsewhere, the [[time travel]]lers step out of the TARDIS to find that they've landed on a planetoid junkyard. Optimistically, the Doctor observes that the yard is full of [[time rift|rift]] energy, and so the TARDIS should refuel. They are spotted by Idris, who kisses, then bites the Doctor, calling him her "thief" while speaking madly. She is closely followed by Auntie and Uncle; all make their apologies for Idris, explaining that she is insane. However, Idris says she is not insane and tries saying something, but then tries kissing the Doctor again. She is stopped from doing so. Idris tells the Doctor that "the little boxes will make you angry" and tells Amy what [[petrichor]] means. Auntie tells Idris to get some sleep and she agrees, saying she will look for an "off switch". She then faints. Uncle then says sadly that Idris has died, but Rory examines her and says she hasn't.
[[File:Nephew.jpg|thumb|Nephew, the [[Ood]]]] 

Uncle then asks [[Nephew]] to take Idris somewhere she cannot bite others. The Doctor and his [[companion]]s turn around to see the green-eyed Ood. Amy is shocked, but the Doctor calms her and explains what Nephew is. The Doctor tries talking with Nephew, but finds that his [[Ood translation sphere|translation sphere]] is broken. As a gesture of goodwill, the Doctor fixes the device; upon activating, it plays a series of interwoven distress messages from various Time Lords. The Doctor demands Auntie and Uncle tell him who else is there, but they say it's just the four of them and [[the House]]. The travellers are confused; Auntie explains that the world that they're on is how. She then asks if they want to meet him. The Doctor agrees, taking Amy and Rory with him into a cavern, led by Auntie and Uncle while Nephew takes Idris away.

Inside the cavern, Auntie shows the travellers a vent cover that the Doctor immediately examines. He then tells his companions that the asteroid is sentient. Nephew joins them as Auntie explains that the four of them breathe [[House (The Doctor's Wife)|House]]'s air, eat his food, live on his "back" and "smell its armpits" as Amy points out by how the air smells. House then take control of the three natives, greeting the travellers — specifically the Doctor as a Time Lord. The Doctor then asks House if there are other Time Lords on him, but House says though there have been many [[TARDIS]]es in the past, none are there now. The Doctor then tells House that he is the last Time Lord and his TARDIS is the last as well. House only says that's a pity as the Time Lords were kind. House offers the Doctor, Amy, and Rory free rein for as long as they'd like, giving them the opportunity to explore. As the travellers leave, Auntie, Uncle and Nephew look on with worried faces.

In the meantime, Idris has awoken and begins babbling random lines and gibberish. She then realises the Doctor isn't there and calls out for her "thief". Nearby, the Doctor hears her and tells his companions that he knows House is lying because of what he heard on Nephew's translator. However, Amy points out even if there are other Time Lords, the Doctor will have to explain his annihilation of the rest of their species to them; he wants to be forgiven. Wondering what the Doctor needs to help in his search, Amy is instructed to retrieve the [[sonic screwdriver]] from his spare coat. Amy gives him her phone to keep in touch and leaves Rory to look after him. However, Rory follows Amy on the Doctor's orders. He believes the Doctor will be okay, but Amy thinks different — the Doctor might get emotional and make mistakes. They enter the TARDIS as a green smoke begins swirling out of the ground and around it.
[[File:DOCTOR WHO CLIP 9 2|thumb|left|The Doctor learns the truth]]
Amy calls the Doctor, asking him where he said the sonic screwdriver was and is told to have a long look for it; the Doctor actually has it with him and locks the TARDIS with it. He then  traces the distress signals to a cupboard. He is dismissive of the idea of all the Time Lords being in a cupboard, but is soon prompted to open it when the voices calling for help continue. Inside the cupboard, the Doctor discovers the horrific truth: the Ood's translation sphere was picking up a series of hypercubes, all transmitting similar distress signals from Time Lords that are now long dead. Auntie and Nephew — at House's behest — released the hypercube as a means of luring the Doctor to the asteroid. Distraught, the Doctor turns on them and deduces that House has been "repairing" them with bits and pieces of the Time Lords who have landed here. Angered, he tells them to run.

Back in the TARDIS, Amy and Rory realise that the Doctor has lied to them and call him. The Doctor says that he lied and is sorry, but then wonders how Idris knew finding the hypercubes could have made him angry. He tells his companions to stay still and hangs up. Amy realises the Doctor ''is'' emotional, which is very bad. A green glow comes from outside the windows, prompting Rory to agree with her, at least with the part about their predicament being bad.

The Doctor confronts Idris; he wonders how she could have possibly known, leading her to reveal that she is, in fact, the TARDIS — on landing, House removed the TARDIS matrix and implanted it in her [[body]]. While the Doctor's reluctant to believe her, he comes to realise it's true when she explains that she "borrowed" him because she wanted to see the universe, and he was the only Time Lord that was mad enough. He releases her from the cage in which she has been imprisoned and, with her help, deduces that the House "eats TARDISes" by feeding on the Rift energy bursting from them; but because he can't "eat" a TARDIS without blowing a hole in the universe, the House removed the matrix and placed it inside Idris with the hope that it would die off on its own, far away from the console room. 

Realising that Amy and Rory are in danger, the Doctor rushes outside. He calls them, telling them to "get the hell out of there!" Amy tells the Doctor that he locked the doors, but the Doctor has unlocked them with the sonic; House has begun possessing the TARDIS instead of eating it and is keeping it locked. The Doctor reaches the TARDIS and tries opening it manually and by snapping his fingers, but is unsuccessful.

Inside, the [[Cloister Bell]] rings as a green glow fills the [[console room]]; the TARDIS vanishes from the asteroid. The Doctor is left dumbstruck by these events; he has no idea what to do. He then slaps himself to get back on task of following after House to save his companions.

Inside the control room, the House reveals his presence and explains that he will kill Amy and Rory unless they can defend why they should live; Rory claims House needs entertainment, which is why Auntie and Uncle lived on his old home — he likes to make other suffer. Hearing this, House simply tells them to entertain him then, ordering them to run — which they do without much persuasion.

Back on the asteroid, the Doctor tells Idris that the TARDIS has been hijacked just as Auntie and Uncle walk up to them. Auntie explains it's time for them to "pop off", but Uncle is against it — without House around, they lack the source of their life. They then die, albeit comically. Idris tells the Doctor they have to go where she landed, but stops from a pain in her side, Idris only has a short time left to live. The Doctor then asks his TARDIS if it has a name of its own and Idris tells him he named her "Sexy", much to his embarrassment. Remembering that they are in a "TARDIS junkyard," the Doctor and Idris decide to construct a [[Junk TARDIS|TARDIS control console]] from the remnants of other models, though Idris rebukes the Doctor briefly when she reminds him that the so-called "junkyard" is in fact filled with the corpses of her sisters.

Elsewhere, as they run through the TARDIS corridors, Amy and Rory must contend with House's mind games; first, he separates them, placing Rory in a faster time stream than Amy whereby he ages and dies in a matter of minutes, devastating her. However, the true Rory unites with her soon afterwards.

The Doctor and Idris bond while constructing the new console, though initially the Doctor is confrontational, accusing the TARDIS of acting like his mother and not being very reliable. Idris informs the Doctor although she has not always taken him where he's wanted to go, she's always taken him where he's ''needed''. The Doctor expresses the desire to talk to her even when she's "inside the box," but she states that it's impossible. Moments later, she nearly collapses and informs the Doctor that her body is deteriorating rapidly.

They successfully launch the console and pursue the TARDIS through the vortex. Because House has raised the TARDIS' exterior shields, the Doctor orders Idris to send Amy a telepathic message, directing her to one of the old control rooms; she mistakes Rory for "the pretty one" and sends him the message instead. 

[[File:Amy and Rory Discover the Old Console Room.jpg|thumb|Amy and Rory take refuge in the now-archived coral console room.]]
On their way to the console room, House continues to play with Amy's mind, turning off the lights so that she can't see. As Rory goes ahead, Amy is confronted by Nephew, who has been brought aboard to do House's bidding. The couple flees to the old control room only to find the doors locked; Idris sends Rory another telepathic message to give him the password. Amy, remembering the TARDIS interface is telepathic, mentally visualises all four of the words (remembering Idris' seemingly random reference to the definition for "petrichor"), and they succeed in entering the control room that was used by the Doctor's [[Ninth Doctor|ninth]] and [[Tenth Doctor|tenth]] incarnations. They manage to lower the shields just as the "invading matrix" materialises. House is able to enter the room.

House is annoyed that they lowered the shields, hoping they could have been his servants along with Nephew, but decides they are too much trouble; Nephew is ordered to kill them. The makeshift console then materialises, atomising the Ood. The Doctor reunites with Amy and Rory, introducing them to Idris, whose body is failing. Realising how little time they have left, the Doctor engages the House, explaining that he will need the Doctor's help re-entering the larger universe. He suggests that House delete 30% of the TARDIS rooms for extra fuel. The House agrees, firstly deleting the room in which they all stand.

However, instead of dying, they find themselves in the main control room, where the Doctor reveals the emergency failsafe the House failed to consider: all living things present in deleted rooms are automatically transported to the main control room. House sees no reason to delay killing the Doctor and his friends now that they have reached the main universe, leading the Doctor and Amy to enthusiastically congratulate him for defeating them; however, the Doctor is merely buying time, watching as Idris dies just after whispering something in Rory's ear. The Doctor reminds House of his plan — to trap the matrix in a mortal body, where it would die off safely far away from the control room; however, this plan has failed, and the matrix has been released into the console room. Upon entering the console, the matrix quickly overrides House and the entity screams in pain as it is consumed.

The matrix has one last conversation with the Doctor, projecting itself as Idris's form into the room. She remembers the sad word she'd forgotten all along — "alive" — which the Doctor insists isn't sad until it's over. She also tells him the one thing she never got to say to him: "Hello." The Doctor pleads that he doesn't want her to go, but she disappears in a burst of light, whispering, "I love you", before vanishing entirely. The heartbroken Doctor tearfully begins to work the console as Amy and Rory look on.

The Doctor works underneath the console platform, placing a firewall around the matrix to prevent it from being removed again. Rory admits to the Doctor that, before she died, Idris whispered, "The only water in the forest is the river," which she believed they'd need to know [[A Good Man Goes to War|one day]]. Amy asks if the TARDIS will be able to speak again, but the Doctor says no due to "spacey-wacey" reasons. As their bedroom was one of the ones deleted, the Doctor constructs them another but is disappointed that the two go for a double bed instead of a bunk bed like they had before. As the two head off the Doctor, now with a new appreciation of the TARDIS and his relationship with her, speaks to the console and tells her they can head wherever she wants... the [[Eye of Orion]] for some peace and relaxation or to wherever the TARDIS thinks he needs to go. One of the levers moves of its accord making the Doctor gleeful as he goes heading into another adventure with his oldest companion leading the way as always.

== Cast ==
* [[Eleventh Doctor|The Doctor]] - [[Matt Smith]]
* [[Amy Pond]] - [[Karen Gillan]]
* [[Rory Williams]] - [[Arthur Darvill]]
* [[Idris]] / [[The Doctor's TARDIS|The TARDIS]] - [[Suranne Jones]]
* [[Uncle (The Doctor's Wife)|Uncle]] - [[Adrian Schiller]]
* [[Auntie (The Doctor's Wife)|Auntie]] - [[Elizabeth Berrington]]
* [[Nephew]] - [[Paul Kasey]]
* Voice of [[House (The Doctor's Wife)|House]] - [[Michael Sheen]]

== Crew ==
{{wales crew
|1stAD=Mick Pantaleo
|2ndAD=James DeHaviland
|3rdAD=Heddi-Joy Taylor-Welch
|AD=Janine H Jones
|AD2=Michael Curtis
|Runner=
|Runner2=
|FloorRunner=
|FloorRunner2=
|FloorRunner3=
|LocationManager=Nicky James
|LocationManager2=
|LocationScout=
|AssistantLocationManager=
|LocationAssistant=Geraint Williams
|UnitManager=Rhys Griffiths
|AssistantUnitManager=
|ProductionManager=Steffan Morris
|ProductionCoOrdinator=Claire Hildred
|AsstProductionCoOrdinator=Helen Blyth
|ProductionManagerAsst=
|ProductionManagementAsst=
|ProductionAssistant=Charlie Coombes
|ProductionScriptSecretary=
|ProductionSecretary=Scott Handcock
|ScriptSecretary=
|ProductionRunner=
|ProductionRunner2=
|ProductionRunner3=
|Driver=
|Driver2=
|AssistantProductionAccountant=Rhys Evans
|AssistantProductionAccountant2=
|AssistantProductionAccountant3=
|ContractsAssistant=
|ContractsAssistant2=
|ScriptEditor=
|ScriptEditor2=
|ScriptExecutive=Lindsey Alford
|ScriptSupervisor=Caroline Holder
|Continuity=
|CameraOperator=Bob Shipsey
|CameraOperator2=
|BCameraOperator=
|2ndUnitCameraOperator=
|2ndCameraOperator=
|FocusPuller=Steve Rees
|FocusPuller2=Jonathan Vidgen
|2ndUnitFocusPuller=
|2ndFocusPuller=
|PolecamOperator=
|Grip=John Robinson
|AssistantGrip=Owen Charnley
|CameraAsst=Simon Ridge
|CameraAsst2=Svetlana Miko
|CameraAsst3=Matthew Lepper
|CameraTrainee=
|BoomOperator=
|BoomOperator2=
|SoundMaintenanceEngineer=Jeff Welch
|SoundMaintenanceEngineer2=Dafydd Parry
|Gaffer=Mark Hutchings
|BestBoy=Pete Chester
|Electrician=Ben Griffiths
|Electrician2=Bob Milton
|Electrician3=Stephen Slocombe
|Electrician4=Alan Tippets
|StuntCoOrdinator=Crispin Layfield
|StuntCoOrdinator2=
|Choreographer=Ailsa Berk
|Wires=
|Stunt=Gordon Seed
|Stunt2=Bean Peel
|Stunt3=Danielle da Costa
|Stunt4=
|Stunt5=
|Stunt6=
|Stunt7=
|Stunt8=
|ChiefSupervisingArtDirector=
|SupervisingArtDirector=Stephen Nicholas
|SupervisingArtDirector2=Karl Probert
|ArtDirector=
|AssistantArtDirector=Jackson Pope
|ArtDeptCoOrdinator=
|ArtDeptProdManager=
|AssociateDesigner=
|ProductionBuyer=Ben Morris
|SetDecorator=Julian Luxton
|PropsBuyer=Adrian Anscombe
|PettyCashBuyer=Kate Wilson
|StandbyArtDirector=Ciaran Thompson
|ASupervisingArtDirector=
|SetDesigner=
|StoryboardArtist=
|ConceptArtist=Richard Shaun Williams
|ConceptArtist2=
|DesignAssistant=
|DesignAssistant2=
|DesignAssistant3=
|DesignAssistant4=
|CyfleTrainee=
|GraphicArtist=Christina Tom
|Draughtsman=Julia Jones
|StandbyProps=Phil Shellard
|StandbyProps2=Katherine Archer
|StandbyProps3=
|StandbyCarpenter=Will Pope
|StandbyRigger=Bryan Griffiths
|StandbyPainter=Helen Atherton
|StandbyScenicArtist=
|StorePerson=Jayne Davies
|ChiefPropsMaster=
|PropsMaster=Paul Aitken
|PropertyMaster=
|AssistantPropsMaster=
|DressingChargehand=
|PropsChargehand=Rhys Jones
|PropsStoreman=
|DressingProps=Martin Broadbent
|DressingProps2=Kristian Wilsher
|ForwardDresser=
|SpecialistPropMaker=
|SeniorPropsMaker=
|ChiefPropsMaker=
|PropsFabricationManager=
|PropsMaker=Penny Howarth
|PropsMaker2=Nicholas Robatto
|PropsMaker3=
|PropsDriver=Medard Mankos
|PracticalElectrician=Albert James
|ArtDepartmentDriver=
|ConstructionManager=Matthew Hywel-Davies
|ConstructionWorkshopManager=
|WorkshopManager=
|ConstructionChargehand=Scott Fisher
|ConstructionChargehand2=
|ScenicArtist=
|ScenicArtist2=
|Graphics=BBC Wales Graphics
|TitleSequence=
|CostumeSupervisor=Bobbie Peach
|CrowdSupervisor=
|WardrobeSupervisor=
|AsstCostumeDesigner=Caroline McCall
|CostumeAsst=Jason Gill
|CostumeAsst2=Yasemin Kascioglu
|CostumeAsst3=Emma Jones
|CostumeTrainee=
|Make-upSupervisor=Pam Mullins
|Make-upArtist=Vivienne Simpson
|Make-upArtist2=Allison Sing
|Make-upArtist3=
|Make-upArtist4=
|Dolls=Robert Allsopp
|UnitDriver=
|UnitDriver2=
|UnitDriver3=
|UnitDriver4=
|CastingAssociate=Alice Purser
|CastingAssociate2=
|CastingAssistant=
|AsstEditor=Becky Trotman
|AsstEditor2=
|VFXEditor=Cat Gregory
|VFXCoOrdinator=
|VFXCoOrdinator2=
|VFXProductionAssistant=
|OnSetVFXSupervisor=
|DigitalMattePainter=
|DigitalMattePainter2=
|DigitalMattePainter3=
|DigitalMatteArtist=
|DigitalMatteArtist2=
|MattePainter=
|MattePainter2=
|MattePainter3=
|PostProdSupervisor=Nerys Davies
|PostProdSupervisor2=
|PostProdCoOrdinator=Marie Brown
|SFXCoOrdinator=
|SFXSupervisor=
|SFXSupervisor2=
|SFXTechnician=
|SFXTechnician2=
|ProstheticsDesigner=
|ProstheticsSupervisor=
|OnSetProstheticsSupervisor=
|ProstheticsTechnician=
|ProstheticsTechnician2=
|ProstheticsTechnician3=
|ProstheticsTechnician4=
|ProstheticsTechnician5=
|ProstheticsTechnician6=
|ProstheticMakeUpArtist=
|DubbingMixer=Tim Ricketts
|DialogueEditor=Paul McFadden
|SupervisingSoundEditor=Paul McFadden
|SoundSupervisor=
|SoundEditor=
|SoundEditor2=
|SoundEffectsEditor=Paul Jefferies
|ModelUnitSupervisor=
|ModelUnitDOP=
|ModelUnit=
|ModelMaker=
|FoleyEditor=Jamie Talbutt
|Colourist=Mick Vincent
|Colourist2=
|SeniorVFXArtist=
|3DArtist=
|3DArtist2=
|3DArtist3=
|3DArtist4=
|3DArtist5=
|3DArtist6=
|3DArtist7=
|3DArtist8=
|3DArtist9=
|3DArtist10=
|3DArtist11=
|3DArtist12=
|3DArtist13=
|3DArtist14=
|3DArtist15=
|2DArtist=
|2DArtist2=
|2DArtist3=
|2DArtist4=
|2DArtist5=
|2DArtist6=
|2DArtist7=
|2DArtist8=
|2DArtist9=
|2DArtist10=
|OnlineConform=Mark Bright
|OnlineConform2=
|OnlineEditor=Jeremy Lott
|OnlineEditor2=
|RightsExecutive=
|FinanceManager=
|VisualFXProducer=Beewan Athwal
|VisualFXProducer2=
|VisualFXSupervisor=
|VisualFXSupervisor2=
|Thanks=
|Thanks2=
|WithThanksTo=BBC National Orchestra of Wales
|WithThanksTo2=
|SpecialThanks=
|ConductedAndOrchestratedBy=Ben Foster
|Vocals=
|CounterTenor=
|RecordedBy=Gerry O'Riordan
|MixedBy=Jake Jackson
|CrouchEnd=
|FromIdeaBy=
|Character1=Ood
|CharCreatedBy1a=Russell T Davies
|CharCreatedBy1b=
|Character2=
|CharCreatedBy2a=
|CharCreatedBy2b=
|Character3=
|CharCreatedBy3a=
|CharCreatedBy3b=
|OriginalTheme=Ron Grainer
|CastingDirector=Andy Pryor CDG
|CastingDirector2=
|ProductionExec=Julie Scott
|SeniorProductionAccountant=
|ProductionAccountant=Dyfed Thomas
|SoundRecordist=Bryn Thomas
|CostumeDesigner=Barbara Kidd
|Make-upDesigner=Barbara Southcott
|VisualEffects=The Mill
|SpecialEffects=Real SFX
|Prosthetics=
|Music=Murray Gold
|Music2=
|Editor=Peter H Oliver
|ProductionDesigner=Michael Pickwoad
|ProductionDesigner2=
|DOP=Owen McPolin
|LineProducer=Diana Barton
|AssociateProducer=
|CoProducer=
|Writer=Neil Gaiman
|Writer2= 
|Producer=Sanne Wohlenberg
|Producer2=
|Director=Richard Clark
|ExecutiveProd=Steven Moffat
|ExecutiveProd2=Piers Wenger
|ExecutiveProd3=Beth Willis
|DedicatedTo=<!--This exact credit never actually used as of April 2010; left for future use-->
|InMemoryOf=
|Note=
<!--There are note variables from Note2 to Note20, but these are probably only necessary for the odd case of "The End of Time".  This set of variables are the only ones which aren't automatically linked; it's just a freeform note field.  All Notes mass together in a single paragraph at the end of the table created by this template.  Thus, each individual note should be a full sentence ending with a period, and should have any links enclosed in [[brackets]].
-->
}}

== References ==
* The Doctor mentions he had an [[umbrella]] that resembled the patchwork of body parts that Uncle and Auntie both have.

=== Time Lords ===
* The Doctor mentions an old Time Lord friend, [[the Corsair]]. 
* The voices of many other Time Lords are heard coming from other [[hypercube]]s and Nephew's voicebox, include one referencing the [[High Council]].

=== TARDIS ===
* The TARDIS has (or, at least, had) several [[Squash (sport)|squash]] courts, as well as a scullery. The scullery and Squash Court Seven are deleted.
* The TARDIS has archived approximately thirty past and future control rooms, even though the Doctor recalls only changing the desktop a dozen times up to this point. The TARDIS is able to make these old control rooms available at will, including in this instance the control room used by the [[Ninth Doctor|Ninth]] and [[Tenth Doctor]]s. 
* The TARDIS says that her consciousness exists simultaneously across all [[time]] and [[space]].
* The current version of the TARDIS still has many corridors, and not all run horizontal, at least after House has disabled the [[artificial gravity]]. House comments on this, indicating that he had not had corridors in the asteroid.
* The [[Cloister Bell]] rings as House takes control of the TARDIS.
* TARDIS technology includes an eleventh dimensional matrix (the living essence of a TARDIS) folded into a mechanical structure that lets the TARDIS's operator interact with said matrix.

== Story notes ==
* This episode had the working title of ''Bigger on the Inside''. <ref>http://www.bbc.co.uk/programmes/b011884d</ref><ref name="gaimanq&a">http://journal.neilgaiman.com/2011/06/fairly-humongous-doctor-who-q-mostly.html</ref> Another working title was ''The House of Nothing''. <ref>[[REF]]: ''[[The Brilliant Book 2012]]''</ref><ref name="gaimanq&a" />
* This episode was originally planned as the eleventh episode of Series 5, but because of budget limitations was delayed until Series 6.<ref name="gaiman0511">http://journal.neilgaiman.com/2011/05/adventures-in-screen-trade.html</ref>
* In an interview with [[Neil Gaiman]] on [[BBC]] breakfast, he revealed that his episode is "very spooky" and that fans "are likely to be biting their nails off by the end".
* Michael Sheen is credited as 'Voice of House' on-screen, and as 'House' in ''Radio Times''.
* On his blog, writer Neil Gaiman released a short conversation between Amy and the Doctor that did not make the final cut in the episode he wrote.<ref>http://journal.neilgaiman.com/2010/08/turned-up-to-eleven.html</ref>
* While it has been hinted at before a few times in the franchise, most directly in the ending of [[TV]]: ''[[The End of Time (TV story)|The End of Time]]'', this episode offers the first concrete confirmation that Time Lords can change genders when they [[regeneration|regenerate]]. This was a deliberate addition to the mythos on Gaiman's part.<ref>http://www.guardian.co.uk/discussion/comment-permalink/10776022</ref>
* Gaiman had wanted to use a classic-series-era console room for the sequences in the archived control room, but a set could not be reconstructed due to budgetary constraints. Instead the Tenth Doctor's console was left standing in the studio at Gaiman's request, secretly waiting to be used in this episode.<ref>http://www.guardian.co.uk/discussion/comment-permalink/10775927</ref>
* Early drafts of the script featured more of Idris before having her soul removed<ref>http://www.guardian.co.uk/discussion/comment-permalink/10776647</ref>, more backstory about the Corsair's relationship with the Doctor<ref>http://www.guardian.co.uk/discussion/comment-permalink/10776022</ref>, more TARDIS rooms<ref>http://www.guardian.co.uk/discussion/comment-permalink/10777174</ref>, burial of Idris' corpse and clear indication that House survived its defeat<ref>http://www.guardian.co.uk/discussion/comment-permalink/10776824</ref>.
* Neil Gaiman read the written text of his script in a video short posted on the BBC. The last lines of the script indicated that the TARDIS took the Doctor and his friends "somewhere that is almost certainly not the Eye of Orion".
* The TARDIS corridors built for this story are now standing sets, available for use in future stories.<ref>http://www.guardian.co.uk/discussion/comment-permalink/10777174</ref>
* Since the series was revived in 2005, any episode to feature classic alien species would include a tribute in the end credits (with the exception of the [[Silurian]]s for unknown reasons, until they were ultimately credited in [[TV]]: ''[[A Good Man Goes to War]]''), crediting the aliens' original creator - e.g., "[[Dalek]]s created by [[Terry Nation]]". This is the first episode to utilise this credit with an alien created in the revived series - specifically, "[[Ood]] created by [[Russell T Davies]]". The complete change in the production team before Series 5 could be in part the reason behind this.
[[File:Susannah Leah TARDIS console design.jpg|thumb|right|[[Susannah Leah]]'s TARDIS console design, used as the [[Junk TARDIS]].]]
* The [[Junk TARDIS]] console was the subject of a [[2009]] design competition on ''[[Blue Peter]].'' The winning design was by then-12-year-old [[Susannah Leah]], whose subsequent visits to the BBC Art Department and location filming for this story were featured in the [[10 May (releases)|10 May]] [[2011]] episode of ''Blue Peter.''
* The junkyard of TARDISes references the first appearance of the TARDIS in ''[[An Unearthly Child]]'', when it was sitting in a junkyard.
* According to ''The Doctor Who Companion: The Eleventh Doctor Vol. 3'', the gibberish Idris is heard speaking in her cell (prior to asking about fish fingers and referencing the motorbike) was supposed to be "The only water in the forest is the river" backwards.
* Also according to ''The Doctor Who Companion: The Eleventh Doctor Vol. 3'', Gaiman originally created a new alien for Nephew, but was asked to choose a previously established race when the budget didn't allow for the creation of a new monster.
* According to Gaiman, writing in ''[[The Brilliant Book 2012]]'', up until the day shooting began the episode was to have begun with a shot-on-location sequence showing the hypercube inadvertently saving the Doctor, Rory and Amy from being sacrificed by a group of aliens. Later dubbed the "Planet of the Rain Gods" sequence, Gaiman writes it was rewritten as a TARDIS control room scene when the production schedule changed leaving insufficient time to film the planned opening. ''The Brilliant Book 2012'' includes a comic strip adaptation of the aborted opening entitled ''[[Planet of the Rain Gods (comic story)|Planet of the Rain Gods]]''. Gaiman later adapted the scene as a mini-episode entitled ''[[Rain Gods (TV story)|Rain Gods]]'' that was included as a DVD/Blu-ray exclusive in the Series 7 box set, altering it to focus on the Doctor and [[River Song]] instead of Rory and Amy and omitting the reference to the hypercube.
* The [[Seventh Doctor]] comic story, ''[[Nineveh (comic story)|Nineveh]]'', contains the same narrative backdrop of this story. In the comic, the Doctor is drawn to a world outside normal space which is a junkyard for old TARDISes. There, a figure called the [[Watcher of Nineveh]] has been luring [[Time Lord]]s to their deaths. The Doctor himself is nearly killed because the Watcher has the ability to penetrate and inhabit the Doctor's TARDIS, just as he did all the others. That said, the earlier story doesn't even hint at the personification of the TARDIS, beyond the fact that the Doctor calls the TARDIS "old girl". Nor does ''Nineveh'' feature any [[companion]]s or people on the "junkyard planet".
* ''The Eleventh Doctor Companion'' mentions additional script elements that were cut before broadcast, including the fact the TARDIS indicates that the chameleon circuit is not broken - she simply stays as a police box because the Doctor likes it; and, during their farewell conversation, the TARDIS was to tell the Doctor he was forgiven for his actions in the Time War (providing narrative bookending to the earlier discussion about the Doctor wanting to be forgiven).
* As is routine for post-2005 ''Doctor Who'', a "NEXT TIME" trailer for the [[The Rebel Flesh|next episode]] is shown at the end of the episode.
* This is the second televised story in which every character, except for the Doctor and his companions, dies (the first was ''[[Horror of Fang Rock]]'').

=== Ratings ===
* 7.97 million (34.7% market share)

=== Myths ===
* There were rumours this story would be set in a giant doll's house<ref>http://tardisspoilers.blogspot.com/2010/09/inside-doll-house.html</ref> this also seems more likely due to the working title of his story being "The House of Nothing". ''Incorrect, House was an asteroid. However, the episode ''[[Night Terrors]]'' was set in a giant doll's house.''
* Suranne Jones' Idris is the Doctor's wife.<ref>http://doctorwhotv.co.uk/idris-is-16888.htm</ref>''Whilst Idris was not the Doctor's marital wife, she was his TARDIS in human form, and had many attributes of a wife. Promotion for the episode, and its trailer, did lead to some speculation that Idris was a previously unknown spouse of the Doctor's.''
* [[Paul McGann]]'s voice can be heard among the other Time Lord distress calls. ''There is a male voice that dominates over the others in the sequence, calling out to the High Council and saying "I am still alive!", and the voice sounds very much like McGann, however neither McGann nor anyone connected with the episode has ever indicated that the actor recorded any dialogue for the episode. An unknown Youtube-user commented that '''he '''did the voice for the sequence.''
* After the release of the Series 6 trailer early in 2011, featuring footage of Amy and Rory hiding behind a strut in the Russell T Davies-era console room as yellow light streams from the center of the room, it was believed that the two companions would be sent back in time to the moment of either the [[Ninth Doctor|Ninth]] or [[Tenth Doctor]]'s regeneration. ''The footage in question was actually taken from the moment when the Eleventh Doctor and Idris, traveling in the makeshift TARDIS, materialise in the archived console room.''
* It is rumoured that part of [[Vale Decem]] can be heard as the makeshift [[TARDIS]] lands in the [[Tenth Doctor]]'s [[TARDIS]] desktop.

=== Filming locations ===
* ''to be added''
=== Production errors ===
{{discontinuity}}
* When Amy is holding the "mail cube" in the beginning of the episode, the close ups of her hand on the cube show her nailpolish as red, while in other shots, it is shown as purple. 
* When Amy finds the aged Rory it is obvious that his arms and hands are still those of a young man. (No make-up or appliances were added to age them.)
* When the Doctor reaches for the phone in his pocket to call Amy and Rory, the camera is facing his back. In the next shot, however, when the camera is facing his front, he repeats the action.
* In the scene where the Doctor catches Idris/the TARDIS while building a new TARDIS console, when the camera is showing Idris' face, her hand is on his shoulder, but whenever the camera angle shifts to show the Doctor's face, her hand is clearly not there.
* In the scene where the Doctor and Idris/the TARDIS run to the dead TARDIS'es, the Doctor's Sonic Screwdriver's glare is blue although it is supposed to be green.

== Continuity ==
* House uses the TARDIS telepathic circuits ([[TV]]: ''[[The Edge of Destruction (TV story)|The Edge of Destruction]]'') to deceive Amy and Rory - making it dark for one while light for the other, causing Amy to hear Rory's voice, making it appear that Rory had aged and spent years apart from Amy, etc.
* The TARDIS' swimming pool ([[TV]]: ''[[The Invasion of Time (TV story)|The Invasion of Time]]'') is referenced, though it is also deleted; the pool had earlier made its way to the TARDIS library after the ship was damaged by the Doctor's regenerative energy. ([[TV]]: ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]'') It also was used to save [[River Song]]'s life. ([[TV]]: ''[[Day of the Moon (TV story)]]'') It will later be restored. ([[TV]]: ''[[Journey to the Centre of the TARDIS (TV story)|Journey to the Centre of the TARDIS]]''). The swimming pool seems to be located in an exterior location: The Seventh Doctor also had to jettison it once, causing the Doctor and Mel's trip to Paradise Towers.
* The Doctor references rebuilding the TARDIS before. ([[TV]]: ''[[The Claws of Axos]], [[The Horns of Nimon]]'')
* The Doctor also references using rift energy to refuel the TARDIS. ([[TV]]: ''[[Boom Town]]'', ''[[Utopia (TV story)|Utopia]]'')
* The Doctor asserts that he [[Last Great Time War|killed all of the Time Lords]]. ([[TV]]: ''[[The End of Time (TV story)|The End of Time]]'')
* An [[Ood]] appears and the Doctor mentions his continuing inability to save them. ([[TV]]: ''[[The Satan Pit]]'', ''[[Planet of the Ood]]'')
* The Doctor tells Uncle and Auntie to "Basically, run!". He said the same thing to the [[Atraxi]]. ([[TV]]: ''[[The Eleventh Hour]]'')
* A [[hallucination]] of an aged Rory mentions waiting two thousand years for Amy, "and you did it to me again". ([[TV]]: ''[[The Big Bang]]'')
* Amy's thought of delight is her wedding. ([[TV]]: ''[[The Big Bang]]'')
* Behind the Doctor's back, Amy and Rory again discuss what they are going to do with him concerning them witnessing the death of his eleven hundred and three year old self. ([[TV]]: ''[[The Impossible Astronaut]]'','' [[The Curse of the Black Spot]]'')
* The [[Second Doctor]] previously sent a message by [[hypercube]] to the [[Time Lord]]s. ([[TV]]: ''[[The War Games (TV story)|The War Games]]'')
* Previous TARDISes in human form include [[Marie (Alien Bodies)|Marie]] in [[PROSE]] ''[[Alien Bodies]]'', [[Compassion]] from [[PROSE]]: ''[[The Shadows of Avalon]]'' to [[PROSE]]: ''[[The Ancestor Cell]]'' and [[Glinda]] in [[AUDIO]]: ''[[Omega (audio story)|Omega]]'', though they were evolved future TARDISes. The idea of TARDIS minds in human bodies was also in [[AUDIO]]: ''[[Unregenerate!]]''.
* Idris/the TARDIS directs Amy and Rory to a copy of a previous TARDIS console room, prior to its reconstruction. ([[TV]]: ''[[The Eleventh Hour]]'')
* The TARDIS previously used psychic connection to send messages (and to frighten) its inhabitants. ([[TV]]: ''[[The Edge of Destruction]]'')
* Extra energy is given to the TARDIS by deleting various rooms of the TARDIS. ([[TV]]: ''[[Logopolis (TV story)|Logopolis]]'', [[Castrovalva (TV story)|''Castrovalva'']])
* The Doctor offers to take Amy and Rory to the [[Eye of Orion]]. ([[TV]]: ''[[The Five Doctors (TV story)|The Five Doctors]]'')
* Idris/the TARDIS states she has all of the older control rooms saved in her archives, as well as many that have not been seen yet. ([[COMIC]]: ''[[Tesseract]]'')
* Idris/the TARDIS tells the Doctor that although she didn't always take him to where he wanted to go, she took him to where he needed to go, which explains most of the times that the TARDIS gets the flight wrong (e.g. landing on the Moon rather than Mars or when he was supposed to go to Rio and ended up in Wales).
* Idris/the TARDIS mentions the Doctor's tendency to "bring home strays" ([[TV]]: ''[[The Rescue (TV story)|The Rescue]]'', ''[[The Chase (TV story)|The Chase]]'', ''[[The Evil of the Daleks (TV story)|The Evil of the Daleks]]'', etc.)
::* [[Martha Jones]] made a similar comparison to the Doctor's practice of taking on companions. ([[TV]]: ''[[Utopia (TV story)|Utopia]]'')
* The Doctor and the TARDIS reference the ability to change the TARDIS 'desktop theme'. ([[TV]]: ''[[Time Crash]]'')
* The inhabitants of House's asteroid refer to themselves by familial titles, much like the [[Family of Blood]]. ([[TV]]: ''[[Human Nature (TV story)|Human Nature]]'' / ''[[The Family of Blood]]'')
* While housing the TARDIS Matrix, Idris names herself "Sexy" in reference to the Doctor calling her "you sexy thing". ([[TV]]: ''[[The Eleventh Hour]]'')
* The TARDIS calls the Doctor her "thief", and they discuss how he stole (or "borrowed") her. ([[TV]]: ''[[The War Games (TV story)|The War Games]]'', ''[[The Five Doctors (TV story)|The Five Doctors]]'', et. al.) 
* The Doctor says that the place in which they materialise is filled with rift energy, which will enable the TARDIS to power up quickly. ([[TV]]: ''[[Boom Town]]'', ''[[Utopia (TV story)|Utopia]]'')
* While trying (unsuccessfully) to get into [[The Doctor's TARDIS|the TARDIS]], the Doctor snaps his fingers to gain access. ([[TV]]: ''[[Forest of the Dead]]'', [[TV]]: ''[[The Eleventh Hour]]'', [[TV]]: ''[[Day of the Moon]]'')
* [[Ian Chesterton]] was the first to observe of the TARDIS, "It's alive!" ([[TV]]: ''[[An Unearthly Child]]'')
* The [[Third Doctor]] previously travelled using just the TARDIS console. ([[TV]]: ''[[Inferno (TV story)|Inferno]]'')
* Idris is annoyed that the Doctor never reads instructions. The Doctor once said he threw the TARDIS instruction manual into a supernova because he disagreed with it. ([[TV]]: ''[[Amy's Choice]]'') He had previously ripped out pages of the manual because he disagreed with them. ([[TV]]: ''[[The Pirate Planet (TV story)|The Pirate Planet]]'') 
* Idris tells Rory to tell the Doctor, "The only water in the forest is the river". The significance of these words is revealed later. ([[TV]]: ''[[A Good Man Goes to War (TV story)|A Good Man Goes to War]]'')
* The [[Junk TARDIS]] console features safety belts to hold onto, a feature previously seen on the console of [[the Doctor's TARDIS]].([[TV]]: ''[[Timelash (TV story)|Timelash]]'')
* This story also marks the first time on screen that the Doctor has been shown piloting a TARDIS ''other'' than his own, other than during the incomplete [[HOMEVID]]: ''[[Shada (TV story)|Shada]]''.
* The fact that old console rooms were archived within the TARDIS had previously been a major plot point in the [[Tenth Doctor]] comic book story [[COMIC]]: ''[[Tesseract]]''. In the comic book, the Doctor is well aware of the archiving. Here, the Doctor believes that old console rooms "were all deleted or remodelled".
* The Doctor has previously tricked an adversary into fixing the TARDIS. ([[TV]]: ''[[Frontios (TV story)|Frontios]]'')
* This isn't the first time the Doctor and his TARDIS communicate. They also did so in [[AUDIO]]: ''[[Zagreus (audio story)|Zagreus]]''. The TARDIS used a hologram of the [[Brigadier Alistair Gordon Lethbridge-Stewart|Brigadier]] in order to speak.

== Adaptations ==
* ''[[The Brilliant Book 2012]]'' includes a 3-page comic strip adapting the unused opening sequence for the episode, under the title ''[[Planet of the Rain Gods (comic story)|Planet of the Rain Gods]]''. This opening sequence was later adapted in 2013 as the minisode [[TV]]: ''[[Rain Gods (TV story)|Rain Gods]]'', which was included as a bonus in the Complete Seventh Series DVD and Blu-ray box sets. The filmed adaptation features the Doctor and [[River Song]] and is a standalone mini-adventure unconnected to the events of ''The Doctor's Wife''.
* In interviews given in June 2011, Gaiman indicated that he was in talks with [[BBC Books]] about writing a novelisation of ''The Doctor's Wife''.<ref>[http://www.bleedingcool.com/2011/06/22/neil-gaiman-in-talks-to-write-doctor-who-novel</ref> He later, however, stated that his book-writing contracts made this not possible.{{fact}}

== Home video releases ==
[[File:Series-6-part-1-dvd-cover.jpg|thumb|Series 6, part 1 DVD cover]]
This story was released as Series 6 Part 1 with ''[[The Impossible Astronaut]]'', ''[[Day of the Moon]]'', ''[[The Curse of the Black Spot]]'', ''[[The Rebel Flesh]]'', ''[[The Almost People]]'' and ''[[A Good Man Goes to War]]'' on 11 July 2011.

The episode was later released in the complete series 6, which included the first and second half of the series, was released on DVD and Blu Ray on the [[21 November (releases)|21 November]] [[2011 (releases)|2011]]. 

== External links ==
*{{locguide|doctorswife|The Doctor's Wife}}
*{{dwrefguide|who_tv60.htm|The Doctor's Wife}}

== Footnotes ==
{{Reflist}}
{{DWTV}}
{{TitleSort}}


[[de:{{StoryTitle}}]]
[[es:The Doctor's Wife]]
[[fr:The Doctor's Wife]]
[[ru:Жена Доктора]]
[[Category:Doctor Who (2005) television stories]]
[[Category:2011 television stories]]
[[Category:Series 6 (Doctor Who) stories]]
[[Category:Ood television stories]]
[[Category:Time Lord television stories]]
[[Category:Eleventh Doctor television stories]]
[[Category:Stories set outside time and space]]
[[Category:SH ok]]