Roma LXIX: Difference between revisions
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'''Roma | {{Known Worlds}} | ||
'''Roma LXIX''' was one of many [[Known Worlds]] where the [[Roman Empire]] never fell. The culture was obsessed with [[sex]], to the point that all [[religion]]s emphasised the celebration of [[fertility]] and no [[sculptor]], [[painter]], or [[tesselator]] learned how to depict [[clothing]]. | |||
[[Marcus | [[Marcus Americanius Scriptor]] obtained a two-foot-high statue of [[Minerva]] by the [[Bernini]] of Roma LXIX and gave it to Emperor [[Emmanuel Victorius]]. Unlike traditional, more modest representations of Minerva in [[Roma I]], the statue was nude and posed seductively. A [[anisocyclorum]] was hidden in an owl on Minerva's shoulder. ([[PROSE]]: ''[[Warlords of Utopia (novel)|Warlords of Utopia]]'') | ||
== Behind the scenes == | |||
[[ | In [[Roman numerals]], LXIX is the number 69. The sexual focus of Roma LXIX culture is based off of this innuendo. | ||
[[Category: | {{DEFAULTSORT:Roma 069}} | ||
[[Category:Romas]] | |||
Latest revision as of 15:08, 1 February 2021
Roma LXIX was one of many Known Worlds where the Roman Empire never fell. The culture was obsessed with sex, to the point that all religions emphasised the celebration of fertility and no sculptor, painter, or tesselator learned how to depict clothing.
Marcus Americanius Scriptor obtained a two-foot-high statue of Minerva by the Bernini of Roma LXIX and gave it to Emperor Emmanuel Victorius. Unlike traditional, more modest representations of Minerva in Roma I, the statue was nude and posed seductively. A anisocyclorum was hidden in an owl on Minerva's shoulder. (PROSE: Warlords of Utopia)
Behind the scenes[[edit] | [edit source]]
In Roman numerals, LXIX is the number 69. The sexual focus of Roma LXIX culture is based off of this innuendo.
