Bill Williams: Difference between revisions
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When [[Gwen Cooper]] and [[Toshiko Sato]] visited the museum, looking for an [[Artefact (The Beauty of Our Weapons)|alien artefact]] that was displayed in the then-private collection in the [[1960s]], Bill told them that a [[Private investigator (The Beauty of Our Weapons)|private investigator]] had once come looking for the same artefact and was dead three weeks later. ([[PROSE]]: ''[[The Beauty of Our Weapons (short story)|The Beauty of Our Weapons]]'') | When [[Gwen Cooper]] and [[Toshiko Sato]] visited the museum, looking for an [[Artefact (The Beauty of Our Weapons)|alien artefact]] that was displayed in the then-private collection in the [[1960s]], Bill told them that a [[Private investigator (The Beauty of Our Weapons)|private investigator]] had once come looking for the same artefact and was dead three weeks later. ([[PROSE]]: ''[[The Beauty of Our Weapons (short story)|The Beauty of Our Weapons]]'') | ||
[[Category:Cardiff residents]] | |||
[[Category:20th century individuals]] | |||
[[Category:21st century individuals]] | |||
Revision as of 17:35, 18 August 2022
In 2008, Bill Williams was the doorman at Ashley ab Hugh Museum in Cardiff. He was an old-fashioned man who had worn the same suit for years, and had a distaste for websites.
When Gwen Cooper and Toshiko Sato visited the museum, looking for an alien artefact that was displayed in the then-private collection in the 1960s, Bill told them that a private investigator had once come looking for the same artefact and was dead three weeks later. (PROSE: The Beauty of Our Weapons)
