Army of One: Difference between revisions
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During the [[War in Heaven]], the '''Army of One''' technique was a way to replicate soldiers' [[biodata]] used by the [[House Military]] to create the [[Cwejen]] and by [[Michael Brookhaven]] to create his [[House of Seven Gables]]. | {{you may|Army of One (audio story)|n1=the audio story}} | ||
During the [[War in Heaven]], the '''Army of One''' technique was a way to replicate soldiers' [[biodata]] used by the [[House Military]] to create the [[Cwejen]] and by [[Michael Brookhaven]] to create his [[House of the Seven Gables]]. | |||
During the War, mass-production of soldiers through regular [[clone|cloning]] was insufficient, since they were created with blank [[biodata]] profiles and were therefore left vulnerable to mass erasure by [[the enemy]]. To circumvent this problem, the House Military developed a plan to diffract the [[timeline]] of a single individual into a full strikeforce. They chose as their subject agent [[Christopher Rodonanté Cwej]], re-engineering his relationship to [[history]] so that an army of [[Cwejen]] could be stably created in the 29th year of the War. Despite this being an unmitigated success, the House Military's later replication attempts were met with grisly failure. | During the War, mass-production of soldiers through regular [[clone|cloning]] was insufficient, since they were created with blank [[biodata]] profiles and were therefore left vulnerable to mass erasure by [[the enemy]]. To circumvent this problem, the House Military developed a plan to diffract the [[timeline]] of a single individual into a full strikeforce. They chose as their subject agent [[Christopher Rodonanté Cwej]], re-engineering his relationship to [[history]] so that an army of [[Cwejen]] could be stably created in the 29th year of the War. Despite this being an unmitigated success, the House Military's later replication attempts were met with grisly failure. | ||
The only other successful application of the Army of One concept was [[Michael Brookhaven]]'s [[House of Seven Gables]]. ([[PROSE]]: ''[[The Book of the War (novel)|The Book of the War]]'') | The only other successful application of the Army of One concept was [[Michael Brookhaven]]'s [[House of the Seven Gables]]. ([[PROSE]]: ''[[The Book of the War (novel)|The Book of the War]]'') | ||
[[Category:Technology in the War]] | == Behind the scenes == | ||
* The idea of diffracting an individual into several coexisting duplicates of himself through a temporal process seems to be an attempt to formalise what happened to [[Scaroth]] in the ''[[Doctor Who]]'' TV episode ''[[City of Death (TV story)|City of Death]]'', although this was never made explicit due to [[Mad Norwegian Press]] not having held the rights to the character when ''[[The Book of the War (novel)|The Book of the War]]'' was published. | |||
[[Category:Technology in the War in Heaven]] | |||
Latest revision as of 11:49, 9 March 2023
- You may be looking for the audio story.
During the War in Heaven, the Army of One technique was a way to replicate soldiers' biodata used by the House Military to create the Cwejen and by Michael Brookhaven to create his House of the Seven Gables.
During the War, mass-production of soldiers through regular cloning was insufficient, since they were created with blank biodata profiles and were therefore left vulnerable to mass erasure by the enemy. To circumvent this problem, the House Military developed a plan to diffract the timeline of a single individual into a full strikeforce. They chose as their subject agent Christopher Rodonanté Cwej, re-engineering his relationship to history so that an army of Cwejen could be stably created in the 29th year of the War. Despite this being an unmitigated success, the House Military's later replication attempts were met with grisly failure.
The only other successful application of the Army of One concept was Michael Brookhaven's House of the Seven Gables. (PROSE: The Book of the War)
Behind the scenes[[edit] | [edit source]]
- The idea of diffracting an individual into several coexisting duplicates of himself through a temporal process seems to be an attempt to formalise what happened to Scaroth in the Doctor Who TV episode City of Death, although this was never made explicit due to Mad Norwegian Press not having held the rights to the character when The Book of the War was published.
