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{{real world}}{{first pic|Warrior cover with Warpsmith.jpg|Cover of ''Warrior'' #4, showing a [[Warpsmith]] among other elements of the magazine's shared universe.}}The '''Quality Universe''' was the multi-dimensional shared continuity of science-fiction comics created by [[Alan Moore]], [[Steve Moore]] and others for [[Dez Skinn]]'s {{w|Quality Communications}} publishing company, principally in the magazine | {{real world}}{{first pic|Warrior cover with Warpsmith.jpg|Cover of ''Warrior'' #4, showing a [[Warpsmith]] among other elements of the magazine's shared universe.}}The '''Quality Universe''' was the multi-dimensional shared continuity of science-fiction comics created by [[Alan Moore]], [[Steve Moore]] and others for [[Dez Skinn]]'s {{w|Quality Communications}} publishing company, principally in the magazine {{wi|Warrior (comics)|Warrior}}, launched in [[1982 (releases)|1982]]. One of its flagship series was the superhero strip '''''Marvelman'''''. | ||
== Connections to the DWU == | == Connections to the DWU == | ||
Some time before [[October (releases)|October]] [[1983 (releases)|1983]], the two Moores created a document entitled ''A Chronology of Everything (Almost)''. Although it was later printed in [[2001 (releases)|2001]]'s ''Kimota! The Miracleman Companion'', it was not intended for release, but rather as an internal reference for writers, nailing down the timelines of the interlinked series published by Quality. This was contemporary with Alan Moore's ''[[Doctor Who Magazine]]'' [[DWM backup comic stories|backup comics]] dealing with the early history of the [[Time Lord]]s, in which he had introduced the alternative name of [[Chronarch]]s for them. In ''A Chronology of Everything (Almost)'', he linked these works to the Quality Universe with a [[multiverse]] twist: the foundational point of divergence of the Quality continuum, which then further forked off in the 20th century between the timelines inhabited by ''Marvelman'' and | Some time before [[October (releases)|October]] [[1983 (releases)|1983]], the two Moores created a document entitled ''A Chronology of Everything (Almost)''. Although it was later printed in [[2001 (releases)|2001]]'s ''Kimota! The Miracleman Companion'', it was not intended for release, but rather as an internal reference for writers, nailing down the timelines of the interlinked series published by Quality. This was contemporary with Alan Moore's ''[[Doctor Who Magazine]]'' [[DWM backup comic stories|backup comics]] dealing with the early history of the [[Time Lord]]s, in which he had introduced the alternative name of [[Chronarch]]s for them. In ''A Chronology of Everything (Almost)'', he linked these works to the Quality Universe with a [[multiverse]] twist: the foundational point of divergence of the Quality continuum, which then further forked off in the 20th century between the timelines inhabited by ''Marvelman'' and {{wi|V for Vendetta}}, was the invasion and near-[[genocide]] of "the Chronarchy" by the [[Warpsmith]]s, a race introduced in the [[1982 (releases)|1982]] ''Marvelman'' story ''The Yesterday Gambit'', using the [[Killer Cat of Gin-Seng|Death-Cats]]. ''A Chronology of Everything (Almost)'' went as far as to point out that this Chronarchy were "like Earth-2 Time Lords", drawing a parallel between DC's Earth-1 and Earth-2 continuities and the relationship between the ''Doctor Who'' unvierse and the Quality Universe. | ||
[[Daniel O'Mahony]]'s [[2003 (releases)|2003]] [[Charity publication|charity]] ''Doctor Who'' short story ''A Rag and a Bone'', connected to the [[War in Heaven]] arc of the [[BBC Eighth Doctor Adventures|BBC ''Eighth Doctor Adventures'']] nodded to these ideas and linked them to the [[Special Executive]] also featured in Moore's comics | [[Daniel O'Mahony]]'s [[2003 (releases)|2003]] [[Charity publication|charity]] ''Doctor Who'' short story ''A Rag and a Bone'', connected to the [[War in Heaven]] arc of the [[BBC Eighth Doctor Adventures|BBC ''Eighth Doctor Adventures'']], nodded to these ideas and linked them to the [[Special Executive]] also featured in Moore's comics by stating that [[Rassilon]] had created the Special Executive to "fight the [[Killer Cat of Gin-Seng|Killer Cats]] for the sake of the future", showing that in the ''Doctor Who'' timelines, the Executive were instrumental to Gallifrey ''not'' falling to the Warpsmiths' attack. | ||
More official acknowledgement of the Quality Universe connection came in [[2005 (releases)|2005]] with the [[Series 2 (Gallifrey)|second season]] of [[Big Finish Productions]]' licensed ''[[Gallifrey (audio series)|Gallifrey]]'' audio series. Starting there, the weaker [[N-Space]] version of the [[Warpsmith]]s started to be explicitly seen throughout the series, later playing a key role in [[Time War: Volume One|Volume One of ''Gallifrey: Time War'']], where their eventual extermination by the [[Dalek]]s was depicted as what made the Time Lords begin to take the looming threat of the [[Last Great Time War|Time War]] seriously. | More official acknowledgement of the Quality Universe connection came in [[2005 (releases)|2005]] with the [[Series 2 (Gallifrey)|second season]] of [[Big Finish Productions]]' licensed ''[[Gallifrey (audio series)|Gallifrey]]'' audio series. Starting there, the weaker [[N-Space]] version of the [[Warpsmith]]s started to be explicitly seen throughout the series, later playing a key role in [[Time War: Volume One|Volume One of ''Gallifrey: Time War'']], where their eventual extermination by the [[Dalek]]s was depicted as what made the Time Lords begin to take the looming threat of the [[Last Great Time War|Time War]] seriously. | ||
[[Category:Real world series with DWU connections]] | [[Category:Real world series with DWU connections]] |
Latest revision as of 12:37, 1 April 2024
The Quality Universe was the multi-dimensional shared continuity of science-fiction comics created by Alan Moore, Steve Moore and others for Dez Skinn's Quality Communications publishing company, principally in the magazine Warrior, launched in 1982. One of its flagship series was the superhero strip Marvelman.
Connections to the DWU[[edit] | [edit source]]
Some time before October 1983, the two Moores created a document entitled A Chronology of Everything (Almost). Although it was later printed in 2001's Kimota! The Miracleman Companion, it was not intended for release, but rather as an internal reference for writers, nailing down the timelines of the interlinked series published by Quality. This was contemporary with Alan Moore's Doctor Who Magazine backup comics dealing with the early history of the Time Lords, in which he had introduced the alternative name of Chronarchs for them. In A Chronology of Everything (Almost), he linked these works to the Quality Universe with a multiverse twist: the foundational point of divergence of the Quality continuum, which then further forked off in the 20th century between the timelines inhabited by Marvelman and V for Vendetta, was the invasion and near-genocide of "the Chronarchy" by the Warpsmiths, a race introduced in the 1982 Marvelman story The Yesterday Gambit, using the Death-Cats. A Chronology of Everything (Almost) went as far as to point out that this Chronarchy were "like Earth-2 Time Lords", drawing a parallel between DC's Earth-1 and Earth-2 continuities and the relationship between the Doctor Who unvierse and the Quality Universe.
Daniel O'Mahony's 2003 charity Doctor Who short story A Rag and a Bone, connected to the War in Heaven arc of the BBC Eighth Doctor Adventures, nodded to these ideas and linked them to the Special Executive also featured in Moore's comics by stating that Rassilon had created the Special Executive to "fight the Killer Cats for the sake of the future", showing that in the Doctor Who timelines, the Executive were instrumental to Gallifrey not falling to the Warpsmiths' attack.
More official acknowledgement of the Quality Universe connection came in 2005 with the second season of Big Finish Productions' licensed Gallifrey audio series. Starting there, the weaker N-Space version of the Warpsmiths started to be explicitly seen throughout the series, later playing a key role in Volume One of Gallifrey: Time War, where their eventual extermination by the Daleks was depicted as what made the Time Lords begin to take the looming threat of the Time War seriously.